Naturally, whenever SkyHigh comes to town, Roo will be with him, as they are partners as well as painting partners. This ensures that we receive a double hit of great artwork from two wonderfully talented artists, each time they come to Bristol.
Sky and Roo 0007 5 March 2023_edited
This is a beautifully executed and framed piece from Roo, featuring a dog with a spray can. What I love about Roo’s work is that everything is perfectly finished. There are no rough or blurry edges, no see-through fills, and the composition is always first-class. The cartoon style is perfect for her animal characters, and there is always a sense of fun in her work.
Roo, Dean Lane, Bristol, March 2023
On this occasion, Roo left behind some extras, one of them a few yards away from this piece, another in Dean Lane and a small cat piece in the middle of the M32 roundabout. She and her other half can come back any time they like!
It does snow in Bristol once in a while, but it is quite rare, and the March cold snap left us with a couple of inches for a day or two. It was bitterly cold on this dog walk with my daughter, and I didn’t want to hang around too long taking pictures, much to my daughter’s relief.
Zubieta, Purdown, Bristol, March 2023
The picture, by Zubieta is at odds with the snowy background, and had probably been painted a week or two before in the relative sunshine. Zubieta has painted two colourful flowers in conversation, with one telling the other “You can’t afford me”. The whole piece is nicely composed and definitely a welcome site on a cold day.
More Merny mirth. The utterly unique style of this storytelling artist is always enjoyable, and forces the viewer to stop and think for a moment or two. Here the subject is busy, fixated on his phone. My interpretation is that he is telling himself he will go to sleep in one minute, knowing that his addiction to social media will not allow that to happen.
Merny, Greenbank, Bristol, March 2023
The naive style combined with the numbered tags are so much a part of Merny’s work, that there really is no need for a signature. Some may dismiss his work, but I consider it to be thoughtful, challenging and deliberate, and am cheered up every time I find a new piece.
It is possible, in fact it is absolutely the case, that in documenting street art and graffiti, one can have a blind spot, and believe me I have had many over the years. This particular blind spot relates to the work of Raid, whose work I simply hadn’t registered until I met the artist while he was painting this piece in Dean Lane a little while back.
Raid, Dean Lane, Bristol, March 2023
Of course, I have since found two more of his pieces, and I suspect there are plenty in my archives – something else to look out for next time I go archive-surfing. What makes my omission even more crazy is that this is the work of a superb writer. His letters are beautifully presented, and have a good proportionality about them. The lines are nice and sharp and fills solid, and his wispy decorations add a touch of flair. Watch this space for more from Raid.
I follow Wispa (Willo the Wisp) on Instagram, and it seems that not only is she talented and prolific with her art, but she seems to travel extensively to paint with friends wherever she pitches up. Fortunately, she appears to have some RBF friends in Bristol, and we are treated to her work every now and again.
Wispa, Brunel Way, Bristol, March 2023
This piece under Brunel Way is a real cracker, with so much to enjoy. The first impression is how bright and colourful the piece is, but it is so much more than that. The fills in the letters are strong and the lines between colours straight and sharp. Of course, the character on the left tops the piece off beautifully, but it would be just as strong without it, demonstrating the quality of her writing. I hope she returns soon, although there is a little extra piece she painted on this visit.
Back to the here and now, I bring you this magnificent large piece from the visiting SkyHigh. Although it was only painted a few days ago, it has already been painted over, which I have to say I find a little disrespectful, but I guess most graffiti writers don’t know how long the piece they are overpainting has been there. Some though are resentful and malicious and deliberately target work superior to their own to exert some kind of childish power… when that happens we are all losers.
SkyHigh, Cumberland Basin, Bristol, March 2023
Sky High has absolutely nailed his style of writing, choosing different block styles for each letter of the word. He also manages to keep everything so clean and tight, even down to the white frame for this piece.
SkyHigh, Cumberland Basin, Bristol, March 2023
The colour selections are great and there is an element of symmetry in their deployment. I particularly like the style of the ‘Y’, which I think is probably the most challenging letter technically in the piece. I’m already looking forward to his next visit to Bristol (with Roo, of course).
Trawling through the archives is actually immensely enjoyable, but also very distracting. Another piece I rescued from incarceration is this rather fun scene, painted by Stiff.
Stiff, Dean Lane, Bristol, October 2020
As with some other artists in Bristol, aliens feature very strongly in Stiff’s work, and here we have an alien and a human interacting with some electricity generating equipment. There is a story here being told, but I’m not sure that I quite get it. Time machine perhaps? Anyhow, Stiff has a great knack for creating interesting and absorbing scenes like this one.
You might be pleased to hear that this is the penultimate collection of doors from a family trip to Croatia last August. I have certainly managed to stretch this one out, which has meant there has been less pressure on me to photograph doors closer to home. Time to get out and about…
These doors are from Pula, a city heavily influenced by its Italian neighbour to the north, so much so that shops are bilingually branded and people speak both languages.
So here are the doors:
Fine ghost door, Pula, Croatia, August 2022Rusty iron doors, Pula, Croatia, August 2022Fancy villa green gate door, Pula, Croatia, August 2022New door in a doorway with history, Pula, Croatia, August 2022Nice geometry to this black door, Pula, Croatia, August 2022Beautiful iron work on these doors, Pula, Croatia, August 2022
So that’s it for this week – may I wish you a happy weekend.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
After years of searching, without success, for a Brexit benefit, the Chancellor announced, in today’s insipid budget, a reduction in draught beer prices in pubs, because we can, thanks to Brexit. So that’s it, is it? We left our primary trading block and all the benefits of free trade and freedom of movement and a collaborative European approach to global challenges, for 11p off a pint in the pub. Bloody hell, what a monumental cock up! Sovereignty Shmovereignty.
Of course, the Government have one eye on the election. What disrespect they show to the nation. The two latest vote grabbing gimmicks are; cheaper beer and ban the boats. Jingoism at its absolute worst. Who do they think we are?
3Dom, Soker, Sepr and Epok, Coach and Horses, Bristol, February 2021
How, oh how, did I manage to overlook this piece for posting? I surprise myself when trawling through my archives and I find stuff like this, and it is also quite a pleasurable experience, because it gives me the perfect excuse to talk about some outstanding artwork. This long wall is a collaboration masterclass from 3Dom, Soker, Sepr and Epok which dates back to February 2021 (actually that is when I took the pictures, I think the artwork had been there for some time already).
3Dom, Coach and Horses, Bristol, February 2021
First up is this amazing character piece from 3Dom, featuring an unicyclist juggling bombs, with his arms weighed down with lead wights, and avoiding landmines. I imagine that this is a metaphor for the tightrope we are navigating as individuals, as a nation and as humanity itself. At least this is how I read it. As we would expect, it is beautifully painted.
Soker, Coach and Horses, Bristol, February 2021
The second piece is some incredibly tight graffiti writing from Soker, one of the very best writers around. It is especially gratifying to dig this piece out from the archives, because he is going through a rather quiet period at the moment.
Sepr, Coach and Horses, Bristol, February 2021
Next up is the magnificent Sepr with a whole story unfolding. Aliens in a spaceship are trying to drag a cow into the sky, but finding the going difficult. The aliens are contacting their base with the words, “Easton… we have a problem” – a local corruption of the famous quote. Brilliant and witty.
Epok, Coach and Horses, Bristol, February 2021
Finally, we have something of a rarity, an amazing piece of writing from Epok. I can’t think when I last saw a new piece from Epok, but this must have been one of his last in Bristol. I hope that the break in his productivity will at some point come to an end and that he will once again bless us with his unique geometric designs. What a collaboration, and what a wait.
Natural adventures 