4578. Moon Street (94)

Even though the turnover of street/graffiti art in Moon Street is nothing like it used to be, it is still worth wandering down there from time to time, to pick up beauties like this one from Sled One. I think that the whole Stokes Croft area has become a bit of a graffiti wilderness, while it decides what impact the local gentrification has had on the sub-culture. Of course, many of the artists simply paint elsewhere, and there are many more of them in Bristol than there were only two or three years ago.

Sled One, Moon Street, Bristol, July 2022
Sled One, Moon Street, Bristol, July 2022

Sled One, however, has returned to Moon Street and painted a classic piece of writing, so typical of this talented artist. The letters spell out SLED, and the numeral ‘1’ completes his name. the design is balanced and well-proportioned and the fill colours contrast neatly with the black and gold patterned background.  I imagine that Sled One probably knocked this one off in an hour or two, but he has managed to keep it utterly onm-point. Great work.

Thursday doors – 21 July 2002

Doors 190 – Street art doors in Bristol

I’m very short of time today, so I will be taking a break from Porto doors and offering you some street art doors in Bristol from my archive. These doors were photographed in December 2021 and I hope you enjoy them:

Laic217, Dean Lane, Bristol, December 2021
Laic217, Dean Lane, Bristol, December 2021

Tom Miller, Upper York Street, Bristol, December 2021
Tom Miller, Upper York Street, Bristol, December 2021

Full Time Ghoul, Dean Lane, Bristol, November 2021
Full Time Ghoul, Dean Lane, Bristol, November 2021

Nightwayss, Chill, Soap and Face 1st, The Carriageworks, Bristol, December 2021
Nightwayss, Chill, Soap and Face 1st, The Carriageworks, Bristol, December 2021

Sled One, North Street, Bristol, December 2021, Upfest 21,
Sled One, North Street, Bristol, December 2021, Upfest 21,

Hazard, Mina Road, Bristol, December 2021
Hazard, Mina Road, Bristol, December 2021

Face 1st, Nightwayss, Chill and Soap, The Carriageworks, Bristol, December 2021
Face 1st, Nightwayss, Chill and Soap, The Carriageworks, Bristol, December 2021

So, that’s it for another week – have a great weekend.

If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors  from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.

by Scooj

Box Tree Moth

.

Accidentally

introduced to the UK

killer of box trees

.

by Scooj

4577. River Avon (31)

Haka has been absolutely smashing it with his Janet and Allan Ahlberg children’s book characters, and here, alongside the river, he has painted a wonderful image of Burglar Bill.

Haka, River Avon, Bristol, July 2022
Haka, River Avon, Bristol, July 2022

I don’t believe that I have read this particular book, but I know my nieces were particularly fond of the Ahlberg books, and I have seen the cover before. Haka’s loving and faithful reproduction of the character is magnificent and captures the Ahlberg style perfectly. No need to sign the piece, knowing that Haka has painted other Ahlberg characters in the area.

4576. Cumberland Basin

Anyone who reads this blog will know that Mr Underbite, who only emerged on the Bristol scene earlier this year, has become a firm favourite of mine. The character is nicely thought out and now the artist is playing with this concept in this fun piece in Cumberland Basin.

Mr Underbite, Cumberland Basin, Bristol, July 2022
Mr Underbite, Cumberland Basin, Bristol, July 2022

Mr Underbite has created a mash-up of his character (of the same name), with the SpongeBob SquarePants character Patrick Star, which is probably not a combination that would naturally spring to mind. The outcome is mildly grotesque, but both elements easily identifiable. I look forward to plenty more of these mash-ups, if indeed it is a direction that Mr Underbite chooses to go in.

Three herons

.

Natural, graceful

slow wingbeats in unison

perfect formation

.

by Scooj

4575. M32 roundabout J3 (414)

About eighteen months ago there was absolutely no stopping Lee Roy, and it was easy to find new pieces by him on a regular basis, then out of the blue nothing for quite a long while. Lee Roy,I am pleased to report, has resumed his prolific form in recent weeks and this is one of several new pieces by the artist.

Lee Roy, M32 roundabout, Bristol, July 2022
Lee Roy, M32 roundabout, Bristol, July 2022

His familiar letters are given some extra special treatment in this piece, with a rather snazzy background of pink and purple bricks on a blue background. The letters too have some reference to brickwork as well as some other fine drippy and dotty fills. This is a lovely piece from Lee Roy, and I will try to dig out some more recent ones from the artist.

4574. Greenbank (48)

It is so good to see a new Laic217 piece, and this one is a throwback to his melting face period from a few years ago. I guess with the heatwave we are currently enduring this melting face is really rather apt.

Laic217, Greenbank, Bristol, July 2022
Laic217, Greenbank, Bristol, July 2022

The main difference between this and his similar pieces of old is that his skills and touch have improved measurably. Although this piece is rather grotesque, it is also fascinating, and difficult not to look at and study. I particularly like the curve of the cap peak, it is just so well observed. Melty face, melty day.

Respite

.

The only cool place

at the bottom of the stairs

beside the front door

.

by Scooj

4573. Dean Lane skate park (510)

In my view, street art and graffiti writing always look nicer on a buffed wall, although I’m sure that some purists would probably disagree with that. In this instance I think it holds true, and Mudra’s graffiti writing is presented beautifully.

Mudra, Dean Lane, Bristol, July 2022
Mudra, Dean Lane, Bristol, July 2022

Mudra has found a new level recently, and is constantly developing his letters, incorporating characters and looking at new shapes and designs. His work is along the lines of other artists whose letters each have a separate look and feel, the master of which is SkyHigh. I am definitely enjoying observing Mudra’s work develop.