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Dennis the menace
bringing nowt but misery
to all in its path
.
by Scooj
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Dennis the menace
bringing nowt but misery
to all in its path
.
by Scooj
This is not an easy place to photograph. The spot is sandwiched between two busy slip roads underneath the M32, and just for added difficulty, access is over fences and the River Frome runs through the middle. I haven’t yet ventured into the spot and these photographs are taken through a bit of railing some distance away.

There is little I can say about Smak’s work that I haven’t said dozens of times before, but even in this tricky spot where only a few will ever get to see the piece his work is 100 per cent on point. There is a consistent font style to his letters and his shadinngs are utterly awesome. One huge advantage about this spot is that tagging tends to be pretty much absent.
Yay, let’s hear it for the boys whose recent collaboration in the tunnel is full of happiness, music and soul. Last year, Face 1st and Soap went through a period of not collaborating for whatever reason, but they seem unstoppable just now with several walls that this pair have painted already this year.

On the left of the piece is a nice piece of writing from Face 1st with a beautifully worked horizontal gradation through his lettering and a decent 3D effect using a vanishing point underneath. On the right is a cheerful mariachi singer surrounding the whole collaboration with happy notes from his guitar. I’m not too sure if Soap has ever actually played a guitar, but the left hand is gripping the neck in a rather awkward upside-down position. Overall a wonderful and joyful piece.
On the news that Banksy’s Valentines Day piece in Bristol has already been vandalised.
Those that cannot do
out of bitter resentment
attack those that can.
by Scooj
I have waited a very, very long time to get a clean shot of this old piece by 3Dom. Not too far from where I live, this piece was painted several years ago to brighten up the single car parking space outside Bishopston Tiles on the Gloucester Road. It seems that ever since, either cars have been parked there or storage paletts stacked up against the wall or it has been dark.

Finally I had my breakthrough last weekend and got a clean shot of it. The character piece is in a classical surreal cartoon style adopted by this artist with a human body and a face made from a spherical roof, complete with chimney. A customer parking sign never had such class. In a nice touch, 3Dom has painted a whole bunch of tiles on the wall to tie-in with the shop. No 3Dom collection is complete without this fabulous piece.
I think that we are spoiled in Bristol. We have a graffiti/street art culture that is mirrored only in a few other cities in the world. Playing host to Europe’s largest street art festival (Upfest) and being the birthplace of Banksy gives Bristol a special place in the street art scene. But for me, it is the every day artists who hit the walls in spots dotted all over the place knowing that their work may be tagged or painted over within hours that are the beating heart of Bristol’s street art culture, and one of those artists is Rezwonk.

This is a lovely piece of writing by Rezwonk that was painted a little while ago, but it is only recently that I have been able to photograph it without tree shadows all over it. Painted with his mate Decay (to the left and previously posted), there is a sense of movement fun and joy in this teriffic piece of graffiti writing.
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The carefree laughter
of a child paints the valley
with colours of joy
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by Scooj
I truly believe that DNT is one of the unsung heroes of the Bristol street art scene. He is creative, edgy and prolific, with a style all of his own and a kind of artistic determination that is uncomprimising. I think that for some, his artwork is hard to like because it is unfamiliar and unusual, but scratch under the surface and there is so much to like.

This piece would appear to be a commission for a friend or ‘patron’ and can be found at the bottom of Richmond Road. The rather organic letters, spelling out DNT, bear a similarity to some of Object…’s work in that there is a weirdness and fragility to them. Painted in 2019, I have only recently come across this piece.
Aah! the familiar large letters with deep 3D shading of Bristol’s mighty Soker. It doesn’t seem to matter what design, shapes or colours Soker uses, his supreme qulaity always shines through. I cant’t fully identify what it is that makes a piece stand out from the crowd, but it might have something to do with the assured skill and confidence that the artist embeds into the work at the time of spraying.

I aven’t seen too much from Soker over the winter months – perhaps he is more of a fair-weather artist or maybe he has been busy with other projects, either way, it is always a pleasure to see anything by him.
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It’s never pleasant
when a father-daughter bond
is strained to breaking
.
by Scooj