7342. Jamaica Street (31)

Aimes, Esme Lower, Jody and Conrico, Jamaica Street, Bristol, November 2025
Aimes, Esme Lower, Jody and Conrico, Jamaica Street, Bristol, November 2025

There was a time a few years back when this superb hoarding, the People’s Republic of Stokes Croft outdoor gallery, would be refreshed on a regular basis with all manner of collaborations, these days it tends to be used more for social commentary and messaging, which is not entirely surprising, and welcome. On the downside, it doesn’t get painted with the same frequency, as the messages have longevity. This is a superb, and rather eclectic collaboration from Aimee’s Esme Lower, Jody and Conrico in support of Bristol’s homeless.

Aimes, Jamaica Street, Bristol, November 2025
Aimes, Jamaica Street, Bristol, November 2025

The collaboration begins on the left with a colourful piece by Aimes. The creative piece hints at homes with the brick wall, and also recognises one of the backers of the campaign, the Big Issue, an outstanding set up that has been supporting homeless people for years through a model of engagement in the process of creating and selling print/digital newspapers.

Esme Lower, Jamaica Street, Bristol, November 2025
Esme Lower, Jamaica Street, Bristol, November 2025

The next piece is by Melo who has been on fire recently. The comforting piece is a combination of an illustrative cartoon style that verges on the abstract in places. Two characters, one of them drinking a hot drink and some beautiful flowers, gives us a scene full of hope and opportunity.

Jody, Jamaica Street, Bristol, November 2025
Jody, Jamaica Street, Bristol, November 2025

The portrait piece by Jody, is, I believe a copy of the front cover of the Big Issue, featuring DJ James Hype, who was holding a fundraising event at the Beacon to support homelessness. Jody, as ever has smashed it with the greyscale piece.

Conrico, Jamaica Street, Bristol, November 2025
Conrico, Jamaica Street, Bristol, November 2025

Finally, Conrico has painted some low-cost container houses amidst a floral display, and the words ‘building homes from house’ making the connection between the fundraiser and the outcomes. All in all these four artists have combined to support a powerful and valuable message to the people of Bristol.

7341. River Avon (104)

Nips, River Avon, Bristol, November 2025
Nips, River Avon, Bristol, November 2025

I have always liked Nips’ pieces and as a rule her work is getting better and better. This is a gorgeous and uplifting piece of graffiti writing alongside the river, which certainly catches the eye. Impossible to walk past without a quick glance at the very least.

Nips, River Avon, Bristol, November 2025
Nips, River Avon, Bristol, November 2025

Nips is known for her imaginative and well executed fills, and this piece is no exception the fill colours are so well blended, and the wibbly blue midline is inspired. The little character replacing the tittle (dot on the i) looks to be a nod to Halloween. This is a truly enjoyable piece.

7340. St Werburghs tunnel (552)

Andy Council and Ulow, St Werburghs, Bristol, November 2025
Andy Council and Ulow, St Werburghs, Bristol, November 2025

A quick one today, written late last night because we are on our way to Milton Keynes today for a family gathering. This superb Halloween collaboration from Andy Council and Ulow was part of the celebration paint jam for Minto’s birthday.

Andy Council and Ulow, St Werburghs, Bristol, November 2025
Andy Council and Ulow, St Werburghs, Bristol, November 2025

To the left is an amazing wizard hat by Andy Council, made up of a spooky graveyard scene. There is so much detail in this piece, but it is suffering a little from the low light levels in the tunnel. Next to the hat is a menacing pumpkin character by Ulow, which is the perfect Halloween monster. Both pieces are outstanding and a fitting tribute to Minto.

Milton Keynes

.

Drive to Milton Keynes

bland capital of nowhere

Christmas gathering

.

by Scooj

7339. River Avon (103)

Kush, River Avon, Bristol, November 2025
Kush, River Avon, Bristol, November 2025

Some artists are underrepresented on Natural Adventures, and I strive to work out why this might be. Sometimes it is simply that I don’t like or rate their work (sad but true). Sometimes it is because I don’t really know too much about them, and sometimes it is because I sense that they might rather like the anonymity or simply to keep a low profile. But here’s the thing, painting huge letters or characters on public walls is hardly keeping a low profile, and remaining anonymous or under the radar is a rather high expectation, I would say.

Kush, River Avon, Bristol, November 2025
Kush, River Avon, Bristol, November 2025

Kush is an established artist whose work has been dotted about the place for a long while. Having said that, I know nothing about him at all. I am guessing he has been around for some time because he has a tribute shout out to CKOne. The letters are nicely rounded, with a three-layer fill and some tidy white highlight lines to give the piece some perspective and depth. Nice work from one of the quieter graffiti writers in Bristol.

7338. Brunel Way (343)

Creamylines, Brunel Way, Bristol, November 2025
Creamylines, Brunel Way, Bristol, November 2025

Productivity underneath Brunel Way, a flyover which offers several concrete walls and pillars, has dipped in recent months, due to the ‘occupation’ of the main walls by high-end productions or tributes, both of which tend to have longevity. The knock-on effect is that people don’t go down there to paint much, and nothing will change for a while, until those walls get tagged or re-painted.

Creamylines, Brunel Way, Bristol, November 2025
Creamylines, Brunel Way, Bristol, November 2025

Fortunately, the odd piece is still being painted, mainly on the pillars and smaller flat surfaces and this is yet another beauty from Creamylines who, it has to be said, has had a purple patch this year. The landscape in this one is mountainous, and reminds me of the film title ‘The Hills Have Eyes’… I wonder why. All the ingredients are there for a classic Creamylines piece, and I like the addition of his text ‘Drawing Everythings’.

7337. Dean Lane skate park (889)

Dibz, Dean Lane, Bristol, November 2025
Dibz, Dean Lane, Bristol, November 2025

The frequency of output from the dynamic duo that is Dibz and Fade has dropped off somewhat this autumn. There may be many reasons for this, but one of them has to be that there aren’t many walls available to them, largely due to the longevity of their previous collaborations blocking the best walls and rendering them unavailable.

Dibz, Dean Lane, Bristol, November 2025
Dibz, Dean Lane, Bristol, November 2025

Dibz has created this outstanding ‘hell on earth’ piece with his customary wildstyle graffiti writing, which is about as tidy as you can get. He has filled the wall with a fiery scene, and loads of movement surrounding the static letters, which are in much sharper focus than the background. I love the devil’s trident with the halo – all good stuff.

7336. St Werburghs tunnel (551)

The Art of Sok, St Werburghs, Bristol, November 2025
The Art of Sok, St Werburghs, Bristol, November 2025

Now it is the turn of The Art of Sok to celebrate Minto’s birthday with this outstanding piece in the tunnel. The Art of Sok is one of the best cartoon-style character artists out there, creating near-perfection with each piece he paints.

The Art of Sok, St Werburghs, Bristol, November 2025
The Art of Sok, St Werburghs, Bristol, November 2025

I am guessing that the character in this piece is a werewolf, given that there was a Halloween theme happening in this paint jam, and he has a full moon on the back of his jacket. The cheeky character is holding a thick marker pen and appears to be having a lot of fun. Behind is a wonderful silhouetted spooky landscape, which ran through several pieces on this side of the wall. Beautiful artwork and a fun design.

Thursday doors – 11 December 2025 – Marrakesh doors, the Tanneries

Doors 336 – Doors of Marrakesh, the Tanneries, Morocco, January 2025 (Part XVI)

Good morning all – a slightly longer read this morning – if you don’t have time, feel free to jump straight to the doors below.

Towards the end of our stay in Marrakesh, my wife and daughter decided to treat themselves to some pampering in the hotel spa. Of course, I am far too rugged and manly for such things, and decided to go for a random walk through the souk markets in the Medina. I possibly bit off more than I could chew.

It took me about twenty minutes to get to the souks from our riad hotel in the south of the city, along roads and lanes that we had become quite familiar with during our stay. Once in the souks, though, it was a different matter. Navigating these narrow covered streets filled with tourists, mopeds, donkeys pulling carts and a million things to look at in the shops and stalls, can be challenging and bewildering to say the least. After about an hour of aimless meanderings, I became a little peckish and got it into my head that I wanted a crêpe pancake from a street seller. Surely a former French colony would have such a thing, although I hadn’t seen one since we arrived in the country.

It was something of a small miracle that I found exactly what I was looking for, a small stall, and so I ordered a lemon crêpe from a nice lady working two heated rings behind a Perspex screen. When it was ready, I took my treat to a small triangular open area away from the bustling crowds to eat it in relative peace. Almost immediately, a man came out of a doorway next to where I was standing and struck up a conversation. He asked me if I was heading to the tanneries, as it was the last day of a Berber festival, and it would be well worth a visit. I said that I might wander over there, and asked if he could point me in the right direction.

While he was explaining the route I should take, he spotted an acquaintance on a moped passing by. He called over to his ‘friend’ and asked if he wouldn’t mind leading me to the Tanneries if he was going that way. The young man said it would be no problem and walked alongside his moped, gesturing for me to follow him through the pulsing crowds of the souk. After a minute or two, he suggested I jump on the back of the scooter, as we could get there much quicker than walking. In for a penny, in for a pound I thought, so I duly joined him as his pillion passenger.

This episode was completely out of character for me, as I am usually quite cautious about such things. I imagine the spectacle was quite hilarious… a middle-aged Englishman wearing a green ‘Tilly’ sun hat, holding a crêpe in one hand and hanging on for dear life to a man he had met only minutes before with the other, perched on the back of a scooter, weaving through the crowds of the souks. The hair-raising journey took a few minutes, but knocked years off my life.

We eventually pulled up outside the Tanneries in the far north of the Medina, to my great relief. I had survived the first part of this adventure. Of course, there was no Berber festival, and I was beginning to sense that this might have been a bit of a ruse.

Next up, the young man led me into the Tanneries, looking for his ‘uncle’ who was a worker there who could show me round. A rather haggard old man showed up and took over from his ‘nephew’, who scooted off into the dusty streets. The old man waved me along and handed me a bunch of mint to help with the terrible smells of the Tanneries. As someone who worked on a fishing boat for a year, potent smells like that don’t particularly bother me, but I accepted the kind gesture.

The tour party consisted of him and me… no entry fee, no turnstile. I have to say I found this ancient place fascinating. There were dozens of pits filled with different agents – the only one I remember was the ‘pigeon poo’ which my guide took great pleasure in saying many times over. Thousands of animal hides were at different stages in the process of tanning – it looked like a complete mess to me, but I guess that there was a method going on that had been practiced over centuries. The guide was most obliging and informative and let me take as many pictures from various vantage points as I wanted.

The catch.

After the tour, I was ready to work out my route home, but the old man ushered me along a street and into ‘the gift shop’. I was welcomed into a leather emporium by a rather large and cheerful fellow who urged me to take my time looking at the leather goods. At this point I realised what this whole surreal adventure was a tried and tested ‘scam’ to get people to buy authentic leather goods at extortionate prices.

I milled about the place, without any intention of buying anything at all. The shopkeeper became a little bit more pushy, suggesting all sorts of things I might want. I spotted some belts on a rack, I had actually been looking for a belt, and asked about the prices. The shopkeeper’s opening offer was insane, so I thought about what I’d pay for such a belt in the UK. I suggested my price, he said a price about four times my price.

This conversation was doomed, as I wasn’t going to budge, and I think we both sensed it. I stated for a final time my offer, which proved to be a turning point. The shopkeeper became angry and rude and told me to get out of the shop, an outcome I wasn’t bothered about, but his rudeness was quite unlike anything we had experienced throughout our time in Marrakesh.

As if that wasn’t bad enough, the Tanneries guide was waiting for me outside and demanding payment for the tour. I figured that I had received a tour for free, so offered him what I considered to be a fair price. Of course, he complained and said that he had to pay fees to some kind of consortium. I told him that was all he was getting. He cursed, followed me for a bit, and then returned to the Tanneries for his next sucker.

Getting back to the hotel on foot took well over an hour, and I photographed a few doors en route, reflecting on the crazy adventure I had had.

I have since read on Trip Advisor that this is a well known scam, and the average rating for a trip to the Tanneries is little over one star. To be honest I had a great experience, not entirely comfortable, but something I could never have planned… a fluid, exciting, unexpected adventure and I wouldn’t have missed it for the world.

Enjoy finding some doors in these Tanneries photographs:

Banner for the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Banner for the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025

Tanning pits doors and a foreman's shelter, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Tanning pits doors and a foreman’s shelter, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025

Tanning pits doors and a donkey, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Tanning pits doors and a donkey, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025

Hides for tanning, workers and some doors, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Hides for tanning, workers and some doors, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025

Hides for tanning, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Hides for tanning, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025

Hides and carpets covering tanning pits and some doors, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Hides and carpets covering tanning pits and some doors, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025

Hides and carpets covering tanning pits and some doors, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Hides and carpets covering tanning pits and some doors, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025

Is there any order in the chaos? Can you spot the chickens?, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Is there any order in the chaos? Can you spot the chickens?, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025

Pits, hides and carpets, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Pits, hides and carpets, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025

Steps door and a moped, Zankat Sidi Soussane, Marrakesh, Morocco, January 2025
Steps door and a moped, Zankat Sidi Soussane, Marrakesh, Morocco, January 2025

Four-fold iron door, Zankat Sidi Soussane, Marrakesh, Morocco, January 2025
Four-fold iron door, Zankat Sidi Soussane, Marrakesh, Morocco, January 2025

Three different wooden doors, Taoialety Issebtiyenne, Marrakesh, Morocco, January 2025
Three different wooden doors, Taoialety Issebtiyenne, Marrakesh, Morocco, January 2025

Door within a door of a derelict building, Rue Ben Saleh Marrakesh, Morocco, January 2025
Door within a door of a derelict building, Rue Ben Saleh Marrakesh, Morocco, January 2025

I hope you enjoyed the mini-adventure as much as I did, and perhaps if you clutch a sprig of mint, you might sense the masking effect of the other smells around you. Next time it’s off to a Madrassa.

If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s weekly Thursday Doors post and his Sunday recap.

7335. River Avon (102)

Zinso, River Avon, Bristol, November 2025
Zinso, River Avon, Bristol, November 2025

It is absolutely no surprise that Zinso and Asre have teamed up and tend to paint together quite a lot these days. Both have a similar tidy style and both like to use bright and vibrant colour palettes in their work.

Zinso, River Avon, Bristol, November 2025
Zinso, River Avon, Bristol, November 2025

This is a beauty from Zinso painted in the tried and tested pink and blue combination of colours. The letters, fills and borders are tight as a nut, and the cartoon-style writing definitely stands out from the crowd. The piece looks really fresh, as if it had been painted moments before the photograph, which, of course, it might have been. I now have more than enough of his work for a gallery – join the queue.