6604. Frome Side (46)

Oust, Stivs and Noise, Frome Side, Bristol, November 2024
Oust, Stivs and Noise, Frome Side, Bristol, November 2024

This magnificent triptych forms one part of a larger paint jam under the M32 prompted by World Wall Stylers wi the theme of the animation Ninja Scroll – not a film I am familiar with. The three artists who have collaborated are Oust, Stivs and Noise.

Oust, Frome Side, Bristol, November 2024
Oust, Frome Side, Bristol, November 2024

To the left is some highly accomplished writing from Oust. Quite how it relates to Ninja Scroll, I don’t know, but having not seen the film, connections might be difficult for me to spot. There is a misty quality to the piece, and the 3D drop shadow is masterful.

Stivs, Frome Side, Bristol, November 2024
Stivs, Frome Side, Bristol, November 2024

The obvious focal point of the collaboration is the wonderful character piece in the middle by Stivs, whose talent appears to have no bounds. I am assuming that the character is taken from the animation, and is wielding a fine double ended sword. Stivs is so good at painting these kinds of characters.

Noise, Frome Side, Bristol, November 2024
Noise, Frome Side, Bristol, November 2024

To the right, the ubiquitous Noise has added his own inimitable style to the proceedings with some chunky bronze letters spelling out NOISE. His letters hive some nice fills and a contrasting pink drop shadow. The common factor with each of the three pieces is the greens-blue plasma cloud surrounding. Very nice work from the trio.

6594. Dean Lane skate park (789)

Smak, Dean Lane, Bristol, December 2024
Smak, Dean Lane, Bristol, December 2024

The lateness of my posts today is down to a day of incredibly uncomfortable travel. I am heading to London on a train (to watch the mighty Arsenal play Everton FC) that is brim full. My booked seat is null and void, because all bookings have been cancelled, so I had to try and find a spare seat. Unfortunately the carriage I eventually found a seat in is quite noisy, the gentleman next to me has a stinking cold and the young lovers in front of me are very excited about their trip to America for Christmas to ‘meet the parents’, which is lovely, but I’m not sure I need to know every detail. I try to occupy my time by writing this blog post, but it is far from easy.

Smak, Dean Lane, Bristol, December 2024
Smak, Dean Lane, Bristol, December 2024

This container on the raised section of the Dean Lane skate park has quite a high turnover, but I would say that about three quarters of what appears here is ordinary, so it was great to find this superb combination piece by Smak. Smak has written his letters in a pleasing bronze/brass and purple combination, but it is the encircling snake that catches the eye. The snake is a kind of crossover between realistic and cartoon, looking a little bit like Kaa from the Jungle Book. I hope I survive the journey without going mad or contracting some revolting sickness just in time for Christmas. To cap it all, the train has just ground to a halt. Grrr.

6593. St Werburghs tunnel (464)

Minto, St Werburghs, Bristol, December 2024
Minto, St Werburghs, Bristol, December 2024

Minto went through a very rich vein of form and productivity earlier on this year, before falling off a little in the autumn, so it was super-nice to find this recent piece in the tunnel alongside Ren and Hypo, keeping things fresh in St Werburghs.

Minto, St Werburghs, Bristol, December 2024
Minto, St Werburghs, Bristol, December 2024

This is a classy combination piece from Minto, spelling out his name and including a capped character puffing out some smoke. Characteristic of his writing, the letters MIN form a wedge, followed by an elevated T rounded off with a large O. The irregularity of his letters tends to be something of a trademark. Very nice piece from Minto.

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6592. M32 Spot (197)

Logoe, M32 Spot, Bristol, December 2024
Logoe, M32 Spot, Bristol, December 2024

Logoe has been back in town again, and what I particularly like about this piece is that he has taken the whole long board over. Sometimes this space is occupied by two artists and occasionally by three, but in this instance Logoe has hogged the whole thing, and has certainly eked out his letters to fill the space on the right. I left the chair in front of the piece, because I felt it added a bit of artistic interest.

Logoe, M32 Spot, Bristol, December 2024
Logoe, M32 Spot, Bristol, December 2024

Script writing is something of a speciality for logoe, and his joined-up letters appear very much as they might on a page. The fill drifts from bright yellow on the left to pale orange on the right, and the whole thing is liberally sprinkled with little oval dots running horizontally just above the midline. Set on a blue background, the whole thing looks lovely.

6591. Brunel Way (305)

Face 1st and Zake, Brunel Way, Bristol, December 2024
Face 1st and Zake, Brunel Way, Bristol, December 2024

True to his word, Face 1st said that despite moving to Herefordshire, he would be back in Bristol to have a paint from time to time, and who better to team up with than his PWA partner in crime Zake, who thrives on collaborations. This is a combination piece, with Face 1st’s writing wrapped around an unusual portrait by Zake.

Face 1st and Zake, Brunel Way, Bristol, December 2024
Face 1st and Zake, Brunel Way, Bristol, December 2024

Face 1st has enjoyed using the block letters idea, which he has used quite a lot to good effect, and here, they frame a rather sinister portrait from Zake. Seeing Zake’s characters with hair always adds a little bit of weirdness, especially in this piece, where the face is green and the hair purple. Although I photographed this collaboration not long after it was painted, the dampness of the wall has caused some damage on the character’s nose. I am so glad to see Face 1st popping down to see us.

6588. St Werburghs tunnel (463)

Mr Klue, St Werburghs, Bristol, November 2024
Mr Klue, St Werburghs, Bristol, November 2024

It has been a very good year for Mr Klue, who has been both productive and creative. This new piece in the tunnel differs from many of his others in the use of several colours in a single piece.  Perhaps it was a dregs piece, or maybe he simply wanted to switch things up a bit.

Mr Klue, St Werburghs, Bristol, November 2024
Mr Klue, St Werburghs, Bristol, November 2024

The letters KLUE are about as obvious as you are going to seen in a Mr Klue piece of abstract graffiti writing. The top edge of the piece is noteworthy too, with his piece bleeding into the cream background. The photographs don’t really do this one justice, as I remember thinking when I saw it how stunning the colours were. All good stuff.

6586. Sparke Evans Park (111)

Sworm, Sparke Evans Park, Bristol, November 2024
Sworm, Sparke Evans Park, Bristol, November 2024

This is the second piece by Sworm that I have posted from this wall in the last couple of weeks, and although they were painted several months apart, I photographed both at the same time. While his first piece concentrated on the most extraordinary explosion of colour, this one turned the attention to the form of the letters.

Sworm, Sparke Evans Park, Bristol, November 2024
Sworm, Sparke Evans Park, Bristol, November 2024

Sworm paints only occasionally in Bristol, but it is great to see his work, because it is, in my view, really classy. The letters here are not uniform, but instead they blend in well together, filling all the gaps between them. The mid-line running through the letters and the subtle contrast in shades of cream create a lovely 3D effect. This is a really neat and tidy piece from a talented graffiti writer.

Sworm, Sparke Evans Park, Bristol, November 2024
Sworm, Sparke Evans Park, Bristol, November 2024

6585. Greenbank (144)

Klashwhensober, Greenbank, Bristol, November 2024
Klashwhensober, Greenbank, Bristol, November 2024

Klashwhensober gets a lot of practice with painting walls, which directly leads to improvements in his work. Over the last few years he has managed to develop his style, which has gradually developed into a sophisticated blend of writing the letters SOBER with animated fills that ooze out from them.

Klashwhensober, Greenbank, Bristol, November 2024
Klashwhensober, Greenbank, Bristol, November 2024

This piece illustrates really clearly how the fill tells its own story, or has its own place, and you could almost imagine a scene unfolding, but you only get to see that scene within the confine of the letters. There is always a lot crammed into Klashwhensober’s work, perhaps an indication of a busy mind. This is a nicely executed and finished piece.

6584. Dean Lane skate park (788)

Ceus, Dean Lane, Bristol, November 2024
Ceus, Dean Lane, Bristol, November 2024

I love Ceus’ work. His writing has a flow about it that is welcoming to the eye, and there is often a hint of wings in his work, a regularly occurring theme. If I am brutally honest, I don’t very much like primary colours in street art… for some reason the red, blue and yellow thing leaves me cold.

Ceus, Dean Lane, Bristol, November 2024
Ceus, Dean Lane, Bristol, November 2024

I usually praise Ceus’ colour palettes, and I love some of the softer, subtle colours he often uses, but the adoption of these primary colours dominates the form so much and makes the whole thing feel rather clunky. Maybe it is just me and the embedded memories of childhood building blocks… who knows? Aside from the colours, this is a classy, as always, piece for graffiti writing from Ceus.

6583. St Werburghs tunnel (462)

Kid Krishna, St Werburghs, Bristol, November 2024
Kid Krishna, St Werburghs, Bristol, November 2024

Kid Krishna is a very versatile artist whose portfolio includes the simplest roller-painted pieces through to complex graffiti writing with the inclusion of characters and objects, blended to perfection. This piece is one of his more complex pieces and speaks of a very busy mind – there is a lot going on here.

Kid Krishna, St Werburghs, Bristol, November 2024
Kid Krishna, St Werburghs, Bristol, November 2024

The cryptic writing spells out CRIE, although I confess that I have difficulty seeing it. The colour palette, as always is thoughtfully put together, and the whole piece has an organic feel to it. Even the background is treated to a bit of ‘cracked-wall’ magic. I have noticed that of late he has been including a ‘No Frills’ stamp on his work, and I guess he is now a welcome addition to the crew. It is difficult to convey what a superb piece of graffiti writing this is, largely because it is unconventional and doesn’t really obey any rules.