Writer – Page 96 – Natural adventures

6351. Dean Lane skate park (747)

Jevoissoul, Dean Lane, Bristol, August 2024

Jevoissoul told me when I first met him that he would be hitting the streets of Bristol hard, and he has lived up to his work. Barely a week goes by without another of his distinctive character pieces appearing at one of the hot spots around the city. His character is sometimes accompanied by the word SLOW in combination pieces like this one.

Sometimes Jevoissoul’s work can be a little ragged, but this combination piece is pretty tight and nicely filled and finished, indeed it might be one of his best to date. I have a whole raft of his work that I haven’t yet posted and think I might have to do a small collection post at some point, just to catch up, something I have said about many of our most prolific artists numerous times. Nice work from Jevoissoul

6349. Dean Lane skate park (746)

This magnificent beast by Dibz is the perfect example of tight wildstyle graffiti writing. The piece will have been thought out carefully and probably sketched out in a black book before being painted. This is graffiti art at its absolute best, by one of the best writers in Bristol and probably the country.

The piece spells out YUKI and is a tribute for Goldie and his partner Mika and their baby Yuki. I had to do a little bit of detective work to find all that out, but got there in the end. I cannot think of a finer thing than to have a piece of art dedicated to you. Lovely piece.

6347. St Werburghs tunnel (441)

Kid Crayon, St Werburghs, Bristol, August 2024

Following on from the last post, a wheatpaste by Abbie Laura Smith, it perhaps ought to be remembered that Kid Crayon began his foray into street art with magnificent wheatpastes dotted around central Bristol, before moving on to spray-painting, a transition he managed almost seamlessly.

This is a magnificent piece of composition writing from Kid Crayon, where each letter is telling its own story, with the ‘Y’ shaped like a catapult and the ‘N’ is a burning candle. Magnificent and creative stuff from Kid Crayon, nicely executed. It is so good to see the artist out there painting more this summer, as he has been a little quiet on the streets since Covid, being busy with his work.

6344. St Werburghs tunnel (440)

Mr Klue, St Werburghs, Bristol, August 2024

It is fortunate that I am a big fan of Mr Klue’s abstract pieces, because if I were not, then it is unlikely that I would share much of his work, or at least not in anything like the quantity that I do. Mr Klue is another of those artists who represents the consistency and beating heart of the Bristol street art scene, never looking to be the star of the show, but rather, modestly getting on with what he loves doing.

This KLUE writing has a rather nice emerald tint to it, contrasting well with the darker shadows of the piece. To the untrained eye, it might be difficult to make out the letters, but I think that this is one of the easier ones to read, especially if you know the letters you are looking for. Fine work from the very busy Mr Klue.

6343. Brunel Way (286)

Sait Bare, Brunel Way, Bristol, August 2024

Sait Bare appears to be painting more often, or maybe I am simply seeing his pieces more often, either way, it is great to find his work. This piece took a couple of trips to record, because the first time I saw it, it was incomplete, and I had to return a few days later to see the final rendition.

It is interesing to see, from the work in progress, the layering and sequencing that Sait Bare undertakes in producing his work. This is not the first time that Sait Bare has used this particular design idea of presenting two entirely different colour schemes mashed up together in sections, and thee final effect is stunning, if not a little confusing.

The letters spell SAIT, and while the font is consistent through the piece, the background and fills most definitely are not. So the overall appearance is that one piece has been painted over the other and then half of it ripped down. You need to ask yourself which one was painted over the other? An interesting illusion.

6342. Cumberland Basin

#DFTE, Cumberland Basin, Bristol, August 2024

There is a charm and a simplicity to #DFTE’s philosophical musings, which have grown from small framed installation art pieces to these large full-scale wall street art graffiti writing pieces. Throughout, he has never lost or compromised his ‘house font’, which identifies his work so specifically.

Black and white pieces always make an impact, and this one is no exception. The words spell out the phrase “You are already perfect”. Kindness at its simplest and best. Often less is more when composing messages, and this one lands with grace and impact. The drips from the letters create an accidental (or intentional) 3D drop shadow. Another wonderful piece to enjoy from #DFTE

6340. Montpelier Park

Butch, Montpelier Park, Bristol, August 2024

Here we have yet another artist making a debut on Natural Adventures, in a year notable for the number of artists coming onto my radar for the first time. There is something very appealing about the simplicity and modesty of this piece, which reminds me a lot of Biers’ work, when I first came across him almost a decade ago.

Butch is a member of the PLB stable, and although I have probably seen his work before, this piece has elevated him in my consciousness. I like the letter shapes and the way that they are stacked over one another, casting shadows. The colour works well on quite a messy background, and the whole thing, although a ‘quick one’, made me smile. Look out for more from Butch.

6338. Dean Lane skate park (745)

Dibz and Fade, Dean Lane, Bristol, August 2024

Fade and Dibz need no introduction here given that I have posted dozens of their collaborations already on Natural Adventures this year. Their productivity is admirable and the quality of their work, awesome.

This collaboration centres on the theme of 1980s arcade game Pac-Man, but adopts a modern version of the little yellow character. The yellow dots in the maze are reproduced, although I am a little surprised not to see the incorporation of the four ghosts. Fade has split his letters into two colour assemblages, perhaps adding a little variety.

Dibz has also incorporated the maze element as his background and cleverly incorporated an ‘on-brand’ Pac-Man FUA (From up above). The transition of colour fill in Dibz’ letters is outstanding, and the fine yellow highlights help the letters to pop. Magnificent work from the duo.

6337. Greenbank (132)

Grimes has been smashing it all summer with his colourful and energetic pieces, and this one on the long hoarding at Greenbank simply adds another to his expanding portfolio. Sadly, we’re now entering the last days of the Raj with this particular spot, as the development of the site is nearing completion. It will be a sad day when the hoarding comes down, but illustrative of the temporary nature of street/graffiti art.

The letters in ‘fruits of the forest’ colours spell out GRIME, and as ever have an incredible sense of movement about them. There is something rather lyrical about Grimes’ writing, if that makes any sense at all, like visual poetry. Another great piece from Grimes, and surely about time for a gallery?

6336. M32 roundabout J3 (621)

Saor and Kosc, M32 roundabout, Bristol, August 2024

Oof! what a belter of a collaboration. Sometimes fortune smiles upon you, and on the day I found this outstanding piece, the artists, Saor and Kosc had literally just finished and were packing up their stuff and saying their goodbyes. Just looking at this collaboration, you can see that it oozes class.

Saor, M32 roundabout, Bristol, August 2024

Saor, to my mind, is the perfect antidote to losing Epok, an artist who no longer paints in Bristol (alas), because his style is similar, crafting pieces of such precision and disguising his letters, SAOR, perfectly. The colour palette is beautifully thought out and parts of this piece remind me of the work of the great Miro conflated with the Cubist movement. Wonderful stuff.

Kosc, M32 roundabout, Bristol, August 2024

Kosc opted for a skull on this occasion, and told me that he finds it easier to paint skulls than fully-fleshed portraits, because the viewer is less familiar with the anatomy of a skull than of a face, which allows for more wiggle room regarding accuracy. Funnily I found that slightly counterintuitive, but maybe that is my naturalist background. Anyhow it is a great piece and such a contrast with Saor’s piece. Chalk and cheese.

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