On the allotment
Heath Robinson contraptions
harvest rainwater.
by Scooj
771. M32 roundabout, J3 (36)
I was in two minds about posting about this Laic217 piece, because it is so unlike anything I have seen from him before, and something of a departure from the trajectory he has been on recently. I am not too sure also that I like it very much…it might be something to do with the insipid colours. But hey this blog isn’t just about what I like, it is about what I see.
Actually, now that I am scrutinising it a little more thoroughly, there is quite a lot here to like. The animal, the alien in a spaceship over eyes and the customary brick wall. I guess the monochrome approach is something I’ve not seen before from this artist (spoiler alert…but I have seen since).
Not the best, but still something rather compelling about his work, and how much has he improved over the last year?
Wisteria
Elongated sweet
smelling purple blooms cascade
from the balustrade.
by Scooj
770. The Bearpit (66)
Street art and graffiti can often tell a story about the ever-evolving scene. The original piece by Angus, which is one of his favourite stencil concepts was sprayed as part of the paint jam in the Bearpit over Easter.
Angus had completed the work by the time I got down there, but it was still in pristine condition. Now, I understand that taggers really have very little time for stencil art, and don’t take long to spoil it, or ‘add’ to it with their own scrawlings and witticisms. By the time I went back the next day there were already quite a few tags on the piece.
How brilliant then, that Dice 67 went the extra mile and augmented the piece with a fabulous stencil of his daughter spraying the words ‘I must not write on the walls’. How brilliant is that – a living piece that takes a pop at taggers, but in a really clever way, and sets the piece off beautifully. Evolution.
769. The Bearpit (65)
Sirens is an artist that I have only recently come across, and I have to say that on both occasions I have met him, I really enjoyed our conversations and what he has to say about his art.
His work is on the fine art side of the spectrum, and it is possible to see that there might be numerous influences in his work. This piece, again of an industrial environment is in one of the tunnels of The Bearpit, and offers both a depressing scene, and also an uplifting one in the single work. I like his style, and believe he is still developing, so I await further appearances and opportunities to chat.
Cracks
.
Civic flowerbeds
neglected; casualties
of budget cutbacks.
.
by Scooj
768. Waterloo Place (1)
There are two artists in Bristol who are performing at the top of their game at the moment, Deamze and Voyder. Deamze consistantly turns out superb wildstyle pieces and absorbs styles and characters into his pieces with ease, but it is Voyder who, in my opinion, is hitting a new level with his work.
This bright collaboration can be found on the wall at the back of the Sofa Project in Old Market. It is so, so good that it really does have to be seen in the flesh. There is a consistent thread of the colour scheme and a diagonal line through both pieces that cuts through the writing, and with which both artists have treated the line as a breaking point in the work – so thought out and skilful.
I would like to focus a little – which is hard to do with two such immense pieces – on Voyder’s half of the collaboration, because I think this is the best piece I have seen from him, ever. The neon line zig-zagging through the Lichtenstein influenced brush strokes is masterful. Look at the shadows and the light that radiates from the neon. Just amazing.
Voyder has mastered his technique, and I don’t quite know where he goes from here. He has just been getting better and better with every piece and I consider him to be the king of writing in Bristol right now. If you don’t agree, just get down and take a close look at this piece. The best collaborative piece of the year so far as far as I am concerned. Love it (just in case you hadn’t figured that yet).
767. Ashley Road (13)
Some real luck with this one. I was returning from dropping my niece off at Temple Meads station and deliberately drove home via a few graffiti spots, and whose work should I see on the hoardings at the top of Ashley Road…Silent Hobo.
I hadn’t seen or met him before so I wasn’t going to miss this chance and found a place to park and went to introduce myself. He was spraying with another artist who was working on the wildstyle writing in the middle of the piece. This was Logoe, who I was told by Silent Hobo is a celebrated Bristol graffiti artist from years gone by, and has just returned to the city – this is his first back since his homecoming.
Both were absolute gents and didn’t appear to mind me stopping to watch a while and chat a bit. I asked why Silent Hobo had appeared to have a break and was now, over recent weeks, churning out pieces very regularly…well it was all down to childcare…ah the freedom that childcare affords us parents.
The whole piece works well, I have always liked Silent Hobo’s anime influenced characters, and Logoe’s writing is a real treat.
The piece is in an area that tends to get very badly tagged very quickly – it will be interesting to see how long this lasts. So far it has survived two weeks unscathed – recognition of the status and quality of the work.
Bristol 10k
.
Thousands gathering
clutching bib numbers and phones;
Lycra migration.
.
by Scooj
For once it can’t be me.
.
Unbelievable
amount of hair wrapped round the
vacuum cleaner brush.
.
by Scooj
Natural adventures 