It rains

 

Interminable

rain, eroding memories

of warm summers past.

 

by Scooj

496. Dean Lane skate park (26)

This wonderful scene was created back in October by Sled One, in conjunction with a piece by Ments which I wrote about a little while back. It seems that Sled One has an endless energy and talent for conceiving and executing some of the most imaginative street art in Bristol. His style is quite cartoony and injected with humour, and as I have said before, there always seems to be a story going on in his pieces.

Sled One, Dean Lane, Bristol, October 2016
Sled One, Dean Lane, Bristol, October 2016

I’m not sure what the story is, but it includes one of those really irritating toy clockwork monkeys with clashing cymbals which is beautifully portrayed. In addition, the wisps of steam from the cup of tea are masterfully painted. There is some real quality about this piece. Sled One never seems to disappoint. This is in my view exceptional street art.

Sled One, Dean Lane, Bristol, October 2016
Sled One, Dean Lane, Bristol, October 2016

28. Cottoperca gobio

Any readers who have not encountered this story on my blog before, I recommend you take a quick look at the first entry ‘an Ill Wind‘ to provide some kind of context. As you can see, this is the 28th excerpt from my 1988 journal, and it will appear meaningless without some context setting. The full catalog of chapters so far is in the ‘Falkland Journal, 1988’ category on the left of this page.

 

Monday 13 June 1988. Koei Maru 30

Spoke to Drin on the radio. JB is at this moment on the Right (one of the Falkland Islands fisheries patrol vessels), trawling. It looks very much like I’m on my own. I spent two hours talking to the Fishing Master. He and I now are in good form – he is a good man and cares for his crew. The contract should have included a certain amount of input from him. It was worked out by imbeciles who knew little about the fishing operation. I understand that now.

I have just been watching Crocodile Dundee, but at the critical moment have been cut off – a subtle lunch hint I think.

Spent the evening with Sato (gold tooth) and Naganuma and we watched a couple of porn videos. They became boring very quickly – the only interest I have is trying to understand why the hell people perform in such videos…are they desperate for money? or exhibitionists? very strange.

Tuesday 14 June 1988. Koei Maru 30

40 days to go!

I can’t believe that this is all I had to write on this day! wrote to Louise and Deb.

Prepared for fishing. Did some ace drawings I reckon.

Wednesday 15 June 1988. Koei Maru 30

Stand by at 0200 hours – what a nightmare. I hardly slept at all before and I had difficulty afterwards. False alarm, the sea was too heavy, so we moved to the southeast (Zone II).

Spoke with Drin and some idiot on the Falkland Right. People really piss me off sometimes.

Oops I think it was Dave ‘intense’, the one who I didn’t know.

I have arranged for Mr Ikido to deal with the problem of trawlers and traffic – delegation, that is the key to power.

Smoking still – I wish I would stop, but the day drags on so.No smoking before 1200 hours but maybe 4-8 after that. I am looking forward to going home, not least because I’ll be able to stop. (Something that took a further twelve years to conquer!)

No more pictures today. I think that stand by tomorrow is at 0300 hours. Bed early tonight.

I am watching a Japanese TV drama (It’ll last for hours) about blackmail – they really go in for these ‘video dramas’.

My spots under my stubble are still flourishing. I feel fairly ugly at the moment, but my spirits are high.

Thursday 16 June 1988. Koei Maru 30

What a bloody day. Quite exciting really, but very tiring and bloody annoying when the bastard Fishing Master holds you responsible for all the problems.

Caught this amazing monster fish, like a giant goby or blenny and called Cottoperca gobio – yellow, green and gold with a beautiful dorsal fin. See photos.

The whole long-lining process is a bit of a miracle. A production line for the set – really primitive, but thoroughly effective.

Saw a whole bunch of gentoo penguins, loads of albatross too – a real wildlife day. It would be great if I didn’t have to bloody do something! 30 more days of this – I may go bananas!

fullsizerender-18

I’m so bloody tired I feel like a zombie – I may if I’m lucky, grab 6 or 7 hours sleep tonight. I pray for bad weather!

BONKERS.

Friday 17 June 1988. Koei Maru 30

Another long hard day. Some very interesting things coming up, so I was happy. I got some corals, with any luck I could get them home to Deb, or add them to my collection.

I am still motivated by marine life – there were loads of echinoderms and possibly crinoids today, as well as some ace fish, but none of it what the Fishing Master wants. He and the crew are restless.

Unknown spp, caught by the long-liner Koei Maru 30 in Falkland Islands waters June 1988
Unknown spp, caught by the long-liner Koei Maru 30 in Falkland Islands waters June 1988

A penguin was gaffed up.

The sea was rough today and waves were pouring into the factory deck.

fullsizerender-19

I am once again very tired and want to go to sleep, but I’m sure that, like last night, I won’t find it easy.

Roll on July!

495. The Bearpit (26)

On the 15th October 2016 The Bearpit played host to an international exhibition entitled ‘Resiste’. The exhibition featured the works of the Assembly of Revolutionary Artists of Oaxaco, Mexico. I will cover this exhibition in more detail in a forthcoming post, but today I will focus on the participation in the exhibition by Bristol’s magnificent Aspire.

Aspire, The Bearpit, Bristol, October 2016
Aspire, The Bearpit, Bristol, October 2016
Aspire has sprayed many birds in The Bearpit, but perhaps none so eye catching and appropriate to the immediate context as these two beautiful humming birds. The Bearpit is awash with Mexican protest street art, but these humming birds bring some tranquility to the overall atmosphere.

Aspire, The Bearpit, Bristol, October 2016
Aspire, The Bearpit, Bristol, October 2016
Yet another example of Bristol street art at its best, working alongside other cultures, movements and politics. The Bearpit is such an interesting cultural space, often rather controversial and edgy, but never boring.

Aspire, The Bearpit, Bristol, October 2016
Aspire, The Bearpit, Bristol, October 2016

Rain, rain go away

.

Crisp, dry leaves yield to

soggy slippery mush. Rain!

enough already. 

.

by Scooj

Chilly choices

.

Standing in cold car

parks, shivering and choosing

which cars to test drive. 

.

by Scooj

494. Stokes Croft, the Carriageworks (19)

This is a small piece by the wonderful Bristol street artist Face F1st whose works are always centered on a styalised face each one with a different decorative feature. In this one he has placed a small octopus on the face’s head. This is a political anti-Brexit piece which is articulated clearly, and the octopus represents the Brexit narrative ‘brainwashing’, which appears to be stifling any intellectual debate about what kind of Brexit British citizens might want (in particular the 48% who voted against).

Face F1st, Stokes Croft, Bristol, October 201
Face F1st, Stokes Croft, Bristol, October 2016
I like all of Face F1st’s work and enjoy spotting them, they always feel slightly understated and he tends to select untidy walls to spray. Face Fist belongs to the PWA crew, Pirate Wall Art which includes Soap. Looking forward to more from PWA and Face F1st.

493. Dighton Street (2)

At one end of Dighton Street there are two small walls which look like they had once been rather fancy gateways and which have since been filled in. They offer street artists an opportunity to spray a pair of related works should they wish to do so, as the spots come as a pair and are separated by a stone wall of about 20 feet.

Deamze, Dighton Street, Bristol, October 2016
Deamze, Dighton Street, Bristol, October 2016
Deamze is the latest Bristol-based street artist to occupy these walls with his recognisable vertically elongated Deam Ask style of burner. His colour selections are once again striking and emphasise his clever use of shadowing the lettering.

Deamze, Dighton Street, Bristol, October 2016
Deamze, Dighton Street, Bristol, October 2016
The previous pieces here had been sprayed by Sepr, and were a couple of my favourite works of last year. I will miss them, but turnover on this wall has been very slow, and they had a long run out. Now it is the turn of Deamze.

Birdsong

 

Even in dark days

where only despair resides

birdsong lifts my heart.

 

by Scooj

*I’m fine by the way, I am just experimenting with moods/emotions

492. Stokes Croft, the Carriageworks (18)

A week or so before Haloween, this scary clown appeared in Stokes Croft. Now I am the first to say that I am not a big fan of the scary clown thing that seems to be sweeping the nation at the moment, but I really like this piece.

Dose?, Stokes Croft, Bristol, October 2016
Dose?, Stokes Croft, Bristol, October 2016

The artist is unknown to me, and I can’t find out anything about him anywhere. He signs himself ‘Dose’ or ‘Dase’ and was responsible for this fabulous ghost cat a few months ago, in exactly the same spot.

Dose?, Stokes Croft, Bristol, October 2016
Dose?, Stokes Croft, Bristol, October 2016

His works are so clean and beautifully executed…really fine work, but they also have some menace, some edge, which for me is one of the things I love about street art. I wish I could find out something about him (I know it is a he, because I have seen images of him painting the cat on the internet, but the photographer/blogger also didn’t know who he is).

Dose?, Stokes Croft, Bristol, October 2016
Dose?, Stokes Croft, Bristol, October 2016

If anyone reading this can put me out of my misery and knows who the artist is, please leave a comment at the end of this post. Scary clowns…they really are scary.