6225. Dean Lane skate park (736)

Zake and Face 1st, Dean Lane, Bristol, July 2024
Zake and Face 1st, Dean Lane, Bristol, July 2024

I’ll let you into a small and rather unimportant secret… I wrote this post yesterday because today I am going to visit Cheltenham tomorrow for the Cheltenham Paint Festival, which this year has an extraordinary line up, so expect some rather nice posts in about 2-3 weeks time. I am so pleased for Dice67, AKA Andy Davies, who has been running the festival since its inception, which is just becoming bigger and bigger with each year.

Zake, Dean Lane, Bristol, July 2024
Zake, Dean Lane, Bristol, July 2024

This is a rather nice collaboration from PWA duo Zake and Face 1st in the narrow bit between a building and a skate ramp, hence the rather odd angle in the top photograph. Zake has painted a character yelling, painted with as much relief and texture as it is possible to get.

Face 1st, Dean Lane, Bristol, July 2024
Face 1st, Dean Lane, Bristol, July 2024

Face 1st has painted his name in rather fetching reds and pinks with some interesting cross-hatching in the ‘c’ and in the hair of the laughing girl. I like the way that Face 1st has been experimenting with his writing a lot lately, although I miss his full body character pieces – I guess you can’t have it all!

6224. Cumberland Basin

Ments, Cumberland Basin, Bristol, July 2024
Ments, Cumberland Basin, Bristol, July 2024

This piece from Ments, painted as part of a wider paint jam, is a joy to behold. I am always going on about how we just don’t see enough of Ments’ work these days, and here is the second piece since May, the other being at Upfest. There is no doubt that Ments has pulled out all the stops with this one.

Ments, Cumberland Basin, Bristol, July 2024
Ments, Cumberland Basin, Bristol, July 2024

His characteristic ‘organic’ writing is full of mystery and shapes and textures of planet earth, like chemistry mixed up with geometry and art – a delightful combination. From what we see, there is no way of knowing what the letters spell, but it is probably a good guess to imagine that it says MENTS. There is so much to admire in the intricate details and interactions between the forms and colours in the piece. Outstanding.

6223. Dean Lane skate park (735)

Hire, Dean Lane, Bristol, July 2024
Hire, Dean Lane, Bristol, July 2024

Recently I have managed to miss out on a couple of Hire pieces, because I have just been too slow, and for some reason, his work has been getting overpainted quite quickly lately. I think it is bad timing on his part more than anything more sinister than that. So I was particularly pleased to catch this one.

Hire, Dean Lane, Bristol, July 2024
Hire, Dean Lane, Bristol, July 2024

I have been an enormous fan of Hire’s since the first pieces I saw, many years ago. He consistently turns out brilliant graffiti writing and occasional rabbits to such a high level of precision. In this piece he has used the willing combination of pink and blue to create his HIRE lettering, but what I particularly like here is the interaction between the letters and the brown background, which is impacted by, and augments the letter shapes. Very nice work from Hire.

6222. Cumberland Basin.

The Art of Sok and Smak, Cumberland Basin, Bristol, July 2024
The Art of Sok and Smak, Cumberland Basin, Bristol, July 2024

In the seventies I might have described this piece as ‘smashing’, and as a child of the seventies I am going to describe this outstanding collaboration between The Art of Sok and Smak as smashing. I was lucky enough to meet with and chat to both artists the night before they painted this wall as part of a larger jam, at Merny’s exhibition opening, which had a great turnout.

The Art of Sok and Smak, Cumberland Basin, Bristol, July 2024
The Art of Sok and Smak, Cumberland Basin, Bristol, July 2024

The two artists have worked together perfectly to produce this character/writing combination. Smak’s writing is absolutely sensational and in addition to that, he has created a perfect tropical sunset backdrop with The Art of Sok’s character presented in the foreground – beautifully comnposed.

The Art of Sok, Cumberland Basin, Bristol, July 2024
The Art of Sok, Cumberland Basin, Bristol, July 2024

During his short trip to Bristol, The Art of Sok, who it turns out is a lovely bloke, dropped a few pieces about the place which I will naturally post in due course. The cartoon-style character is pretty much perfect in its precision, which is how The Art of Sok rolls. He told me that he likes to get his finished pieces to resemble as closely as possible his draft, so it is all very much worked out in advance, and he has the skills to execute his plan to the letter. This is an excellent collaboration.

6221. M32 Spot (189)

Nuke, M32 Spot, Bristol, July 2024
Nuke, M32 Spot, Bristol, July 2024

This is the second piece by Nuke to appear on Natural Adventures, although it was the first to be painted, in chronological order, of the two. I’m not too sure if the two pieces were a one (two)-off and left during a visit to the city, or whether we can expect more to follow. I suspect the former.

Nuke, M32 Spot, Bristol, July 2024
Nuke, M32 Spot, Bristol, July 2024

His work, even though I have only seen the two pieces, is instantly recognisable in the delivery of a character/writing combination that has a haunting and slightly dark vibe about it. There is a blending between the ghostly portrait and the wildstyle letters, that works really well, and the colours reflect upwards from the base, and the white light is projected from the top left. Very nicely done.

6219. Brunel Way (280)

Nips, Brunel Way, Bristol, July 2024
Nips, Brunel Way, Bristol, July 2024

One of the great joys of being a street art hunter and chronicler is the sheer number of endorphin ‘mini-snacks’ one gets exposed to on each exploratory walk. Some artists elicit slightly more excitement than others, and there doesn’t seem to be any logical explanation for why that might be. One artist whose work I particularly enjoy seeing is Nips, and it feels like there is progression with every new piece.

Nips, Brunel Way, Bristol, July 2024
Nips, Brunel Way, Bristol, July 2024

I would say that Nips is a bit of a fills specialist, keeping her general letter shapes constant, while experimenting with colours and patterns in the fills and in that respect, she has excelled in this stunner. Her selection of colours and outstanding designs within the letters is utterly joyful. The whole thing looks rather like a sophisticated wallpaper design, and that is meant as a compliment. Nips continues, I am pleased to say, with her trademark face appearing as the dot of the ‘i’. More endorphins please.

6217. Dean Lane skate park (734)

Kid Crayon, Dean Lane, Bristol, July 2024
Kid Crayon, Dean Lane, Bristol, July 2024

I am hugely encouraged to see that Kid Crayon had rediscovered his appetite for painting on the streets, or perhaps he has had a slight lull in his commercial work, whatever the reasons, he has painted several pieces of late, including this surfing polar bear behind the railings at Dean Lane.

Kid Crayon, Dean Lane, Bristol, July 2024
Kid Crayon, Dean Lane, Bristol, July 2024

The combination piece features a rather cool polar bear surfing on an orange board in a sea of bubbles. The words Kid Crayon create a fine backdrop for the bear. Readers will know how much I like Kid Crayon’s work, however, this piece seems to lack something from my point of view. I think that maybe the black background isn’t right, or perhaps the bubbles don’t quite work, I don’t quite know, but when it comes to Kid Crayon I do set my expectations very high, so am probably just being a bit hyper-critical. More to come soon.

6216. M32 Spot (188)

Minto and Bags, M32 Spot, Bristol, July 2024
Minto and Bags, M32 Spot, Bristol, July 2024

I am pretty sure that these pieces from Minto and Bags are part of a collaboration, rather than ones painted in isolation that happen to be next to one another. There is definitely some interaction from the Bags piece that overlaps onto the Minto side, but not necessarily vice versa.

Minto, M32 Spot, Bristol, July 2024
Minto, M32 Spot, Bristol, July 2024

Unlike most of his recent ‘deconstruction’ pieces, Minto has opted for a full size portrait, with the only writing being the ‘Minto’ on the subject’s hat. It comes across as a bit of a quick one, and may have been a dregs piece, because the fills aren’t particularly solid. Certainly this is Minto showing a slightly different side to his work, and for some reason it is a very memorable – maybe it is the green, maybe the hat… who knows?

Bags, M32 Spot, Bristol, July 2024
Bags, M32 Spot, Bristol, July 2024

Bags is a woefully underrepresented artist in Natural Adventures, and I think the only way I could rectify that would be to go through my archives and present several mini-galleries, just to catch up a bit. I think that Bags enjoys collaborating a lot, especially with his No Frills friends such as Biers and Slim Pickings. His letters are always recognisable and presented in roughly the same format, with the fills representing the main differences from piece to piece.

6215. Brunel Way (279)

Acer One, Dibz, Jody and Fade, Brunel Way, Bristol, July 2024
Acer One, Dibz, Jody and Fade, Brunel Way, Bristol, July 2024

I don’t think that I have ever seen so many production pieces as I have this year. The driving force behind these productions is the Dibz/Fade FUA brotherhood, and they have been oh so busy over the last eighteen months or so. In this full wall piece, they have been joined by Acer One and Jody, and what an amazing piece it is (gone now of course – overpainted by further FUA productions).

Acer One, Brunel Way, Bristol, July 2024
Acer One, Brunel Way, Bristol, July 2024
Acer One, Brunel Way, Bristol, July 2024
Acer One, Brunel Way, Bristol, July 2024

The production is bookended by two pieces by Acer One using his highly designed lettering spelling out ACER on the left-hand side and JODY on the right-hand side, thus ensuring that all four artists are named overtly in the production. The writing is painted over a moon/sun icon, and commensurate with the oriental feel of the entire collaboration.

Dibz, Brunel Way, Bristol, July 2024
Dibz, Brunel Way, Bristol, July 2024
Fade, Brunel Way, Bristol, July 2024
Fade, Brunel Way, Bristol, July 2024

There is a second set of inner bookends provided by Dibz and Fade, who present their wildstyle writing in a similar style and adopting an identical colour palette and decorations. In terms of painting, these two are brothers from different mothers, and while it is possible to tell the art of one from the other, it is becoming more difficult to do so.

Jody, Brunel Way, Bristol, July 2024
Jody, Brunel Way, Bristol, July 2024

Everything about the production points towards the centrepiece which is provided, as is often the case, by Jody, and he has surpassed even his very high standards with this astonishingly beautiful portrait piece. Jody has been working on this robot/human interface a fair bit lately, and this follows on from his remarkable Upfest piece (not yet posted here). It is the detail in the piece here that is so admirable, the hair and garland, the features of the face, machinery in the neck and patterns on the kimono. The portrait is a fitting climax to the whole production and shown how the coming together of different elements complement one another in perfect balance. Awesome stuff.

Jody, Brunel Way, Bristol, July 2024
Jody, Brunel Way, Bristol, July 2024

6214. M32 roundabout J3 (604)

Stivs, M32 roundabout, Bristol, July 2024
Stivs, M32 roundabout, Bristol, July 2024

This amazing combination piece by Stivs is something of a rarity in Bristol, and indeed in many towns and cities in the UK. I have mentioned it before that nudity, realistic or cartoon, tends to be avoided by most artists, which I find a bit strange, because the ‘edge’ that is associated with graffiti culture appears to be ‘missing in action’ in this respect. I think that there are probably two main reasons that we don’t see nude art on our streets; the first is that most street artists probably find it slightly embarrassing territory, the British reserve coming into play. Contrast that however with any art gallery where nudes are mainstream.

The second, and rather more practical reason is that nudes are almost instantly dogged by the ‘sensibility police’, who perceive that they are doing the wider public a service – personally I find that utterly bonkers, but it always happens, and nude pieces don’t last long in their original form. It took only a couple of days before this piece was daubed with black paint over the breasts. A more creative and skilled ‘protestor’ might have painted a bra or top, adding to the humour of the situation, but no… just cross it out with rage and anger.

Stivs, M32 roundabout, Bristol, July 2024
Stivs, M32 roundabout, Bristol, July 2024

‘Norks’ is slang for breasts and in this cartoon character, Stivs has opted for cheeky exaggeration. The character reminds me very much of those ‘saucy’ holiday postcards that filled the racks in trinket shops in seaside resorts up and down the country during the 1960s and 70s. These days, such things are no longer the norm, and definitely speak of a bygone era.

Stivs, M32 roundabout, Bristol, July 2024
Stivs, M32 roundabout, Bristol, July 2024

While some may find this combination piece by Stivs offensive, I do not. I like it and celebrate the boldness, taking us to a place that is both uneasy and challenging. Stivs’ artwork is outstanding, and this piece will be remembered for its difference from the mainstream – all part of the very rich diversity of the Bristol street art scene. If nothing else, the piece raised a few eyebrows.