A gallery of outstanding graffiti writing and character pieces from Bristol’s Taboo
All photographs by Scooj
Taboo
Swifts uplifting
.
With scimitar wings
slicing through part-clouded skies
summer is complete
.
by Scooj
3722. Sparke Evans Park (6)
This beautiful piece of calligraphic writing is from Todoaciem and a part of a large collaborative wall from an HMR crew paint jam a few weeks back. I have already posted the Dabuten Tronko piece from the same wall, and now it is the turn of Todoaciem.
The wall itself can be problematic to photograph, because the sun shines through large trees, creating a dappled effect. The only solution is to come early in the morning or on an overcast day, but beggars can’t be choosers, so dappled pictures is what I have.
Set on a green smokey background, which is amplified by the light quality, Todoaciem has written the letters CIEM in the most beautiful font and with a heraldic colour palette. If medieval knights did graffiti, perhaps this is what it would look like. A hugely accomplished and brilliant piece of writing.
3721. St Werburghs tunnel (241)
It would seem that with a little encouragement from Daz Cat, CD.TC has managed to get out and paint a little in the last few weeks, which is great to see, and here the two combine in this rather nice collaboration in the middle of the tunnel.
On the left CD.TC’s monster character is spraying upwards to creat the letters CD.TC and on the right a Daz Cat is dipping a piece of pizza into a can of something with GYS on the side. The cat has two left arms, don’t ask me why. I don’t know what GYS stands for in this piece, but a quick Google search revealed it can mean ‘Get your stuff’ or ‘get you some’ or ‘graveyard shift’. You can decide for yourself what you think it might mean in this context. A nice low-key collaboration.
Invisible
.
Nobody will know
disappearing is easy
scarcity is key
.
by Scooj
3720.Dean Lane skate park (419)
It would seem that Laic217 has found some rhythm to his street work and is painting more regularly no than he was for much of the winter. This portrait of a rather gaunt character is tucked away on the swimming pool wall at Dean Lane, and is modest by Laic217’s standards.
There are some familiar elements in this character piece, but it does seem to mark a departure from skulls and skeletons continuing from his last Dean Lane character. Smoking and an exaggerated mouth gives this character a bit of a menacing look. All good stuff though.
3719. North Street
This is the sixth and final part of the Six Sisters project in North Street, a series of six huge facade murals by six female Bristol artists, organised by Upfest. This final part of the series is by Alex Lucas, who has featured in Natural Adventures numerous times, and a gallery of her work can be found here.
This piece is an absolute beauty and brings the series to a great crescendo. Alex Lucas brings her illustration skills to the fore with these three poodles and a pug? In amongst some beautiful flowers and clouds. The vibrancy of the colours was enhanced by the gorgeous weather on the day I took these pictures.
The poodles (not my favourite breed if I am honest) are full of life and movement with suitably daft expressions on their faces. They are frolicking amongst the clouds and amazing yellow flowers. The whole thing resembles fancy bespoke wallpaper.
When Gemma Compton completed the first of these murals above the Upfest shop in June 2016, I don’t think anyone could have foreseen what a wonder this row of shops would become five years later. Bravo to all the artists and hats off to Upfest for giving the city this amazing landmark.
My posts for the six sisters are listed below:
2. Zoe Power
3. Bex Glover
4. Sophie Long
5. Ejits
6. Alex Lucas
Fatherhood
.
Nineteen years a dad
where did all the years go to?
so much forgotten
.
by Scooj
3718. Muriel Alleyway (3)
The message from Rtiiika here is very clear ‘stop telling women to smile’. I must confess to being a little bit puzzled by the sentence. I like to think that I am reasonably well acquainted with issues of gender inequality, and sensitive to the political and societal pressures, but I don’t really understand this message. It might be something that I am unaware of, and if so need to understand better.
The artwork is wonderful and adopts the characteristic long thin lines that Rtiiika uses in her work, this time in the form of her letters. The piece is capped off with a smiley in the centre in the colour of the original we are all so familiar with. There is a juxtaposition between this smiley and the message of the piece. I like the concept of messaging like this and wonder if she will do more of it.
3717. Dean Lane skate park (418)
Although we don’t see too much of Hire these days, what we do see is of the highest quality. I am really enjoying Hire’s relatively recent reinvention pieces like this one in which he writes the word ODIAH
This beautifully presented piece incorporates some of the jagged elements of Hire’s customary style but softens them into a rather more conventional writing style. The colours are nicely selected and the grading of fill from light to dark is masterful. A really nice piece.
