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World Cup opener
nothing to write home about
afternoon snooze time.
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by Scooj
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World Cup opener
nothing to write home about
afternoon snooze time.
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by Scooj

I really should know, by now, not to visit Sparke Evans Park or the River Avon on a sunny day. It makes photography nigh on impossible. This was my second attempt at photographing this piece, after the sun had moved a little, and the foliage that was casting a shadow was out of the way. Still, the light was reflecting off the piece a little too much for my liking.

There isn’t too much I can say about Chill that I haven’t said before. The tattooist inspired designs in black and white are pretty unique in Bristol, and I haven’t seen anything quite like them anywhere else either. I like the way Chill incorporates flowers into his pieces, marrying up urban culture with a love for nature. Another fine piece from Chill.

A little bit off the beaten track, and in a street that doesn’t have much of a graffiti culture, is this rather nice Taboo piece featuring Snagglepuss, a Hannah Barbera creation. On my arrival, the warehouse was just opening up, and I think the proprietors considered me a little odd photographing the graffiti outside their premises, but they let me get on with it.

The writing is characteristically unruly, with each letter taking on no particular consistency or form, but the whole being unmistakably Taboo. I am confused by the orange line, which, to my eye, disrupts the flow, and I think it might have been added by someone else, although with Taboo, you never really know. Nice to see this piece on my travels around the city.

Ooh, Ahh! This is a stunner from Evey, painted during Bnie’s birthday paint jam, described by Paul H as the paint jam that keeps on delivering, and he is right. I would suggest that this might be Evey’s most ambitious piece to date, and she has carried it off with style and competence.

This is an ambitious piece with lovely large letters spelling EVEN, and within the letters a picture of people hanging out under a stretch of arches, in front of a setting sun. A story within a story, if you like. The letters are rounded off with a colourful 3D drop shadow. Big respect to Evey for this one.

One of the nicest artists in Bristol is, without question, DJ Perks, and his rise through sheer hard graft and an equal measure of talent has been a genuine pleasure to witness. DJ Perks seems undaunted in his pursuit of great writing and character work, and is so modest to go with it. If I had only half his talent and drive, I would be a happy man.

The muted colours of this piece are expertly blended through the letters, and the whole thing is incredibly tight. There is one small error on the black 3D drop shadow under the letter ‘K’, which should be deeper. Other than that, this is a great piece of Bristol graffiti writing.

I have not yet met Lewse, which is regrettable, really. Everywhere you go in Bristol, the chances are that you will encounter a Lewse piece, and some of them have been about for a while. I think there is a lot of respect out there for Lewse’s work, and quite rightly so.

This is a rather wonderful piece of writing with a character in tow. The letters are large, clear, regular and superbly filled and finished and are bookended by the head and tail of Disney’s incarnation of Lewis Carroll’s Cheshire cat. Great colour scheme, and so very easy on the eye. Anither keeper from Lewse.
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Looking at the stars
I wonder what the ancients
would have made of them
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by Scooj

It looks like Creamylines is here to stay. When his initial burst of work appeared under the M32, I wasn’t sure if he was an itinerant artist who dropped a load of pieces before moving on, but it looks like he is living in Bristol, and this piece under Brunel Way kind of underpins that assumption.

Creamylines is a very different kind of artist, painting landscape scenes in fragmented sections, looking almost like a jigsaw puzzle. His pieces have an uplifting feel to them and incorporate the natural landscape with people, a theme that reminds us of our strong connection with nature, and perhaps a desire to sustain and enhance this connection. Love his work.

This magnificent pipe-smoking monkey by Tack Jucker, must be one of the most overlooked pieces in Bristol. It is on a warehouse door and is incredibly feint. I don’t know if it has always been this way or whether it has been bleached by the sun. I don’t even know how long it has been there, but am please to have spotted it.

Photographing street art is all the more gratifying for the surprises that you encounter, and this piece definitely fell into that category. Had it been painted on a buffed background, it would have been much more noticeable, but instead, it simply blends into the graffiti swirl and remains hidden. Tack Jucker is a great artist, and finding his work is always a genuine pleasure. Gallery coming soon…

A graffiti writer, whose work I simply don’t get to see enough of, is Rusk. I think this is mainly due to the fact that he paints a lot of walls I simply don’t get to see. When he paints in the more regular spots, there is a good chance I’ll get to see his work, and there are plenty of examples in this gallery. The problem is he likes to paint in different and unusual places, so I have to resort to his Instagram stream to enjoy much of his work.

This is a lovely piece painted in the tunnel for Bnie’s birthday paint jam is a beauty. The letters spelling RUSK are beautifully proportioned, but it is the fill that steals the day. A graded horizontal colour transition with stripes of adjacent colours thrown into the mix. The yellow/orange transition reminds me of the colour swirl in marbles… is that just me? This is another fine example of Rusk’s great writing.