Mr Klue is having another of his purple patches – he is very much a peaks and troughs kind of artist, and this one in the tunnel is one of several new pieces in his favourite spot. Mr Klue is also posting a lot of old pieces on his Instagram account right now, which is almost like a retrospective exhibition – and most enjoyable.
Mr Klue, St Werburghs, Bristol, June 2024
This piece follows the familiar formula of wispy ephemeral writing that spells out KLUE, using the blue tones that he loves so much. I hope that this productive period continues, because Mr Klue is another of those artists whose work underpins the diverse scene we have in Bristol.
After what feels like a long absence, I have noticed one or two new Mest pieces appearing about the place, which is good news, and this is a recent one from Brunel Way. His journey can be applied to so many other artists with peaks and troughs in activity, which can happen for all sorts of reasons.
Mest, Brunel Way, Bristol, June 2024
I have always liked Mest’s graffiti writing. For me he falls into the school of artists who present their letters clearly, without too much disguise, and concentrate on fill patterns and other details. Other artists that I would liken his work to are Phour, Mr Draws, Raid, Nips, Oner and Mates, and I am sure there are a host of others too. Mest has crated some nice letters with fabulous fills, and appears to have hit the ground running on his return. Looking forward to seeing more from Mest.
Pekoe and Jody, M32 roundabout, Bristol, June 2024
This is another installation from the recent paint jam to celebrate Wispa’s (in absentia) birthday. I can’t recall whether Pekoe and Jody have collaborated before, but they have done so spectacularly well in this writing/cup-cake combination piece.
Pekoe and Jody, M32 roundabout, Bristol, June 2024
Pekoe has been working more on her letters over the last year or so and is clearly gaining in confidence. There is a uniformity and discipline here which is good to see, She has added a sprinkling of ‘love hearts’ in line with the confection theme for the paint jam. The cup-cake by Jody is nothing short of perfect… topped with a swirl of cream a cherry, mint leaves and some chocolate sprinkles. A superb collaboration from the pair – I hope Wispa was suitably impressed/touched.
Fade, Andy Council and Acer One, Dean Lane, Bristol, June 2024
What I love about recording and writing about street/graffiti in Bristol is the enormous array of quality, experience and styles that I get to see – it is never boring, and I love to try and represent it all here. This is an extraordinary ‘high-end’ production from Fade, Andy Council and Acer One. I get the feeling from the balance of the piece that Fade may have been an opportunistic addition to this piece, but has integrated perfectly with the colour scheme and tone,
Fade, Dean Lane, Bristol, June 2024
Fade, using all his experience, manages to create such a tight finish to all of his work, and it feels like there is never any part of it that is untidy or out of place. His letters spell FADE, and are filled beautifully in black fading to brown. The writing is set on a stunning grey/brown cloud that runs through the whole collaboration.
Andy Council and Acer One, Dean Lane, Bristol, June 2024
The balanced symmetry of the Acer One and Andy Council element of the collaboration is what makes me think that Fade was an add-on. It comprises one of Acer One’s designs that he is currently favouring, which is accompanied by two of Andy Council’s famous Ammonites.
Acer One, Dean Lane, Bristol, June 2024
Acer One has come up with this incredibly clever and intricate concept, where two words are incorporated into one design – something he has done before, but is now more refined. Some of the words are easier than others to see. The upper chrome lettering spells ACERONE and the lower black letters spell COUNCIL. If you block off the upper or lower part, it is easier to read the names.
Andy Council, Dean Lane, Bristol, June 2024
I love it that Andy Council will often return to his ammonites in his mural work. They obviously hold an important part in his work because his signature incorporates one. These creatures are ‘composites’ made up of elements ‘stitched’ together in Andy Council’s unique and inimitable style. This is overall a brilliant production, and a precursor to a larger one including Dibz and Jody… watch this space.
I have mentioned before on Natural Adventures, how much visiting artists contribute to the spectrum of street and graffiti art that we see in the city, constantly adding to the diversity and culture of the scene. All visiting artists are welcome, and none more so than Mr Tanner, whose one-off unique pieces have brought some imagination and and sparkle to this wall in Cumberland Basin on several occasions.
Mr Tanner, Cumberland Basin, Bristol, May 2024
I am not too sure where Mr Tanner is based, but he does appear to visit Bristol occasionally. The horse in this piece is a reverse silhouette on a black background, within which its skeleton appears, almost X-ray-like. There are two vertical lines of writing that accompany the piece, on the left, something in Japanese, and on the right the letters TOPIA constructed out of bones. Altogether this is an unusual and striking piece.
Mr Klue has been smashing it, not only recently, but for years with his original abstract ephemeral graffiti writing. He definitely favours painting in St Werburghs tunnel, where virtually all of his pieces have been in recent years. He used to paint in the Bear Pit in the good old days, and a few other spots in north Bristol, but his range appears to have narrowed.
Mr Klue, St Werburghs, Bristol, June 2024
The letters, as usual, spell out KLUE, and have a slightly more solid look to them than some of his pieces. His favoured blues and purples are carefully positioned to create light and shade and add perspective to the piece, which the yellow lower edges and white upper edges amplify. A lovely example of this enigmatic artist’s work.
This is an unusual, but also rather pleasing piece painted by Kid Crayon, alongside his friend I am Ian, who featured on Natural Adventures yesterday. The whole piece is relatively simple in its construction and made up of only five colours; a yellow background, white letters, green border, grey accents and some random orange squiggles.
Kid Crayon, M32 roundabout, Bristol, June 2024
The bubbly/cloudy letters spell out CRAYON, with the letters KID written backwards, a regular device used by Kid Crayon. There is a lightness of touch and ease about the piece and although simple in design it is beautifully executed. I know that Kid Crayon is extremely busy at work, getting paid for what he loves doing, and that makes his street pieces all the more welcome. Nice one.
There has been no let up from Dibz and Fade, and although their pieces don’t appear as regularly on Natural Adventures as they used to, it doesn’t mean they aren’t painting as frequently, it simply means they are having to compete for space with so much other art including Upfest 2024.
Fade, Dean Lane, Bristol, June 2024
This is a classic presentation by the two artists with Fade on the left, Dibz on the right and a co-created character in the middle. They have cleverly reversed the fill colour layers between the two pieces of graffiti writing, with Fade starting with green at the top transitioning through dark blues to a light blue, while Dibz starts with the light blue at the top.
Dibz, Dean Lane, Bristol, June 2024
The writing is, of course, of the absolute highest standard, painted by two artists who are at the top of their game. I don’t know who the green dog character is, and my Google searches haven’t turned up any clues, which is a pity, but he is nonetheless magnificent. Naturally, there is more to come from these two… watch this space.
Another of Bristol’s writers who creates the foundations upon which the graffiti and street art culture is built is Raid, who, although a relative newcomer to the city, has established himself as a regular contributor of beautifully designed writing, that appears to be on an ever-upwards trajectory.
Raid, Cumberland Basin, Bristol, June 2024
Raid’s work is straightforward and unpretentious, and often marked out for his wonderfully creative fill patterns. In this piece though he has gone for a straightforward solid chrome fill, with a yellow accent running through the midline of the letters. The blue drop shadow and black border are nice and tight and the whole thing is as tidy as I would expect from Raid. Great work.
The dry, and occasionally hot, weather we have been experiencing during this so-called English summer has seen artists out and about in large numbers, with several recent very well attended paint jams. This beauty, by I am Ian, was painted on the roundabout wall during one of these paint jams.
I am Ian, M32 roundabout, Bristol, June 2024
I get the feeling that I am Ian, who doesn’t paint walls all that often, was coaxed out of his studio to paint next to his friend Kid Crayon. Furthermore, I have never seen an I am Ian piece that isn’t adjacent to or a collaboration with Kid Crayon. The character looks a bit like one of the evil alter-egos spawned from Gizmo in the 1980s ‘horror’ film ‘Gremlins’. The mischievous character, who is spraying the wall with red paint, is nicely presented and definitely brings something fresh and interesting to the paint jam. I am looking forward to seeing more of these events through the summer period.
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