Wrdsmth, Upfest 2024, North Street, Bristol, May 2024
I am aware of Wrdsmth’s work, mainly from my trips to some of London’s great graffiti/street art spots like Shoreditch and Camden Town, but I don’t think I have seen anything by the artist on this scale before. It is a privilege for the artist to secure this wall that has had some significant masterpieces on it before, in particular a stunner from Liam Bononi back in 2021.
Wrdsmth, Upfest 2024, North Street, Bristol, May 2024
From the little I know about Wrdsmth, he usually follows the same format with a typewriter and some wise words issuing forth from it. Here, the words say “Aspire to inspire others and the universe will take note”. I am not so sure about this confident assertion, but admire its trust in human nature. It was great to have Wrdsmth visit Bristol for Upfest, and it would be great to have the artist return sometime.
Inkie, Upfest 2024, Gathorne Road, Bristol, May 2024
Inkie is probably Bristol’s best known street artist, alongside Banksy (of course) and Nick Walker, and unlike the others, he still regularly paints in Bristol. It is pretty much a given that Inkie will be invited to Upfest to paint a significant wall, and for at least the second time he has painted the side of Parson’s Bakery on North Street.
Inkie, Upfest 2024, Gathorne Road, Bristol, May 2024
‘Use your loaf” is the slogan Inkie has chosen for this classic piece with his very special writing and stylised portrait of a girl with long flowing hair. I don’t know if the colloquialism is one known outside the UK, but in this instance ‘loaf’ means brain or head… a bit like the phrase ‘use your noodle’… same thing. A clever slogan for a bakery. Wonderful stuff from Inkie.
Inkie, Gathorne Road, Bristol, July 2019Inkie, Gathorne Road, Bristol, June 2016
Sage is an artist who emerges every once in a while in Bristol, and could never be described as prolific, indeed he has been rather quiet for some time now, so is was great to see this piece, which was part of a larger collaborative paint a week or two back.
Sage, Brunel Way, Bristol, July 2024
I know that I have several of his pieces in my archives that for some inexplicable reason I have never published. He is a talented writer, and for a while dotted the streets of Bristol with his capped character mega tag. This writing has a bit of a retro-psychedelia feel to it and is accompanied by a couple of interesting characters on the right. This is a classy piece, and I rather hope it might indicate increased activity from Sage.
Face 1st and Zake, M32 roundabout, Bristol, July 2024
It looks like Face 1st and Zake have an insatiable appetite for painting at the moment, and they are teaming up, with or without the rest of PWA friends to get out there and decorate our walls. This time the pair have chosen the M32 roundabout to express themselves.
Face 1st, M32 roundabout, Bristol, July 2024
Face 1st continues to work on his 3D blocky letters, which in fairness he has been tinkering with for a few years, but seems to be really concentrating on them at the moment. This is a familiar format, where he spells out FACE with the letter ‘A’ being replaced with a laughing girl.
Zake, M32 roundabout, Bristol, July 2024
Zake has been creating some rather zany and at times mildly disturbing cartoon portrait pieces lately, and this one fits that description quite neatly. Whenever I see a heart in street art, I read it as meaning one of two things – love, or heart break. It is possible in this instance that it is neither and might be illustrating the tussle between heart and mind. The character has been cleaved in two, which makes for not the most attractive sight. All in all a nice collaboration from the busy pair.
Noise and Sait Bare, Cumberland Basin, Bristol, July 2024
I have to say that this was not a collaboration that I was expecting, but that is the joy of documenting street and graffiti art in this fine city. Noise has collaborated with several different artists in Bristol, so why not collaborate with Sait Bare? The two artists have gone for a colour coordinated theme that carries through both of their graffiti writing.
Noise and Sait Bare, Cumberland Basin, Bristol, July 2024
Noise has painted the left hand side with his chunky NOISE letters, and Sait Bare has written BARE in his slightly unruly style – together they compliment each other perfectly. I would guess that the character in the middle was probably a combined effort, but without asking them I can’t be certain. This is a very nicely produced collaboration and great surprise.
Although she doesn’t hit the walls all that often, it is always a treat when Nips produces one of her pieces of writing. She tends to have a fairly consistent approach to her letter shapes, but like many other artists who demonstrate this consistency, it is the fills that are king.
Nips, M32 roudabout, Bristol, July 2024
Tucked away on the M32 roundabout the graffiti writing is filled with a wonderful selection of green tones that transition beautifully with a combination of shape changes and blending. Nips creates great depth to her letters by using white accents on the right hand edges them, and using this device the letters pop really well. This is a very nice, in not a little modest, piece by Nips.
This piece by Grimes once again confirms how he is establishing himself on the Bristol street/graffiti art scene and becoming part of the furniture round here. There is an incredible amount of energy that is emitted by his pieces, which is difficult to pin down, but the combination of colours and design really hit the mark.
Grimes, Brunel Way, Bristol, July 2024
I don’t know where Grimes came from before he became really active in the city, but his Instagram feed which goes back to 2019 suggests he has always been here, perhaps just waiting for the moment and confidence to hit our walls big time. He painted this as part of a four-way paint jam with Sage, Zaxer One and Alker. Bright, colourful, vibrant and very welcome, I am convinced you’ll be seeing plenty more from Grimes on Natural Adventures.
For the last year or two, Hypo has been turning out terrific pieces of a consistent high quality and on a pretty regular basis. His letters HYPO lending themselves to a certain degree of symmetry, which often comes across, which is well demonstrated here and can be spotted if you focus on the positions of the five light blue arrows.
Hypo, M32 roundabout, Bristol, May 2024
The colours are nicely presented and transition well in the fills. There is also a lot of depth to the letters created with mid-lines, shading and accents. Hypo is a specialist at creating this kind of energy and effervescence in his writing, perhaps learned from and shared with his friend Hemper, who is a master of this kind of wildstyle graffiti writing.
There is something really charming about Zeks’ work that makes it accessible and enjoyable. I don’t quite know how he achieves it, but perhaps it is the naive graffiti writing style that makes it so welcoming, and in this piece there is a kind of narrative around the letters.
Zeks, M32 roundabout, Bristol, April 2024
The stylised letters spelling ZEKS form the core of the piece, and the story unfolds around that core. It almost feels like a travel diary, with houses, snow-capped mountains and octopus tentacles all featured. The design of the houses have a South American appearance – it would be great to know the backstory to this one. More from Zeks to come.
Soap, Zake, Face 1st and Chill, Coach and Horses, Bristol, April 2024
This production collaboration from the PWA crew was photographed in April this year, and nearly got left behind, had I not carried out one of my occasional archive ‘sweep ups’. Soap, Zake, Face 1st and Chill have combined to create this zany and energetic piece.
Soap, Coach and Horses, Bristol, April 2024
Starting off with Soap, who has been a little quiet of late, and this writing/character combination. I have spent way too long trying to find out who the character and cat are and what cartoon series they belong to (possibly Adventure Time?). Some beautiful blue letters here spelling SOAP set on a green and pleasant background that Chill has enhanced with his silhouetted plants along the ground.
Zake, Coach and Horses, Bristol, April 2024
Next up is a very curious character piece by Zake, which unusually has the whole character and not just the head. The character’s body is brilliantly drafted, with some lovely detail around the knuckles, stitching on the trousers and shoes, but then you get to the head… What has happened here. Expressive it might be, but I find it slightly grotesque, but that is the joy of cartoon characters, you can make them do unreal things.
Face 1st, Coach and Horses, Bristol, April 2024
Face 1st gives us a classic laughing girl piece with the letters FACE staked up in her hair. The letters follow the recent interest that Face 1st has shown in creating 3D blocks, and works very well in this piece. It is so good to observe Face 1st pushing his boundaries and expanding his repertoire.
Chill, Coach and Horses, Bristol, April 2024
Chill, I feel, is an underrated and underrepresented artist on the Bristol scene. I rarely see his pieces shared on social media, and I feel he doesn’t get the recognition he deserves. His characters are always on point, full of fine detail and comic expressions, and he combines his urban ‘geezers’ so well with his beautiful and fragile nature silhouettes that accompany this entire production and others. This is a fine collaboration from the PWA boys.
Natural adventures 