A gallery of anti-style graffiti writing from Bristol’s fabulous Whysayit (YSAE).
Crew: PLB
All photographs by Scooj
Whysayit
Winter chill
.
The north wind cuts hard
on the waterlogged landscape
in this warmest year
.
by Scooj
- The weather has always been an English preoccupation, but with the climatic impacts we are now experiencing, there is a perverse excitement of doomsday ecstasy peppering our media and conversations. Climate change – the gift to ourselves that just keeps on giving.
5750. Dean Lane skate park (675)
Biers (or WD40 as he writes these days) has been on fire this winter, producing a series of fine writing and character pieces. The formula is a winning one, and the balance between the writing and the character is usually spot on. There are also loads of additional elements that feature in his work and contribute to the overall look and feel.
I am not sure who the cartoon pig is, but will do a very quick Google search to see if I come up with anything… nope, I have drawn a blank. So we have a pig with a bandage – there is a story there I am sure. This is a nice piece to round off the year with for Biers, and I hope he keeps up his frequency and consistency into the New Year.
5749. Purdown (64)
I always like finding pieces by Daz Cat, as there is something comforting and very ‘Bristol’ about them. I do miss his rather larger storytelling pieces, which seem to be few and far between these days, but I expect that is because he is otherwise occupied and only has time for his smaller cat characters.
This one up at Purdown is a classic piece of Daz Cat artwork. The cat character is looking straight out from the wall with long whiskers and flattened ears (to fit the limited space). The trademark shape on the Cat’s forehead marks this as a Daz Cat piece… no signature necessary. More please in 2024.
5748. M32 roundabout J3 (542)
I was lucky enough to meet Zeks late last year while he was painting with Hypo and Dun Sum on a different part of the roundabout, and learned that they all live in Lawrence Weston (L Dub). Fortunately they make the trip into the centre from time to time and decorate our walls. Although I have photographed a handful of pieces by Zeks, this is the first I have published on Natural Adventures.
I have to say that this is one of my favourite pieces of 2023. It has an originality and lightness of touch that really makes it stand out. The letters spell ZEKS, although I might have struggled to work it out without knowing the artist (and seeing the signature, of course). The pastel colours on a grey background work incredibly well, but it is the two stylised faces, with their mysterious expressions, accompanying the writing that set it off perfectly. A very nice piece indeed from Zeks – I must dig out others of his, if I can find them in my archive.
5747. Jubilee Street (7)
Having had a reasonably quiet autumn period, Mote has been having something of a purple patch lately, and I wonder if it might be in part related to teaming up with Mr Crawls and finding new inspiration. Whatever the reason, I am very much enjoying his renaissance.
I normally visit this spot after I have been to the recycling centre, but don’t expect to find anything new, I was pleased to see a few new pieces on this occasion. Mote has painted a humanoid monster this time, which is a bit of a departure from most of his work, and I think that it works rather well. The floating hand with a thumbs up also adds to the piece significantly. Monsterish and endearing, the way that Mote works, and he has managed to succeed with this one. I’m not sure what the ‘tunnel vision’ means, but I am sure there is a story there.
5746. M32 Cycle path (245)
This collaboration is one panel of an end of year paint jam on the M32 Cycle path, parts of which have hosted some outstanding pieces in 2023. This piece brings together the styles of two incredibly different artists, Mind 49 and Wxttsart (recently rebranded as Whatsxmilk).
The unmistakable anti-style calligraffiti from Wxttsart spells ‘Mindout’, a clear reference to his painting partner. The letters are beautifully constructed and consistent in form, and this writing is a little more conventional than some of his work. The contrast with Mind 49s portrait couldn’t be more marked.
There is something slightly elusive about much of Mind 49s portraits, a vagueness that allows the imagination to fill the gaps. There is an absence of sharp focus, so often found in photorealism, that makes Mind 49s pieces so special. The subject’s features are partly obscured by the shadow of the cap, adding some mystery to the piece. The folds in the material of the cap are beautifully worked. This is a fine piece and fine collaboration. A great way to end 2023.
5745. St Werburghs tunnel (397)
Raid has had a flurry of activity this winter, and I keep finding pieces new to me, wondering if they are recent or if I have simply missed them. I can be pretty sure this is a recent piece (it wishes us a Happy New Year) as turnover in the tunnel is much easier to monitor than in some of the other spots in Bristol.
One of the challenges Raid appears to have set himself, on occasion, is to create a piece that is rotationally symmetrical, and this piece I think falls into that category. The fills in this piece are beautifully done, and the green line with stars creates interest and continuity through the letters. It is interesting that he hasn’t painted a border between his fill and drop shadow, preferring to leave a clean line instead. Surely time for a gallery?
Swan Lake
.
Tragic love story
the evil count casts a spell
deception and death
.
by Scooj
5744. St Werburghs tunnel (396)
Any and every time I see a piece by Fiva, it makes my heart sing. The rarity value has something to do with it and this is one of only three pieces painted in Bristol in 2023, and before these we had to wait three years for his reappearance.
This is an outstanding piece, adopting his customary formula of writing his name and accompanying it with a fun cartoon character. As in previous pieces, Fiva has superimposed a script ‘fiver’ over his block capitals ‘FIVER’ to create an amazing and very clever effect. He is a master of this technique and seems to make the complicated look simple.
The wonderful character is saying ‘Diolch Bristol’ which is Welsh for ‘Thank you, Bristol’. I’m not too sure what that means, but it has an inference of finality about it. I do hope not, and will be keeping my fingers crossed for a return by the artist in 2024. Meanwhile, I will simply enjoy and admire this outstanding piece.
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