Writer – Page 41 – Natural adventures

7081. M32 Spot (206)

Noise has been painting in Bristol for a little over two years now, and I haven’t yet had the pleasure of meeting him. I guess our clocks just aren’t synchronised – I tend to go for my exploratory dog walks at lunchtime or after work usually on weekdays, so I imagine Noise’s paint time pattern doesn’t match… or maybe we just haven’t been at the same place at the same time. It can happen that way.

This is a big fat piece with big fat letters, which is what Noise does best. His letters are like a visual version of onomatopoeia, in so much as their size and imposition looks like noise to me. Does any of that make sense? The letters are filled with yellow, and some murky muddy colour, I suppose I would describe the piece as mustard noise. Great stuff.

7079. River Avon (88)

Werm and Scrapyardspec, River Avon, Bristol, July 2025

In my mind, some collaborations were just meant to be, and this magnificent joint venture from Werm and Scrapyardspec is simply awesome. Two utterly different styles, a writer and a character artist, have combined with skilful design and colour sharing to create a piece that just works brilliantly.

There is nothing pretentious about this combination piece, just two artists comfortable with what they do where the resulting whole is greater than the sum of the parts. The letters by Werm are nicely executed with straightforward fills and a bold white border. Scrapyardspec’s goofy character replaces the ‘E’ of ‘WERM’ and is integrated into the word with the clever use of an orange border bringing everything into the single piece. Excellent work, full of the joy of street art friendship.

7078. M32 roundabout J3 (698)

Sub had a busy month in July and appears to be pushing the boundaries with his work. This piece tucked away on the M32 roundabout seems to be a practice for a combination piece he followed up with in Peel Street Green (to follow soon).

Sub’s chunky letters and deep drop shadows in icy blues, together with a couple of decorative cracks, are accompanied by a Mario character which I would describe, perhaps a little harshly, as a good first effort. It doesn’t help that the eyes are a bit untidy. What you might notice, when I post the next version of the character in a few days the vast improvement. The learning journey with Sub continues.

7077. Knowle West (4)

I haven’t seen anything from Mudra for an age, so it was so good to find this piece as part of the extraordinary paint jam in this sleepy cul-de-sac in Knowle West. Unfortunately, the parked cars presented a bit of a photography challenge, but I think I just about got away with it.

Mudra has spelled out his name in his distinctive style of treating each letter as a discrete ‘mini-piece’ that when combined all come together very nicely. Lots of colour, and the character face on the letter D has something very special and quite chilling about it. I hope this signals a return to the streets for Mudra.

7075. Sparke Evans Park (136)

Vesar, Sparke Evans Park, Bristol, July 2025

Recently, almost the entire wall at Sparke Evans Park, and it is a long wall, was filled with tribute pieces to Paroe (or Paro). I know little about Paroe (Oliver Andrews), but it would seem from the huge turnout and the large number of tribute pieces all over Bristol, that he was well-known and much loved. This is one of those tribute pieces, by Vesar.

I have only recently been posting pieces by Vesar, despite having many of his pieces in my archive, and I am certainly noticing them much more when I go out on my walks. This is a beautifully presented piece with skilfully worked red fills and a stunning green splash behind. A worthy tribute piece.

7071. River Avon (87)

Trafficity, River Avon, Bristol, July 2025

The name of the game in Trafficity’s work is consistency. His basic design of the letters ZIOS, with its near symmetry, hardly changes from piece to piece, with only the colours and peripheral decorations that vary. He must be able to paint this piece with his eyes shut.

There is a sharp contrast between the upper yellow section and light-blue lower section of the letters, perhaps amplified by the dark background. Not my favourite colour combination, but it seems to work well. I do sometimes wonder what Trafficity’s work would look like if he went for some different letters or new designs, but maybe it would disrupt the ‘brand’. Who knows?

7069. Brunel Way (323)

This is the third and final part of Zinso’s practice production, in which he took advantage of a white buffed wall to produce six pieces of writing alongside each other. This third pairing has one small signature piece and a larger piece alongside it. He also gives a little insight into this wall with the words ‘dead cans done’ which suggests that this whole wall was a bit of a dregs clear out.

The small bubble writing isn’t too different from his other small pieces, and has some very nice drips. The larger piece in red and pink, is presented in a less compressed form, with each letter being discrete from the others, with only a few small overlaps. Overall, this wall was a great effort and showcase from Zinso.

7067. St Werburghs tunnel (519)

Subtle, St Werburghs, Bristol, July 2025

One of the highlights of the year so far has been the return of Subtle. I have managed to photograph some of his pieces, but still haven’t located a wall that he has painted a couple of times, which is a pity, but I will persevere.

This is a gorgeous piece of writing that picks up Subtle’s unique lettering style and combines it with a rich and varied colour palette as well as some decorative spotty background, which is beginning to feature in his work. Bristol streets and walls are quieter without his presence.

7066. M32 roundabout J3 (697)

I am rather liking it that Sub is starting to switch things up a little and push his boundaries. Because he has only three letters to play with, his pieces tend to be quite large and impactful, perhaps at the expense of subtlety or detail, but this piece is quite different from his usual fare.

Sub has offered up a scorching scene of burning letters, that meld into one block, set in a nighttime landscape. This is a great creative advance, and probably took him some distance from his comfort zone. One small detail that I’m sure he will have learned is to do the border last, so that it retains the crispness between the letters and the background. All good stuff, and plenty more to come soon.

Dog Bless the Band

A gallery of unusual graffiti writing by an artist with very possibly the best name ever, Dog Bless the Band.

All photographs by Scooj

	Sheree on 7751. M32 Cycle path (312…
	paulh121 on 7748. Sparke Evans Park (…
	Dan Antion on Thursday Doors – 2 July…
	scooj on 7748. Sparke Evans Park (…
	scooj on Greenish Oedemera

	poetisatinta on Thursday Doors – 2 July…
	Sheree on 7751. M32 Cycle path (312…
	paulh121 on 7748. Sparke Evans Park (…
	Dan Antion on Thursday Doors – 2 July…
	scooj on 7748. Sparke Evans Park (…

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