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Sombre atmosphere
the crematorium blues
a touching goodbye
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by Scooj
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Sombre atmosphere
the crematorium blues
a touching goodbye
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by Scooj

I don’t know if I am imagining things, but Mesk appears to have upped his game significantly in recent months, with each piece being classier than the last. Maybe he has always been this amazing and I just haven’t latched on to it, but I have now, and this one in Frome Side is a belter.

His letters are bounded with a strong yellow border which contains coloured fills running in horizontal strips in warm tones running from light to dark to light, creating an almost kaleidoscopic effect. Adding to the overall blast of visual excitement, Mesk has painted a vibrant blue stripy drop shadow, that creates a ‘blockiness’ to the whole piece. Very nice work indeed.

Although I came across this garage shutter piece by Daz Cat when I went to photograph pieces from the Bristol Mural Collective paint jam in Lucky Lane, I have a feeling that it may have been painted some time earlier, but I am not really sure. Well, there you have it… I just checked his Instagram account, and it was indeed painted at the paint jam.

The unusual piece features a blue-faced cat-girl clutching a gold medal, having come first in the rat race. I expect that the smartly dressed appearance is a reference to that, and the rats relate to a more literal interpretation of the phrase. A fun piece from Daz Cat on a tricky surface.
Doors 327 – Doors of Marrakesh, Morocco, January 2025 (Part VII)
This week’s selection of door photographs continues on from last week’s solo doorscursion which I managed to squeeze in on one of the mornings of our trip, accompanied on the way by a little light rain.
One of the things that is notable about doors in Marrakesh is that it would seem that the occupants are extremely proud of their doors and door surroundings. Even though the streets are a little untidy with exposed wires and power lines, everywhere and an abundance of dust and rubble, much of it probably after effects of the destructive earthquake in September 2023, great care is taken to present a good-looking entrance to homes and businesses. Enjoy the doors:










As a note to myself, I will probably do a post of the Marrakesh cats (and a door or two) and some other street scenes at some point, to give more of a taste of the place. I hope you have a great weekend.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s weekly Thursday Doors post.


It is, I think, entirely coincidental that Sled One painted this lucky cat (maneki-neko), around the same time that two of them appeared during a paint jam in Lucky Lane. This piece encapsulates Sled One’s skill at creating depth in his pieces through the subtle application of shading and light throughout the piece.

The gold disc contains Sled One’s signature, but there are tell-tale signs of his paw print here, in particular, for example, the floating eyebrows. There is mischief and movement in this cat, and Sled One doesn’t simply create a character, he animates it with emotions and attitudes. Outstanding work.

Totosoapcity is one of those graffiti writers whose letter shapes remain broadly constant and whose magic happens with his colour selections and patterns. The letters ARSA or ARZA have a symmetry about them, which really establishes Totosoapcity’s ‘brand’ or presence.

The letters are given depth with the 3D drop shadow in red and white stripes, and further uplifted by the four ‘starbursts’ whose contribution should never be underestimated. The colour scheme has a bit of a confection feel to it, maybe trifle or rhubarb and custard chews. An all-round nice piece from Totosoapcity.

Amy McHugh first came onto my radar at the last Bristol Mural Collective paint jam on the Greenbank hoardings with a peace for Palestine mural. This time she has gone bigger with a nature theme and some comforting words for ‘Rob’.

The words are written in a lovely illustrative font, and I guess were painted with a brush. They say: ‘I’m sorry it’s so tough – it’s ok not to feel ok – one thing for sure is change – I’m sending love today – for Rob and all who struggle’. Kind words accompanied by kind birds and animals. The naive style is enchanting and would work well as illustrations in a picture book.

The return of Zinso to the streets of Bristol has been something of a revelation this summer, and his characters from a few years ago betrayed his talent as a graffiti writer. His style and use of bright colours has made a significant contribution to the scene this year and continues to do so.

This piece, in St Werburghs tunnel, is like sunshine in the sky with clouds. Whether that was a conscious colour palette decision or not I don’t know, but it works really well for me, especially in the gloom of the tunnel. The solid fills are nicely blended in horizontal stripes and there are some nice reversed-out patterns too, but generally it is not over-fussy. A blue shadow around the piece complements the letters and generally reflects the crisp and tidy feel to the whole piece. Nice work from Zinso.
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In Cornish sand dunes
sun blazing, insects buzzing
far off rollers crash
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by Scooj

I haven’t posted much from Jevoissoul for a while, but this piece alongside the River Avon was perhaps just too good to miss. This book ended combination piece is really neat and tidy and speaks to the artist’s progress over the last year or two.

The letters SLOW are beautifully painted in strong solid colours, without decorative fills, but sometimes less can be more, and it definitely works here. Great colour combinations too. The characters are unmistakably by Jevoissoul, and he has really made these in his very own stylised cartoon design, with their distinctive comic mouths. It is a pity that he ran out of brown for the background. All in all, a great piece.