A gallery of wonderful writing and sensational fills from Bristol graffiti writer Nips, AKA Betty Poop.
Instagram: @nips_and_drips
All images by Scooj
Nips
Category: 5. Street Art
6820. High Street, Godalming
Part of my work involves a bit of travel around the country supporting the establishment of new National Nature Reserves. I took a trip last month to Godalming in Surrey, where I was running a partnership workshop. Naturally I took the opportunity to wander round town in the evening and early in the morning to photograph the architecture, and doors in particular. I was not expecting to find any street art (it is not that kind of place), but my in-build radar and trained eye brought me to this piece by Hendog, lurking behind some bins. I think it might be the only piece of street art in town.
Hendog is a stencil artist, who seems to paint around the south-east area of England, from what I could make out, and I haven’t come across before, although I think he might have a piece in Bristol which I will need to hunt down.
There are hints or references to Banksy’s famous ‘mild, mild west’ piece as he features an urban teddy bear up to a bit of mischief with a traffic cone on his head and a beer bottle in each hand. The stencil work has plenty of depth, aided by the clever shadow work. I have no idea what the locals think of it, but it has been there for a while, so I imagine they might be quite fond of it. A pleasurable and unexpected find.
6819. Brunel Way (312)
This production wall is one that has been revisited several times by Dibz and Fade, and they have brought in others along the way. The portrait and writing above it by Jody and Acer One respectively have remained intact, but everything else around them have been repainted several times. This latest fiery reincarnation is by Dibz, Fade and Sikoh.
Starting with Fade, flames engulf his letters FADE and nestled above, THK (Tru Headz Kru). The black letters are bordered with a flame line, incorporating reds, oranges, yellows and whites – absolutely incredible. The flame background is equally impressive, and he has also managed to incorporate some drips into the piece too.
Dibz’ writing mirrors that of Fade, and is also out of the top drawer. Slightly more angular than his painting partner, his letters have the same multicoloured border – how do they do that? Dibz has also managed to create a little bit more depth with his letters, and has added a yellow, melting, halo above his letters.
It is a pity that we only get to see Sikoh’s work occasionally, because he is without doubt one of the most talented artists around. Here he has painted two spray cans, one with a flesh hand spraying out flames, which is mimicked to the left with a fire hand holding the can. The collaboration is utterly outstanding, and has remained intact for over a month for all passers-by to enjoy.
6818. St Werburghs tunnel (486)
This slightly unusual collaboration from Badger Feral and Stivs has been turning a few heads, and not surprisingly, as it is rather striking. While I am very familiar with Stivs’ work, I believe this is the first piece I have come across by Badger Feral.
Starting with the Badger Feral piece, we are presented with a portrait of a hooded woman, with red hair and gold earrings. Her blue eyes are matched by the hood around her head. The portrait has a slightly darker side, with an inverted cross on the woman’s forehead, and her hood is suspended by a line of little skulls. Lots to take in here, and plenty of symbolism too.
Stivs on the other hand has painted a portrait of a jolly fellow wearing a cap. I don’t know who the character is, but there might be a clue in the ‘Jim Bitch’ that accompanies the piece. Stivs has painted the portrait in a photorealistic style, and it looks like, from subsequent pieces, that he is rather enjoying portrait work at the moment. There is so much to take in from this ever so slightly weird collaboration.
6817. St Werburghs tunnel (485)
This stunner by Hemper (who else?) has caused me a lot of grief. It was painted at the farm end of the tunnel, and had a black van parked in front of it every time I went to visit. I never did get a clean shot of the piece, so I have had to decide whether to share some rubbish pictures of it or not to share at all. I chose the former.
This is one of a series of outstanding pieces from one of the most imaginative graffiti writers in Bristol. He has been operating at full tilt this year, and has already clocked up countless pieces, no two looking even remotely similar. It is probably a good time to update his gallery (I have just done it), which is swelling, in a positive way. These bubble letters spell out HEMS and are set on a delicious red background. The pink and blue fills are expertly worked, as you would expect. So much more to come from Hemper’s renaissance.
6816. Dean Land skate park (815)
I think I am going to have to refer to Trafficity as something like ‘old faithful’, such is his consistency and form. This is one of at least three relatively recent pieces by the Polish artist on the swimming pool wall. I wonder if he paints here, because it is a little bit out of the way and less busy than other parts of the Deaner.
His letters ZIOS, which for years I mistakenly thought were ZIOM, are split horizontally into three colour stripes, which is customary for his work. The writing is set on a yellow background, which looks as if it has been attached to the wall with rivets or nails, a simple but clever detail. As ever, lovely work from Traffiticy.
6815. St Werburghs tunnel (484)
When I first saw this piece, I was puzzled. The style felt familiar, but I couldn’t match it to any of the artists I am familiar with. There was a reason for that, it is a wonderful piece by visiting artist Lezaxer, and one of at least two painted during a trip to Bristol earlier this month.
The beautifully crafted writing spells out ZAXER, I think, with a perfectly complementary colour scheme, set on a cloudy background. Clearly the work of an experienced graffiti writer, and one who certainly doesn’t look out of place in Bristol. From Lezaxer’s Instagram profile, it appears that home is Sheffield, and we are privileged that the artist made the long trip south.
6814. M32 roundabout J3 (667)
It was great to see this collaboration from Stivs and Pekoe recently, two artists who are knocking out some fabulous work at the moment. To the left, the calligraffiti letters are by Stivs and the character portrait on the right is by Pekoe.
Stivs has written his familiar letters DSC, which stands for Dog Supremacy Crew (formerly Dog Shit Crew – I think). The beautiful letters are not quite as elaborate as some of his calligraffiti pieces, but are nonetheless impressive. From the size and intricacy of it, I would think that he painted this fairly quickly.
To the right, Pekoe, in keeping with the collaboration colour scheme, has painted this wonderful blue-faced portrait of a young woman with a fabulous hairdo. There is a symmetry in the face, and a slightly haunting stare. The piece is beautifully produced, and so very neat and tidy. I am not sure what the significance of the road cone is, but I’ll take it.
6813. Cumberland Basin
Conrico has a lightness of touch and an ability to tell stories through his pieces that is almost unique in Bristol. If I were to pick another artist who has similar qualities, it would be Daz Cat. This is a wonderful piece was painted as part of a paint jam I think to mark the birthday of Benry – I don’t know who Benry is, but there was some great art produced in celebration.
The piece features a girl riding a white tiger (or some mythical feline beast), and why not, and the orange atmosphere around the characters indicates something magical is going on. There is movement, excitement and fantasy in this piece which is beautifully painted by Conrico. Great stuff.
6812. Dean Lane skate park (814)
Although Dibz and Fade have had a reasonably quiet winter, they have still managed to get out frequently enough to collaborate on some very impressive walls. This wall is one of their favourites, and because of its shape requires them to paint closer together than some of the other longer walls they like to paint.
In this piece, they each get to showcase their style and technique, using different base colours. Stepping back you can see that Fade’s work, in yellow, has a slightly softer finish, with more curves, than the slightly less forgiving angles on the green writing by Dibz. I don’t know too much about the character in this piece, but I am guessing both artists contributed to it. Naturally there is lots more to come from these two.
Natural adventures 