,
Proper Cornish songs
soak the rolling Cornish hills
toe tapping shanties
.
by Scooj
,
Proper Cornish songs
soak the rolling Cornish hills
toe tapping shanties
.
by Scooj
More often than not, I try to avoid posting pictures with shadows on them, because they can obscure the artwork or distract the eye. In this instance though I think the shadows add to the overall drama of the piece by 3F fino.

The piece, from a little while back, shares a theme that 3F fino has painted before of a portrait of a masked figure. Set in an urban landscape at sunset (or sunrise, it is always difficult to know which) the piece is incorporated into the brickwork of the wall, something I always like. A nice eye-catching piece.
This ‘find’ is another one that I can attribute to Upfest’s summer event because I would never have stumbled across it if I hadn’t been driving around Bedminster like a lunatic looking for new Upfest pieces.

The pair of pieces on the walls of the Chessel Centre, BS3 Community, are of course by Andy Council. The pieces have probably been there for a little while because they are in the form of animals composed of architecture, including the Clifton suspension bridge, a landmark that makes an appearance in much of Andy Council’s work. His more recent pieces have moved away from architectural components instead being replaced with building blocks stitched together with cord.

Both of these little murals are packed with animals and a wonderful sense of fun. I’m not sure what the Chessel Centre actually does, but the murals convey a sense of community. This is a wonderful way to brighten up our streets.
Doors 158 – Lyme Regis part 3
Little by way of introduction from me today as I am on holiday in Cornwall (taking lots of new door pictures to keep me going for a while). Instead, I’ll let you browse at your leisure through this third instalment of doors from a trip to Lyme Regis about a month ago. Enjoy.





So there you have it for another week. I might have a little more time to say stuff next week, but until then au revoir.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
by Scooj
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It’s been quite a while
since I sat by my dad’s side
the soil between us
.
by Scooj
From my favourite Bristol artist, Andrew Burns Colwill, is this outstanding new mural for Upfest’s 75 walls in 75 days event. Everything about this triptych piece is pretty much perfect. From the wall selection and use of the spaces to the highly political content, let alone the brilliant execution using his soak stain technique.

My interpretation of the three suited figures in a pool represents the drowning of our Government and in particular senior ministers who, let’s face it, haven’t exactly covered themselves in glory over the last few years. On the left could be Sajid Javid, our SoS for health who took over the role from the utterly incompetent and indiscreet Matt Hancock. It doesn’t really matter who it is as they are representative of the Conservative Party political gang who care more about power than they do about the citizens who put them there.

The central panel is more obviously a caricature of our utterly ridiculous Prime Minister who is now completely under the control of his power-hungry wife Carrie Johnson who seems to have more influence over government policy than he does. The pantomime continues, although it is more of a tragedy as our country slips into isolation and irrelevance.

The final panel, with the red budget box, is obviously our beloved (not) chancellor Rishi Sunak who appears to have hoodwinked the entire country into thinking he is our saviour. I don’t feel particularly saved. The bar amongst the cabinet is so low, that anyone with the slightest talent shines like a beacon, but it is all comparative. So the piece certainly portrays a failing government and failing ministers and it is delivered in a tranquil, calm and resigned manner that gives the piece so much power. It is brilliant.

Andrew Burns Colwill is also amazing at creating those tiny little details that add so much to a piece, like this little drip of water oozing from a real crack in the wall. A sensational piece and commentary on our current political state. Bravo!
Watching Zake apply the light and dark shading to this fabulous piece during Eman’s birthday paint jam was a real pleasure. He has become something of a specialist at refining the effects of light and dark on his faces with the light source in this case coming from the left hand side. This clever shading exaggerates the features and created more of a 3D effect.

Although his English isn’t great, it was nice to be able to talk with him for a while about his technique. Like all the artists around him on the day, he really seems to enjoy what he does. My only regret from the day is that when I returned the next day to take photographs of the finished pieces, three of them, including Eman’s, had been painted over.
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On a country style
waiting for a child’s return
a long wait in store
.
by Scooj
It is always so good to see a new piece from Taboo, and it feels like a little while since his last one. This magnificent piece of graffiti writing is on the M32 roundabout, a wall that is seeing an ever-increasing turnover as artists compete for limited space I. The city.

The letters, naturally, spell out Taboo, although it takes a little time to work it out if you aren’t used to reading his letters. Unusually for one of his pieces there is no accompanying character, although there is an animated paintbrush in the middle of the piece. His organic and unconventional style is what marks out his work as being rather special and I love it.
This is the second recent piece from Tasha Bee that appeared at the other end of St Werburghs tunnel to her collaboration with Antikki. It is such a pleasure to see her painting again. Although she is really busy with her Pot Heads business, I hope that she finds time to splash a little paint at walls more often.

This is classic Tasha Bee. A stylised portrait with eyes shut, this time wearing a rather colourful and fetching cap. The criss-cross patterning on the cap I think is a technique she picked up from Soap a while back. Let’s hope this is not a one-off return to painting.