638. Ashley Road (12)

This is one of the spots that is favoured by Face F1st, he does a lot of pieced on this hoarding, and on the Carriageworks just around the corner. Any regular reader of my posts will know just how much I enjoy Face F1st’s work. It is frustrating, however that I know so little about this artist. I guess I’ll have to be out there and find him spraying sometime.

Face F1st, Ashley Road, Bristol, January 2017
Face F1st, Ashley Road, Bristol, January 2017

As we so often see, Face F1st has used great combinations of colours which he tends to use a lot, golds and lilacs. He has tagged this with his crew PWA.

628. Raleigh Road, Vector (5)

This is a brilliant new hoarding in an area that Voyder likes to spray in a lot. He used to spray in the car park next to these boards, but it is out of bounds at the moment while the construction work is going on, so the hoardings will do. His last piece here was the ‘sticker’ piece which I still think is one of his best.

Voyder, Raleigh Road, Bristol, February 2017
Voyder, Raleigh Road, Bristol, February 2017

This one is vibrant and eye catching, and if you take a closer look, you can see that the letters are constructed with bones. A fun piece from this Bristol master.

Voyder, Raleigh Road, Bristol, February 2017
Voyder, Raleigh Road, Bristol, February 2017

615. Moon Street (19)

All the time I am becoming aware of graffiti artists in Bristol that I have overlooked, for no reason other than it takes a while to work out who they are and to be able to recognise their style. One such artist that I have recently been enjoying is Whysayit.

Whysayit, Moon Street, Bristol, January 2017
Whysayit, Moon Street, Bristol, January 2017

I don’t know much about him, other than that he tends to stick with wildstyle writing, but it is a very distinctive and original style that he uses. His pieces pop up all over Bristol and tend to be found on heavily graphitised walls…no clean backgrounds for this artist. The letters spell out Y SAY  (I think), and this is a particularly colourful and happy work. I am enjoying spotting his work more and more.

601. M32 Cycle path (3)

When I saw this recently, in an area I don’t visit often, I wasn’t soo sure who it was by. The next day I saw it on Instagram, posted by its maker, Ments. I guess that since he had just posted it, it was probably relatively new.

Ments, M32 cycle path, Bristol, January 2017
Ments, M32 cycle path, Bristol, January 2017

I do like the work of Ments very much. His colours are always complementary and his wildstyle writing has a very free and organic look to it, quite unlike many of his counterparts in Bristol.

Ments, M32 cycle path, Bristol, January 2017
Ments, M32 cycle path, Bristol, January 2017

This was not easy to photograph, it is sited in a narrow lane, and there was a lot of glare on the wall, Some things I guess are just meant to be seen in the flesh.

 

598. Upper York Street (5)

It has been a little while since Kleiner Shames packed his bags and set off for London to make his fortune. So it is with some cheer that he returned to Bristol at some point over the New Year period to remind us just how good his work is.

Kleiner Shames, Upper York Street, Bristol
Kleiner Shames, Upper York Street, Bristol

This piece is on the intersection with Upper York Street and Wilder Street and is in great company with other pieces by Deamze and Whysayit. The wildstyle writing spells out Fois (which for a long time I thought was the artist’s name – d’oh).

Kleiner Shames, Upper York Street, Bristol
Kleiner Shames, Upper York Street, Bristol

This two-tone work is actually quite simple in its construction, that is, there is no shading or over-the-top elaboration, but it disguises the writing really cleverly. I do like his work and hope this trip back to his home town is not just a one-off.

580. M32 roundabout J3 (31)

This work by Soker goes back to the lovely late summer days of September 2016. The colours are suitably striking, and the writing typical of Soker’s style

Soker, M32 Roundabout, Bristol, September 2016
Soker, M32 Roundabout, Bristol, September 2016

I’m not sure why it has taken me so long to post this piece, because I rather like it, and in an archive of pictures it leaps out at you. It is here now though and that should be enough.

 

531. M32 roundabout, J3 (25)

This interesting piece by Deamze was most likely sprayed at the same time as this awesome work by Voyder. They often work together, and the two pieces were close to one another on the same wall.

Deamze, M32 roundabout, Bristol, December 2016
Deamze, M32 roundabout, Bristol, December 2016

This Deamze piece is intricate and skillfully worked and has the trademark cartoon element woven into the work. The face reminds me of one of the characters from the Beezer comic, or was it Beano…it is the top lip that does it. The Bash Street kids?

Deamze, M32 roundabout, Bristol, December 2016
Deamze, M32 roundabout, Bristol, December 2016

Deamze continues to delight with his work dotted around the city, although only those with their eyes open will enjoy it.

529. Dean Lane skate park (29)

This is the third piece I have posted on this blog by OHMS, and one photographed way back in May. I am still none the wiser though about the artist, or group of artists that produce these fine works. Each piece is usually accompanied by a reference to the Splab Gang, which I guess is a crew. I’m sure someone will tell me more about OHMS eventually, but for now we will all be in the dark.

OHMS, Dean Lane, Bristol, May 2016
OHMS, Dean Lane, Bristol, May 2016

The pieces always feature the letters OHMS and fabulously unique filling in of the letters. What is different here is that most graffiti artists fill in the letters with solid shading to provide depth and perspective. Not OHMS…these seem to be filled in with elaborate decorations that have a flatter look to them, but are beautifully designed. There is still something mysterious about these pieces, and this is a fine example.

 

523. Raleigh Road (4)

The second of two recent works by Voyder, following on from my previous post. This is a highly accomplished piece that on first inspection looks like a giant sticker that has a couple of kinks and tears in it, but take a closer look and it is just an illusion, the whole piece is sprayed.

Voyder, Raleigh Road, Bristol, November 2016
Voyder, Raleigh Road, Bristol, November 2016

I love this amazing attention to detail and deception, this really is a very clever piece, and demonstrates the versatility of Voyder. The work sits comfortably alongside Deamze on one side and a Beastie and Decay collaboration on the other. Both to follow soon.

Voyder, Raleigh Road, Bristol, November 2016
Voyder, Raleigh Road, Bristol, November 2016

I have to keep checking this piece to look at how Voyder has sprayed the crease. It really is masterful and creative. One of the best.

522. M32 Roundabout, J3 (24)

This is the first of two recent works by Voyder that mark him out as one of the truly outstanding graffiti writers in Bristol. This piece of writing, set to his typical hand-writing style, shows off his incredible use of colours, providing an effect that makes the whole thing look like it is illuminated.

Voyder, M32, Bristol, December 2016
Voyder, M32, Bristol, December 2016

I have said before when writing about Voyder that it is great to see his work in an accessible setting, as many of his grand pieces are sprayed in derelict buildings where one requires more guts than I have to enter such places. I love this work.