I am Stephen. I live in Bristol, UK. I decided to shorten my profile...to this: Wildlife, haiku, travel, streetart, psychogeography and my family. Not necessarily in that order.
This beautifully proportioned REZER from Rezwonk was painted alongside frequent painting buddy Nightwayss in St Werburghs tunnel about two or three weeks ago. Crikey, so much has happened since then, it is unimaginable.
Rezwonk, St Werburghs, Bristol, March 2020
Like so many of the talented street artists in Bristol, Rezwonk’s work is always on point, and even his throw ups have a touch of class to them. The overall design is great and looking closely at the letters it looks like the ER at the end might have been switched to RE or even something else. I expect there will be a creative outburst when all this is finally over.
This is what can happen when two outstanding writers combine their efforts. This supreme collaboration is by Dibz and Shade One, painted in Dean Lane on the same day that Rusk, Soker, Inkie and Hemper painted on the other long wall back in March. A red letter day indeed. The whole collaboration is set on a clean blue background with a magnificent silhouetted cityscape running horizontally through the piece.
Dibz, Dean Lane, Bristol, March 2020
On the left is an absolutely faultless piece from Dibz as we have become accustomed to expect. The fills are really subtle, dradig from a lighter blue at the top to a slightly darker one at the bottom, and the letters have just the right amount of accents in red to set the piece off nicely. This is what great graffiti writinng looks like.
Shade One, Dean Lane, Bristol, March 2020
On the right we have some equally high-class writing from Shade One, an artist I know relatively little about. In this piece I particularly like the tiny ‘cracks’ in red through the letters and the stellar accents on the first and last letters. Magnificent. I am not too sure what the letters say, nor their significance, it looks like JOBE or TOBE. The only other post I have made from this artist was an Upfest piece from 2018.
This is the second piece recently painted by Rapt in St Werburghs tunnel of at least three I know about from March. The Newport artist paits alongside Elvs and his style is characterised by the upside down T and the very clear lettering.
Rapt, St Werburghs, Bristol, March 2020
All the basic elements of a developing writer are here, a nice design, imaginative background, nice fills with some creativity. I look forward to seeing the artist develop all of these skills. I believe alcohol might have been involved in the general concept of the piece.
This is a wonderful old piece (2014 I think) from Zase, that I have only just photographed. Due to thee Covid-19 lock down, this wall is clear of any parked cars in front of it and this is the first time when I have been passing on foot that I have been able to get a clean shot.
Zase, York Street, Bristol, March 2020
The whole thing is unmistakably by Zase and the 3D writing in the middle, which you’d normally expect to spell ZASE actually spells A&M, which is the name of the garage A&M Motor Services in York Street.
Zase, York Street, Bristol, March 2020
On the right of the piece is a pretty graphic crash-crumpled car, slightly on the macabre side, and on the left a rather snazzy Mercedes and dashboard. I think that this is an absolutely stunning piece and has weathered really well over the years with only a little bit of tagging.
Zase, York Street, Bristol, March 2020
This area is crammed with amazing work from Zase who lives nearby. We are very lucky to have him in Bristol. I think it is high time I produced a gallery of his work… watch this space.
Another nice piece of graffiti writing from a resurgent Turoe One, nice and heavy on the chrome. Turoe One is a highly versatile writer who explores different styles and scripts and colours so that if he were writing something other than his name, it could be a challenge to identify his work. Does that make sense?
Turoe One, Dean Lane, Bristol, March 2020
This photograph was taken during March and was probably my penultimate trip down there before lock down happened. I can walk to the North Bristol spots from home and have been able to check them out, but Bedminster is a bit of a hike, so I’ve not seen whether there is much new there, but I doubt it. I’ll continue to trawl through my archives.
A contemporary stencil from John D’oh on the M32 cycle path was completed shortly before the lock down and mocks the insane and irrational panic buying for toilet roll that obsessed the nation. In my lifetime I’ve not seeen anything like it. In one shop I went to in the early period of this madness I saw a woman send her young son to run into the shop as it opened and grab a couple of large multi-packs – I shouldn’t think they’ve even got through a quarter of it yet. There’s nowt as queer as folk as they would say in Yorkshire.
John D’oh, M32 cycle path, Bristol, March 2020
I haven’t seen much from John D’oh since the Cheltenham Paint festival so this was a rather pleasant surprise in a spot that I woudn’t ordinarily associate with him. In this commentary piece he brings together his slightly caustic wit and stencil skills to present us with a retro family, fully masked, clutching their trophies as if this were quite a normal situation. This piece reminds me of the satirical cartoonist Glen Baxter, which is a compliment indeed.
Strictly speaking, this is not the Star and Garter but the building opposite it, but it is in the general area. This wonderful collaboration was completed shortly before the lock down and is between painting partners Sled One and Ments.
Sled One, Star and Garter, Bristol, March 2020
On the left is a beautifully sprayed pigeon in a style that you would instantly associate with Sled One. The bread thing going on? I’m not sure but it could be a pun on pigeon toast instead of pigeon post, but it might be something else altogether.
Sled One, Star and Garter, Bristol, March 2020
Sled One pieces are often quite mysterious and although there is pretty much always a story going on, understanding it can be tricky. The fabulous colours used and his technique of clever shading to create a 3D effect are of the highest quality in this piece.
Ments, Star and Garter, Bristol, March 2020
Ments, whose work has always had an organic flavour to it, has been experimenting of late with a range of forms and textures, including spheres and metallic objects. This is a really unusual abstract piecem that looks slightly unfinished in the top left hand corner. I will be interested to watch where this new directtion for Ments will take us.