I am really flagging. This is a beauty from Hypo, who I met at the M32 roundabout a couple of days ago. He continues to turn out quality pieces with great regularity, and this one is so full of energy and effervescence.
We talked a little of his penchant for symmetry, and chatted about Werm who is going through a phase of writing his letters with a bilateral symmetry. In symmetry lies perfection… That’s yer lot, back to bed for me.
I have Covid. A pretty strong dose of it and am rather under the weather. This would go some way to explaining why I am late with today’s posts. Natural Adventures has strong ties with viruses, it was started in February 2015 while I was recovering from a really bad bout of flu. But for that I might not be sitting here writing right now.
Wispa reminds me of Maria Von Trapp, a flibbertygibbet, a willow the wisp, a cloud. Her name would appear to be a good description of the way she travels the country, never staying too long, so it seems. This is a nice piece of writing that was painted alongside Werm a week or two back. Nice stuff and great to know she has been visiting.
A couple of weeks ago, before we drove our daughter to her new university adventure, I had to drop the dog off with a dog-sitter which took me to a part of town I don’t go to all that often. While I wouldn’t describe the area of Redfield as a graffiti/street art hotspot, there are a few pieces knocking about the place and it is always worth having a little explore. I got lucky and found this Taboo piece, which might have been there for some time, but it was a discovery for me nonetheless.
This is a fabulous anti-style graffiti writing/character combination piece that Taboo is so good at, full of innovation and charm as well as being a little bit surreal. The letters spell out TABOO, with the last ‘O’ represented by a bricky busily building a wall. This is a wonderful piece that demonstrates the rare and extraordinary talents of Taboo.
Benjimagnetic has been dropping pieces at about the rate of one a month or so for the whole year, many of them in St Werburghs tunnel, which leads me to think that he must live pretty locally to the spot.
This is a classic piece of deconstructive graffiti writing that Benjimagnetic specialises in. The letters spell out BEN, but without knowing that, you wouldn’t really be able to guess. The colourful piece is made up of so many independent components that all come together in a coherent abstract writing piece that makes a whole lot of sense. Very nice work from Benjimagnetic.
This wall in Dean Lane has taken a lot of paint recently, and anything painted here hasn’t lasted more than a few days, and so it was for this wonderful piece of anamorphic graffiti writing by Lokey. The piece was part of the celebratory paint jam marking Andy Council’s birthday (note the AC50), and encouraged by Paul H, we visited the spot the day after the works were finished, which was just as well given that several of them didn’t last long.
Recently, Lokey has been taking his daughter with him to paint (which, incidentally I think is brilliant), but on this occasion it was just him, so he was able to put maximum effort and concentration. I think that this is probably the best piece I have seen from Lokey for a while… so full of precision and a perfect teaser for the eyes. Those letters really pop. Wonderful stuff.
Two of the Bristol masters have been at work in this fabulous collaboration in Dean Lane. Turoe and Soker have been writing for way longer than I have been posting about street art and are without doubt part of the established scene in the city. Although they don’t paint as often as some other graffiti writers, their work is always immaculate.
The colour selection of both pieces is superb, with cool steel blues dominating. There aren’t the words to describe how good Turoe’s writing is. There is some wildstyle work, but it is not fussy or over-complicated. The colour transitions in the fills are exquisite and the 3D drop shadow with a vanishing point just beneath the piece sets the piece up perfectly.
Soker’s piece is rather more elongated and has a slight metallic quality. The letters SOKER are clearly marked out, but it is the design of the letters that is so attractive. What a pity I photographed it when it was in the shade, as I expect that in the sunlight it would give off a quite different aura. Simply a wonderful collaboration.
Klashwhensober is consistently one of the most prolific graffiti writers in Bristol, tracing out his SOBER letters wherever he finds a free wall. Some of his pieces are obviously rather hurried while others, like this one are a little bit more considered and tidy.
The way that Klashwhensober has overwritten the piece underneath is quite clever in that instead of buffing out the wall completely he has created a cloudy covering obscuring it enough to nullify it. The chrome letters are really nicely worked with a tidy two-tone drop shadow and clean black border. Definitely one of Klashwhensober’s better ones.
I have said it so many times before, but Mr Draws really is one of the most consistent graffiti artists in Bristol, and has been for as long as I have been writing this blog. This is a lovely piece of writing at the entrance to the tunnel and is bright, cheerful and welcoming.
Mr Draws has several different fill styles, and this camouflage pattern is one that he uses a fair bit, although not always as colourful as this one. His curvy letters are propped up with a deep drop shadow, and he has added a peace symbol for good measure. I think we could all do with a bit of peace in the world at the moment. Nice work from Mr Draws.
This is a rather curious and abstract piece of graffiti writing from Mr Draws, who I know is always looking at ways to redefine his work, and likes to push boundaries. Sometimes Mr Draws will inject one of his ‘experimental’ pieces in the middle of a series of more customary work, and it is great to see.
In this one, there are some parallels with the style of Benjimagnetic, providing hints at the letters in amongst the decorative work. The ‘D’ and ‘R’ are clear but the ‘A’ and ‘W’ are more fused together. There is a nice cosmic feel to the whole piece and I like what I see. Keep pushing boundaries I would say.
I bumped in to Kid Krishna earlier this week when he was painting under Brunel Way which was particularly nice as I hadn’t seen him for a very long while. I’m not sure he recognised me without my beard. He has been on fire lately, even venturing into The Bearpit, which hasn’t seen any action for several years.
This is a really unusual CRIE piece with interesting colours. Quite unlike anything else you see about the place. The two colour palettes appear to be so at odds with one another, but somehow it works really well. I am mindful that I have a whole ton of Kid Krishna pieces in my archive and probably need to dig them out.
Natural adventures 