.
On seeing the first:
‘Good morning Mr Magpie’
a superstition.
.
by Scooj
.
On seeing the first:
‘Good morning Mr Magpie’
a superstition.
.
by Scooj
Undeniably
new season is in full swing
a little early.
by Scooj
On sitting down to write a post about this Elvs piece from the M32 roundabout I have come to realise that I know virtually nothing about the artist. I know about his work and love the intricate lettering which usually has a vanishing point somewhere behind the piece, but I have never met him nor do I even know where he comes from. This secrecy is quite common amongst some street artists and is completely understandable… however it does lead to an awful lot of waffle filling the column inches.

This particular piece includes some pixels which might be a little nod of recognition to Aspire, but then again it might not. It also looks a little bit like there is a tide line on it, where the bottom third looks a little washed out. This effect is heightened with the wet pathway below the piece. Great work from this DBK artist.
It would appear that Soap is a happy man these days, or at least his mouth motif has a joyous demeanour which may or may not reflect the artist’s own disposition. It is noticeable though that his recent pieces are all a lot more expressive and smiley than some of his older work.

This is a colourful and nicely embellished piece that screams out laughter and fun and is definitely a welcome addition to the rather drab tunnels at Lawrence Hill roundabout. I really like the squiggle decorations around the piece which might be Soap’s original tag. Good work.
Recent memory
melted away and replaced
with t-shirt weather.
by Scooj
Doors 61.
I am still struggling a little to find new doors, and haven’t done an awful lot of travelling lately, so I have retreated to my safe heartland of graffiti doors because there is never ever a shortage of them in Bristol.
The featured image door and the ones below are something of a curiosity. They appeared back in January 2017 and were attached to some walls in what I thought at the time was an effort to disrupt the work of street/graffiti artists, but I think that they might have been a part of a campaign about homelessness. Either way, they introduced a new dynamic to the Bristol scene and presented a challenge to local artists. The doors remained in situ for many months before disappearing as quickly as they had appeared.


The next few doors are classic graffiti doors in Bristol:

Spot the cat…


So that’s your lot for this week, I wish you all the very best until next Thursday.
Let yourself in to a world of doors at: Thursday Doors – Norm 2.0, just follow the frog.
by Scooj
I guess that Big Bird from Sesame Street is known to pretty much all of us who might have been watching TV since 1969, and here is a terrific tribute by Rezwonk to the Jim Henson creation on an end wall of one of the tunnels on the Lawrence Hill roundabout.

The backdrop to Big Bird is a spread of Rezwonk icons, these with smilie faces on them. It’s funny, but it doesn’t seem logical to put a yellow subject on a yellow background, but somehow in this piece Rezwonk carries it off perfectly. I love this piece in one of the newer spots to me. It’ll be interesting to see how long it lasts, as I don’t yet have a feel for the turnover of work here.
How is it possible that I can still keep finding Laic217 pieces in my archive? This one is from October last year on the M32 cycle path but probably didn’t get published immediately on account of the poor light quality. This particular wall is very hard to photograph without getting flaring from the sun or bright sky behind it. So much about photographing street art is dependent on light quality and time of day – I get it wrong too often, but with a full-time job I am rather constrained in the times I get to go out.

I rarely say this about Laic217’s work, but in my view this is not his best. The shirt material is exceptional , but I am just not sure about the face. I think a partially decomposed face is probably very difficult to do and the teeth and nose don’t quite seem right. Having said that it’s all still pretty good and utterly likeable. Will I be able to dig out some more oldies from Laic217…?
Unattainable
pre-teen crush everlasting
met my Waterloo.
by Scooj
A couple of days back I posted a great piece by the lovely artist Cros, and said that I had seen some of his work before – this is that work. Back in September Cros and his friend Lorris took over two-thirds of the long wall at Dean Lane to produce this wonderful collaboration.

The letters Cros creates tend to be quite angular, but have a soft touch to them. His fills are really neat too with all sorts of nice patterns and shapes in green, orange and black. Everything is neat and tidy and I like his rings and arrows, both classic writing motifs.

This is the first piece (I hope of many) by Lorris that I have posted and it is a really charming piece. Now, I wonder if I would have said it has a feminine touch if I hadn’t known that Lorris was a woman. Difficult to know really – the lettering in soft and curvy, but the clincher is the hair bow on the ‘O’ of Lorris…I can’t imagine a male artist ever spraying a hair bow in anything other than a photorealistic portrait. All my unconscious bias being laid bare there. Anyhow I really like her style and can’t wait to see more.