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At Lostwithiel
stannary barges of old
brought prosperity
.
ravaged by the Civil War
its status much diminished
.
by Scooj
With this piece by Asre in the tunnel, he reverts to what he had been painting before he took a protracted break. These cheeky faces were his signature pieces, and frequented a host of North Bristol spots.
Since his return, Asre has been concentrating on his writing and spread his wings to more spots in the city, so it was great to find this ‘traditional’ piece in the tunnel. He has kept the piece simple, with only three colours, and used nice solid lines throughout. Great stuff from Asre.
For a long while I have feared that this hoarding in Greenbank would be removed on completion of the development behind it, but for one reason or another (I just checked on the Interweb, and it appears that the original developer went bankrupt) work has stalled, giving the spot a stay of execution.
This is a lovely piece by Nips, a rather underrated graffiti writer in my opinion, whose work is notable for the wonderful fills she incorporates into her work. The letters ‘NIPS’ are bounded with three borders, white, yellow and orange, that provide a great buffer between her work and the piece she overwrote, without the need for any buffing. The light conditions can be difficult in this spot, and the photographs are a little mottled with light and shade, perhaps not doing the piece justice.
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Office day today
prefer WFH
a changed perspective
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by Scooj
I know that Mr Riks has painted in this spot before, but I was still rather surprised to stumble across this one. There are two notable things about the piece, the first is that there is no buffed wall or background, so the writing is at risk of being overcrowded by the surrounding graffiti, the second is the day glo colours that go some way to mitigating that risk.
The nicely rounded letters spell RIKS in his distinctive font, and he has given them a bit of a lift with a deep 3D drop shadow drifting to the right. If I am honest, I think a little bit of extra background would have given this piece a bit more prominence, however, he might have been short of paint or time. Vibrant work.
I don’t think I’ll ever get tired of Creamylines’ bright and optimistic pieces, and I am forever grateful that he seems to be upping the frequency with which he is painting. These things add up to an overwhelming sense of wellbeing and a distraction from the rather depressing world around us.
This is another column piece from Creamylines albeit in a part of town that I haven’t seen him venture to before. This one is a little tidier than some of his pieces, and incorporates a myriad of colours. Eyes, faces, hills, birds, mountains and a gorgeous sun are all incorporated in this landscape as I have come to expect. Fabulous fun, and more to come from Creamylines.
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Those long summer days
long since a memory lost
autumn’s stranglehold
.
by Scooj
Although this piece by Dai Luk has been dogged by some silly kid, I couldn’t pass up the opportunity to post it here. There is a serenity and lightness of touch in this illustrative character piece that is quite out of the ordinary.
This, I think, is the first piece I have seen by Dai Luk, who is a tattooist, like so many other street artists these days. A cross-legged figure sits in a meditative pose behind a large leaf, that might be symbolic of the body life, or at least that is what it says to me. I love the peace of the work and the soft colours. A fine mindful character piece.
If ever you want to see wildstyle graffiti writing at its absolute best, then look no further than this outstanding piece by Soker painted on the wall of the Sofa Project in Old Market.
Starting with the background, this piece is set on a colourful abstract wash, that has the look of a watercolour, with blended tones and drips. The letters, spelling out SOKER, are presented in a sumptuous palette of red, purple and green with magnificent fill patterns throughout. This enormous piece is a testament to an artist who sits at the pinnacle of his craft.
Although he doesn’t paint all that often, Sam Brentnall pretty much always brings a smile to my face with his quirky illustrations of familiar animals and their amusing personalities. This beauty was painted in Lucky Lane as part of the most recent Bristol Mural Collective paint jam.
The piece, painted on a back yard wall with door and garage, takes the form of a reconstructed cow. Of course no real cow looks like this, but the caricature illustration immediately appears as a cow, even though it is mixed up and has green spots instead of black. I love the udders on the door on the left, and the cow’s head cropping a four leaf clover – tapping into the lucky theme of the paint jam. This is a truly charming piece from Sam Brentnall.
Natural adventures 