There are some artists in Bristol that I simply take for granted, in so much as I expect to find their work on a reasonably regular basis, while others may paint in fits and starts. Biers is one of those whose presence is always out there, and it is not difficult to stumble upon new work by him that I haven’t seen before.
Biers, River Avon, Bristol, January 2025
These rather nice WD40 letters in pink work really nicely on the green background, and the letters have been a little bit compressed into his short-form. When Biers incorporates characters to create combination pieces, the letters tend to sprawl out a little bit more. Some interesting fills, and a smattering of inverted crosses finish the piece off nicely.
Earlier on this month, there was a very well attended RBF (Resting Bitch Face crew) paint jam in Sparke Evans Park, celebrating Desi and Even’s birthdays. This piece is one of the birthday girl’s offering, and it is really rather good.
Even, Sparke Evans Park, Bristol, January 2025
This combination piece, brings together some lovely curvy letters in Even’s classic style and the ‘V’ is replaced with a fabulous smiling Cheshire cat. The piece is really bright and joyful, and certainly stood out on a rather cold and wintery day. There is so much more great work to post from this particular paint jam.
Living in Bristol is, for so many reasons, a privilege and a joy, especially if you like a dusting of cosmopolitan urban heritage and culture. There are many things to be proud of and other things, such as the trade in slaves, tobacco and alcohol, that need to be understood and processed. It is a city that has a sense of excitement and a buzz about it, and I am sure that the street/graffiti art culture adds to that sensation.
Squire, Brunel Way, Bristol, January 2025
We have a lot of visiting graffiti writers and artists that come to paint here, and every time I go out taking photographs, I find work by artists I have never encountered or noticed before. This writing by Squire, isn’t a style I recognise, but that doesn’t necessarily mean they are a visitor, just that I haven’t seen their stuff before. I like the letter shapes and the simple but effective black fill and purple pattern, set on a chrome background. A nice piece of writing.
It would be great to know a little bit more about Wispa. She floats in and out of Bristol like a Willow the Wisp. Her Instagram is @willow_the_wispa, which might speak to her itinerant lifestyle. OK, news just in – I checked her Instagram that leads you to her web page, and here is an excerpt from her biography which helps to unravel the mystery somewhat:
I write Wispa, and am a female graffiti/street artist from the south of the U.K. I have been painting for 2 years. I paint all over the country, and have painted in Miami (United States) and Barcelona (Spain) as well as London, Bristol, Brighton and other U.K. spots I like to hit. Writers that really inspire are the likes of: Miss Motel (40hk), Samer, Dime, Isie Ldn, Spat, Zoegen (Miss Buns), Sterling & Skore.
Wispa, Sparke Evans Park, Bristol, January 2025
In this combination piece, part of a huge paint jam celebrating the birthdays of RBF friends Desi and Even, Wispa has painted some stunning letters and a Japanese animation character from the Studio Ghibli. The letters are beautifully laid out with great colour selections and wonderful fills, and the character is so very neat and tidy. Wispa is without doubt an extraordinarily talented artist.
Dirtygypo, Cumberland Basin, Bristol, January 2025
It almost felt as though Dirtygypo had been forgotten. His pieces just weren’t appearing from last autumn onwards, and I was wondering whether he might have left town. It was great, therefore, to come across this recent piece in Cumberland Basin, and all is well.
Dirtygypo, Cumberland Basin, Bristol, January 2025
It doesn’t matter how hard I try, I simply can’t make out Dirtygypo’s letters – I am beginning to think that the word ends with GG, but even then I am uncertain. There is plenty of movement in his letters and I like the incorporation of the character on the left-hand side. I’m sure that his work will all make a great deal more sense once I can decipher the writing.
Desi and Lupa, M32 roundabout, Bristol, January 2025
Ladies of the PWA crew have started the year with some real momentum, and have broadly had a busy period. This conflation piece from Desi and Lupa looks gorgeous in the evening sun. In my experience, it is quite unusual for two artists to merge their names and share a style in this way, and I have to say I rather like it. Within the crew, there are all sorts of combinations that would be fascinating to see, although I sense that this might be a bit of a one-off.
Desi and Lupa, M32 roundabout, Bristol, January 2025
Desi has contributed the VEI, and probably L, and Lupa, the UPA. They have set the pink writing on a traditional purple brick wall background, and the Christmas hat from PWA’s Zake can still be seen behind the letters, providing some temporal context. A fine and true collaboration from Desi and Lupa.
It brings me great joy when I come across new Kid Crayon pieces. He has been reasonably quiet over the last couple of years, which in a way is a good thing, because it signals that his work is going well, and being an artist/designer having plenty of work is always a positive.
Kid Crayon, Dean Lane, Bristol, January 2025
This wall used to have three alcoves in it, and in fairness, was quite difficult to paint. For whatever reason, the council decided to fill the alcoves with breeze blocks, and I have to say that the unintended consequence was this new long wall, which artists have been enjoying ever since. Kid Crayon has used the full length of the wall to paint his letters in hi favoured pink. Each letter is in a distinct style, where the ‘O’ is a masked character incorporating a floating crayon. A nice tidy piece and great way to start the year.
I met Grimes for the first time while he was laying down the foundations for this exceptional chrome piece. I have to say it is so much better than I was expecting it to turn out, which is saying something, because when it comes to Grimes’ work, the bar is already set pretty high. The artist is a lovely man, and we chatted for quite a while. One of the things I found out is that he has been living in Bristol for seven years, so I think I am going to have to revisit my archives to see if I can find any of his older work.
Grimes, Cumberland Basin, Bristol, January 2025
This piece simply oozes class, and energy. Sometimes Chrome pieces, although impressive, and ‘a thing’ they are prone to being a little on the dull side. Not so with this explosive piece by Grimes. The chrome letters, spelling Grime, are filled with some nicely worked traditional patterning, but it is the sparks and plasma threads running through the piece that take it to the next level. Excellent work from the graffiti writer of the moment (‘says who?’ says me!).
Benjimagnetic, St Werburghs, Bristol, January 2025
What a lovely clean and tidy piece this is from Benjimagnetic at the entrance to St Werburghs tunnel. Ordinarily, I would say that Benjimagnetic’s pieces spell out BEN, but I now know it says something different after Benjimagnetic corrected me the last time I mistakenly got it wrong.
Benjimagnetic, St Werburghs, Bristol, January 2025
What I like about Benjimagnetic’s work is the way he deconstructs and then reconstructs his writing, so that it is composed of loads of design elements that come together in a novel way. Another artist who uses a similar deconstruction technique is Minto. Great colours in this piece and overall a classy bit of writing.
Fade, Stivs and Dibz, Brunel Way, Bristol, January 2025
Towards the end of the year, the collaborations from Dibz and Fade plus guests, dropped off significantly, and I have a feeling that Fade told me he was making a trip to America in the winter, and perhaps that was the reason. I am sure that this is only a temporary blip and that this collaboration marks the first of many in 2025
Fade, Brunel Way, Bristol, January 2025
This time, Dibz and Fade have teamed up with Stivs, who has provided the centrepiece for this collaboration. In this piece, there is a clear themed palette giving off a rusty red vibe, combined with a deep white drop shadow. Fade has written his FADER letters with accuracy, and the shadow fill is either thin or patterned, and I can’t quite decide which.
Stivs, Brunel Way, Bristol, January 2025
Stivs has provided the character interest in the centre with a magnificent Teenage Mutant Ninja Turtle portrait (he is going through a bit of a TMNT phase at the moment). The writing at the top says ‘Have a turtlee good 25’ giving away that this is a New Year collaboration piece.
Dibz, Brunel Way, Bristol, January 2025
Dibz rounds off the triptych with a reflection (in terms of colour and style) of Fade’s writing, and also has the same effect on the white drop shadow, which leads me to conclude that it is a deliberate, mottled pattern rather than thin paint, which makes sense really, because these masters of their craft would never be happy with substandard fills. A great way to begin the year.
Natural adventures 