To be seen to be
doing is anathema
to me. Just do it.
by Scooj
To be seen to be
doing is anathema
to me. Just do it.
by Scooj
Confronting my fears
what’s the worst that can happen?
I don’t want to know.
by Scooj
This is another quick piece by Whysayit at one end of the tunnel in St Werburghs. I can’t believe that I missed this when I went in to photograph pieces in the tunnel, and it wasn’t until I came out again that this caught my eye.

I really do like his style of graffiti art, the way he disguises his letters (YSAE) with curvy shapes and the colours he uses and the outlines to his pieces. I am also rather fond of his tagging, which is peculiar, because as a rule I dislike tagging. All in all a nice piece here.

When Meds and Peal visited Bristol a little while back they teamed up with several Bristol artists to work on some stunning collaborations. This is a large wall on Wilder Street that had previously played host to a fine collaboration between Deamze, Voyder and Soker. It is a popular wall, which I believe needs permission from the owners to be painted. Rather than interrupt the images with short paragraphs of text, I thought on this occasion I would simply let the pictures do the talking. Along with Meds and Peal, this piece was sprayed by Sled One, Ments and Epok. Please don’t ask who did what…it could take a while to unpick.







Satisfying day
knowing you have made the world
just that bit better.
by Scooj
I haven’t seen a piece by Eraze for rather a long time, so it was really great to find this one up at Dean Lane recently. The writing spells out ‘dope’ which is a word often seen associated with pieces by Eraze.

What makes this piece stand out is the colour selections on the white backwash – I think it works extremely well and really sets it apart from much of the graffiti art found on this particular wall. Of course it only lasted a few days, so I am pleased I captured it.
This is the second half of the wall referred to in the previous post, which accompanies Cheo’s work. This right hand side in the beautiful wildstyle writing so typical of Soker. It is a lovely piece and like it’s neighbour, really crisp and sharp.

Soker’s work is very distinctive and I have yet to see a piece by him which I think is a bit rubbish or below par. He always seems to turn out excellent work…an artist on the top of his game.

Is there no limit
to the embedded hatred
for one another?
by Scooj
During my recent six-month secondment I walked past the scene of today’s attack twice a day. It all feels very real.
Tucked away behind an industrial unit in Church Road is a little lane that I have not visited before. The building is sprayed with permitted pieces all around, and many of them by Cheo. This is a recent piece, and the wall was shared with Soker – see the next post.

Cheo has been a little quiet in Bristol since Upfest, but seems to have gone on something of a spray spree recently. This is a quality bit of wildstyle work and there is a crispness so typical of Cheo’s style. This is a great piece, and nice to see a return of the bee.

This is a quick one from Whysayit in Upper York Street, replacing one he had there before. It is also a quick one from me. I like Whysayit’s work, and the way that he fist his moniker into the space available, always retaining his characteristic ‘font’. While not his best or most colourful piece, it is still skilfully worked.
