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The trial begins
timid uncertain first hops
urgent need to fly.
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by Scooj
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The trial begins
timid uncertain first hops
urgent need to fly.
.
by Scooj
Well, this is a piece I never knew I had, and may well be the oldest work I have by Nightwayss. I think that when one takes so many pictures of street art, there will be the odd ones that are difficult to recollect. Mostly they are the ones by artists that are unfamiliar, and so there are no reference points to engage with.

There are no monkeys here, which makes it a bit of a collectors item. The writing in shades of green is complex and nicely done, although I’m not too sure how much the characters add to the overall piece and I am not sure about the story they tell. I am a fan of Nightwayss’ work, so to uncover this early one has given me a real thrill.
This is something of an iconic piece at The Carriageworks by DNT and Hoax, and possibly other collaborators. The wall can be dated as pre-2019 because it has been behind protective scaffolding due to the development of the site for a long time now.

The figure is by DNT and he has produced something similar since in Hepburn Road. I think that the beautiful patchwork background is by Hoax or maybe Sheva or maybe the whole thing is by DNT. This uncertainty might be the reason I never published these pictures before.

I think it is a beautiful piece and in some way really represents this area well. It is a great pity that this wonderful wall has been lost to street artists, but I guess it has ever been thus.

MGB stands for Matchbox Gallery, a little gallery shop that DNT used to run in Stokes Croft.
So satisfying
shrubby branches in one end
mulch out the other
by Scooj
I have always intended to post this huge piece on the wall of a garage in Surrey Street by Tom Miller, but just never got round to it. Cometh the moment, cometh the man. This early piece (2016) is typical of the explosion of ideas that comes from this creative dynamo and his colourful style.

There is no point in tryig to fathom out a story here, because although there almost certainly is one, it could take a lifetime to work out. All sorts of body parts and possibly an environmental theme are represented here in this surreal piece.

At the time, I don’t recall there being much of a fuss about this piece, and I think it remained under the radar for quite a long time. Alas it has now gone.
What I am rather shocked by is the sheer number of outstanding pieces I have in my archive, and I guess it just goes to show that the high productivity of great street art in Bristol is pretty much relentless, and people like me struggle to keep on top of it. At least this pause caused by the coronavirus lock down provides me with an opportunity to share pieces like this amazing Deamze one that I had left on the shelf.

Although he is now in Hobard, Tasmania, Deamze will be forever a legend in Bristol and is sorely missed. His combination pieces incorpoorating wildstyle writing and a character are out of the top drawer and these technical masterpieces are something we can only reflect on these days.

One of the great things about Bristol is that the reputation for street art draws artists to come and stay or live in the city, so that for every great artist that leaves, at least two arrive, so the future is bright. The king is dead… long live the king.
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It’s what my mother
would call a Grizzly Adams
a little too grey
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by Scooj
Back to more familiar territory with this absolute stunner from Hemper at the M32 from March 2016. Although it is obvious now to see the letters HEMS, at the time I took these pictures I was less familiar with Bristol artists and in particular the wildstyle writers, so I probably didn’t post this beauty because I didn’t know the artist,

I cannot begin to articulate just how good this piece is. The letter style is outstanding, but it is the horizontally graded fills with drips and dots that makes this piece special for me. A very classy piece from a top Bristol artist.
This picture was taken in August 2016 during one of my reasonably infrequent trips to Shoreditch. I am beginning to think I need another trip there, but for the moment I’ll be staying put. This gorgeous piece is by Mr Cenz, whose etherial portraits are emblematic of the London street art scene.

There is something about the colors green and purple that work so well together and Mr Cenz has worked his magic in this piece, creatinng a metallic sheen to the whole thing with carefully positioned white highlights.. The strange thing about this piece is that the familiar female features are held together by shades and abstract shapes that on their own wouldn’t look like anything. Clever work.
There’s room in the nest
in the pot in the greenhouse
five fluffy fledglings
by Scooj