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A midnight fragrance
when the nighttime air is still
and daytime nectar
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by Scooj
Skimmia
Author: scooj
I am Stephen. I live in Bristol, UK. I decided to shorten my profile...to this: Wildlife, haiku, travel, streetart, psychogeography and my family. Not necessarily in that order.
5893. Dean Lane skate park (698)
Probably the most notable ‘high-end’ collaboration partnership of the last twelve months has been that between Fade and Dibz. Shortly after Fade’s return to the UK, he teamed up with Dibz and they haven’t looked back since, turning out outstanding collaborative pieces on an almost weekly basis. For sure, the increased output from Dibz has been incredible, as he had slowed down a bit during the Covid years.
On the left Fade has written FADE in fairly soft lilacs with turquoise borders but surrounded them with vibrant bright oranges and yellows, providing contrast and interest. To the right is a character, Son Goku, from the TV series Dragon Ball – I never saw it, perhaps because I was too old, and didn’t have kids (1989-1996). I don’t know who painted the character… it may have been a joint effort.
To the right Dibz has adopted a similar colour scheme, although applied in a different way. Such perfect writing, wonderfully tight as you’d expect. These two continue to smash it with every piece they paint, and it doesn’t look like they will be slowing down any time soon.
5892. Cumberland Basin
It looks like the dynamic duo, Mr Crawls and Mote, are going to keep us entertained for some time to come, as their collaborations keep popping up all around the city, and as they paint more often together, they appear to be bouncing ideas off one another to bring about some convergent evolution of styles.
In these two utility box pieces, the artists have retreated a little back to their original identities, and the discrete nature of the boxes lend themselves to this separation. Mote has painted one of his friendly monster faces on a chrome background (the pair’s background of choice it seems) in his favoured pastel shades. Boldness juxtaposed with modesty – a good look.
On the adjacent utility box, Mr Crawls has seized the opportunity to paint one of his birds, I think this one is an eagle wearing a bucket/pork pie hat. Both pieces have omitted pupils in the eyes, leaving the characters with a bit of a ghostly or ambiguous expression, a deliberate move to leave the viewer a little unsettled perhaps? Great stuff from this pair.
5891. St Werburghs tunnel (412)
Although he doesn’t paint all that often these days, Rowdy is responsible for some of the most iconic street art in Bristol. His crude pieces, often featuring his trademark crocodile, have been a mainstay of the Bristol scene for decades. He painted this small piece during Ryder’s RAW paint jam a couple of weeks back.
In this piece, Rowdy has painted a masked cat character hovering above a vibrant nigh time urban scene. There is an energy to the piece and a hint of subversion which I like. Of course a vertical green crocodile is in attendance. Of course, as is common in many works in the city at the moment, it is accompanied with the words ‘Free Palestine’. It is always a pleasure to see anything by Rowdy.
5890. Cumberland Basin
You can definitely tell that spring is in the air when Acer One and Andy Council start teaming up with their wonderful collaborations, and this is one of a couple of recent walls they have painted in the Cumberland Basin area. Their contrasting styles are blended together perfectly in this piece, which really is an outstanding work.
Andy Council’s dragon, stitched together out of hundreds of detailed component parts, is on its own quite stunning, but when combined with Acer One’s geometric 3D cube and double impossible triangles, is utterly magnificent. This piece is a triumph, even by the high standards of the two artists, and has been painted in a spot that is likely to remain undisturbed for a while, so if you live in Bristol it is well worth a visit.
5889. Brunel Way (262)
As mentioned in a recent post, Roo and SkyHigh visited Bristol recently, and left a memorable mark on the walls of Brunel Way. Rther sadly SkyHigh’s masterpiece didn’t last too long, but I am pleased to report that Roo’s pieces are still making an impact on anyone wandering around the area.
Roo’s work is simple, with bold outlines and solid fills. Her cartoon style is beyond charming and her characters always have a sunny disposition. Although the pieces are simple, this doesn’t mean that they are easy to paint, in fact the opposite is true, great skill is needed to produce the crisp and sharp lines, which are exposed to deeper scrutiny than more complex and busy pieces.
Not content only with painting her daisy on this little wall, Roo also found time to decorate one of the columns under Brunel Way. She painted another piece too, not all that far away, which I will feature soon. Roo and SkyHigh are always welcome in Bristol, spicing things up a little.
5888. Dean Lane skate park (697)
Saor has been dropping some utterly outstanding pieces for such a long while now, that it is far too easy to take them for granted, and this beauty in Dean Lane is another one to come off the production line. Unfortunately, this piece, and others that were painted during the same session, was a little rain-affected, and there are a few unintentional dips knocking around.
The cartoon character, Astro Boy, is one that I can identify because I used to watch it repeatedly with my children when they were younger. The design of the letters SAOR is beyond brilliant, and as ever executed with extraordinary precision. It is interesting to contrast the familiar character with the high design of the letters, confusing the visual narrative a little. Just another wonderful piece from Saor.
5887. Cumberland Basin
There is something about the unique nature of Creamylines’ work that I find very engaging, and I am always pleased to find new work by him. This is the second column piece that I have found recently in the area, and it looks as if the artist had a mini-blitz.
Creamylines has used the background colour of the column to great effect, creating a prefect backdrop to his ‘sunlit uplands’ landscape style. All the elements of his landscape work are there, the sun and clouds, a patchwork of colour and a river running through the whole piece. Of course, he has character eyes dotted around the place too. This is a really interesting style and quite unlike anything else we see in the city.
Reward
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Mindful wandering
eyes on the sand flats, reward
Eocene shark tooth
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by Scooj
5886. Coach and Horses
Another artist and another protest piece about the war in Gaza. This time, some direct talking from the wonderful Merny. A warplane, fully marked up with his trademark letter/number pointers, is accompanied with the words “Stop killing people you tucking fwats”. Hear hear!
Merny’s work is deceptive in so much as it looks naive in style, but there is a deep sophistication that underpins his artwork, which always tells a story, often with a light dusting of humour. The piece is attention-grabbing, and along with all the other anti-war work in the city is representative of a groundswell of opinion that wants piece in Gaza specifically, and in the Middle East more generally.
It looks like Merny took the opportunity, while he was in the area, to paste a couple of posters on a nearby wall, which again have a simple sophistication about them and a wordplay caption “Problems? Just smooth things over”. The picture is of a mechanical sander – a great bit of bonus material from Merny.
Natural adventures 