2033. Dean Lane skate park (192)

I seem to be forever trying to play catch up with some of the artists in Bristol, such as Mr Draws, Face 1st, Deamze and in this example Tasha Bee. With only writing two posts each day and having to share as much as I can from Bristol streets and Upfest and occasionally London and further afield, inevitably some good works struggle to make it on to these pages. Often too good to leave out, I try to publish them, but often a long time after completion. Certainly I have enough material to last me for at least a year if I stopped taking pictures today.

Tasha Bee, Dean Lane, Bristol, September 2018
Tasha Bee, Dean Lane, Bristol, September 2018

This is a lovely example of Tasha Bee’s work from last year at the Dean Lane skate park with each of the two figures reversed out, so one green with lilac features and the other lilac with green features. All round a lovely calming work. See more in my Tasha Bee gallery.

Unleashed

 

Domesticated

hunter becomes ball chaser

all covered in fluff.

 

by Scooj

2032. Stokes Croft

I am going back a long way (December 2015) through my archive now to share this piece by DNT and another artist, possibly Mr Sleven, but I am not sure. I really don’t know why I have held on to this for so long, because it is a fine and rather unusual collaboration next to the Matchbox Gallery.

DNT, Stokes Croft, Bristol, December 2015
DNT, Stokes Croft, Bristol, December 2015

The ‘stone’ cherub is by DNT, and for a while there were a few of these dotted around the area. I have a feeling that the cherub sitting in a pile of spray cans is a stencil, which is a surprise as I’m not aware of any other stencils by DNT.

DNT, Stokes Croft, Bristol, December 2015
DNT, Stokes Croft, Bristol, December 2015

I love the way the whole thing is black and white apart from little flashes of colour on the spray cans. A memorable piece.

2031. Gloucester Road

This piece goes back a little way, and kind of got lost because it was taken on my mobile phone and not on my camera – hence the rather poor quality. It is a piece by Hoax and Akarat above the Coop on Gloucester Road and didn’t last too long before it got dogged, which was a pity.

Hoax and Akarat, Gloucester Road, Bristol, August 2018
Hoax and Akarat, Gloucester Road, Bristol, August 2018

It has been a long time since I have seen anything by these two on the streets so I was rather excited by this collaboration. Unfortunately, by the time I returned some while later with a camera it was gone. Entitled Run run run, the piece includes a couple of galloping horses and what looks like an architectural feature, possibly a window and roof. I would have loved to get a closer look, but this was the best I could do.

Care home

.

Bewildered old folk

and bewildered families

at visiting time.

.

by Scooj

2030. King Square Avenue (4)

Somehow this Deamze piece passed me by. Probably because this spot always seems to have one of his pieces in it…he owns the space. It is not a street with much other street art, so trips there are infrequent and therefore any refresh of this wall can be easily missed.

Deamze, King Square Avenue, Bristol, August 2018
Deamze, King Square Avenue, Bristol, August 2018

The work is not unlike his previous one here (see below) in so much as it is in his sharp and jagged style and has a hog character. So crisp and clean, just another example of the brilliance of this artist. Although I took the picture in August last year, I have only just got round to posting it. Worth the wait.

Deamze, Kings Square Avenue, Bristol, April 2017
Deamze, Kings Square Avenue, Bristol, April 2017

2029. Dean Lane skate park (191)

I got lucky recently on a lunchtime walk to Dean Lane to find Cros painting this fine writing and character along with Cort and Laic217 who had unfortunately left before I arrived. Together with Cros was his friend Lorris, and together they had collaborated in Dean Lane some weeks before. I have pictures of that collaboration, but didn’t know who they were, so didn’t post them at the time…watch this space.

Cros, Dean Lane, Bristol, January 2019
Cros, Dean Lane, Bristol, January 2019

Cros is a really nice guy, originally from Spain but now living in Bristol who said he plans to be much more active painting on the streets when the weather gets a bit better. I can’t wait. When I first saw this piece I was getting a bit confused, because the lettering is quite similar to Cort’s lettering, but Cort was working on another piece next to it, also the letters themselves are quite similar…CROS and CORT. The character is what separates them, as I don’t think I’ve ever seen one from Cort.

Cros, Dean Lane, Bristol, February 2019
Cros, Dean Lane, Bristol, February 2019

Cros has a lovely touch and this is a nice clean piece. Unfortunately he hadn’t finished when I had to go, and indeed didn’t finish until the following day. I managed to get out a couple of days ago to take a picture of the finished piece, but the light was all wrong. This is also a difficult wall to photograph and these pictures really don’t do the piece justice. A great sign of respect that the piece is still there completely untagged.

2028. M32 roundabout J3 (126)

Well another weird and wonderful creation from Stupid Stupid Meathole this time on the M32 roundabout. This piece is similar to one he sprayed in Dean Lane but somehow looks a little better in this environment…maybe it is the wall itself that helps it to stand out.

Stupid Stupid Meathole, M32 roundabout, Bristol, January 2019
Stupid Stupid Meathole, M32 roundabout, Bristol, January 2019

I like his work very much, even if it is a little peculiar. There is some good humour underlying the grotesque nature, but most of all it is utterly unlike anything else on the Bristol scene at the moment. Original work.

The beach

 

Glorious morning

families walking their dogs

gentle surf and sun.

 

by Scooj

2027. The Bearpit (175)

Between Mr Draws and Object… The Bearpit is just about keeping alive, although I did notice some Panskaribas pieces on my way into work earlier this week (to follow). This is a quick one from Mr Draws and draws (no pun intended) on his staple decorated lettering.

Mr Draws, The Bearpit, Bristol, January 2019
Mr Draws, The Bearpit, Bristol, January 2019

The colours and patterns make this writing easy on the eye, but it is not to everyone’s taste, and sometimes those who like to sit in judgement on such things can be a bit rude about his work. I’ll have none of it. He brightens up our streets and has no pretensions at all. Perhaps some would prefer clinical fine art, commissioned and safe, but that does not pick up on the diversity and full spectrum of the discipline.