Up on Redland Green
where an elderly couple
leave water for dogs.
by Scooj
Up on Redland Green
where an elderly couple
leave water for dogs.
by Scooj
I said in a post a few days ago that Hire had come out of hibernation, and this, as if to prove it, is the second piece from him in the space of a week or so. This is an incredible work, which I am guessing spells HIRE, although I don’t quite know how it can, bevause of its bilateral symmetry. If I look at it hard, I can convince myself I can read HIRE, but I can also read AVA, so it could probably be anything.

I have always liked Hire’s work, but I can never really understand why it gets painted over so quickly most of the time. Maybe it is the walls he chooses to paint that limits the lifespan of his work, or maybe there is a respect thing going on. I don’t know, but he certainly gets my respect and lots of it.
In one of his favourite spots, Fiva (Fiver, Henry Barnes) has painted another of his lovely block capital pieces using the longer version of his name and overpainting it with the word ‘forever!’ in a kind of stone effect.

This time he has gone for the bevelled edge look to his large letters and included a 3D shadow in green to the left. In teaching myself to spray paint, I used his general style to create the letter H (in my series A-Z) and all was going well, in fact it was looking rather good, until I put a black and white outline around it. So the point is that to get straight outlines requires real skill to avoid wobbles and varying thickness of lines. Fiva has done a great job here with his yellow and black outline. I need to practice a lot.
Just me and the dog
exploring a new pathway
a shared contentment
by Scooj
This wall at the back of Sofa Project has played host to some of the tightest street art in Bristol, and it is most pleasing to see that tradition continuing with this new collaboration between Paul Monsters and Soker.

when I spoke to Paul Monsters about it, he was full of compliments for his collaboration partner and explained how Soker had worked the horizontal shade in his writing to match up with Paul’s geometric design with complete ease. Looking at it knowing this adds context and insight into the strength and thoughtfulness of this piece.

The geometric backdrop by Paul Monsters is in my view masterful work and creates a most extraordinary illusion that the wall is made of coloured blocks that have bevelled peaks that jut out, and no matter how hard you look at it it is difficult to see it as flat.
Genuinely, this is one of the most enjoyable collaborations I have seen in quite a while. Classy and diverse.
I think that Ugar is a much unrecognised and perhaps underrated graffiti writer in Bristol. His work is always neat and tidy and his fills usually imaginative and skilfully painted, but I rarely see photographs of his work in the digital ‘datasphere’. One reason may be that he is probably just less well known than other more established artists, or my perception might simply be wrong.

This little pedestrian underpass is one of my least favourite places to take pictures because of the uneven light conditions, but this one hasn’t turned out too badly. Ugar’s writing is always unsymmetrical but nonetheless recognisable, his letters being of various sizes and not conforming to a grid. But it is his decorations and fills that really set this artist apart from others, he seems to have a talent for nailing this element of his work. Keep it up Ugar.
On meeting a WordPress/Instagram/Facebook friend for the first time
Genuine pleasure
finally to meet after
all the near misses.
by Scooj
This is the second angry mouse/rat character I have posted by Saik One, and it is great to see more work from this relative newcomer to the streets of Bristol. It was painted on the southern M32 roundabout wall and happened to be adjacent to another street art rat whose creator is unknown to me.

I think that Saik One has hit upon a winning formula in terms of a clean piece and highly identifiable character, I am interested however to see where this starting point takes us. I have a piece of writing by Saik One somewhere, so I know there is some range there. More to come from this emerging talent.
Shutters are the pits. I must have walked past this beautiful piece by Shab hundreds of times, but only when the shutter was up, so have never seen it before. I understand it has been there for some years, but I only saw it early on a Sunday morning a couple of weeks ago.

I haven’t seen anything from Shab in absolutely ages, so to find this was actually most gratifying. I have always loved his outlined abstract figures and his trademark eyes are always so beautifully done. There were some other shutter pieces here on the front of the North Street restaurant and I will post these in due course. This was like meeting an old friend.
.
Look up, they are there
thousands of modest flowers
hang out in the sun.
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By Scooj