We had a wet day in Bristol a couple of weeks back, and it looks like Object…took refuge in the tunnels of The Bearpit, and painted several of the boards there in a single session, featuring monsters and explosions.
This piece is typical of the artist with a strong undertone of politics and representation of the disadvantaged and tortured body parts of animals and people. I continue to enjoy his pieces which always seem to portray outrage and pain.
Doors 44 – Citta di Castello – part 1
I hadn’t realised that I had taken so many pictures of doors in Citta di Castello, Umbria, Italy during a recent holiday there, so I have had to break down this post into manageable chunks. This is chunk 1. Enjoy.
by Scooj
More doors at: Thursday Doors – Norm 2.0
Glorious morning
cold fresh air, endless blue skies
seasons marching on.
by Scooj
In a year of whites
a spot of late summer sun
brings out the colours.
by Scooj
On observing that it has been a terrible year for butterflies in the UK except for the white species which appear to have thrived in the dry conditions. This afternoon however I have spotted a couple of colourful butterflies, a speckled wood and one other.
It is always nice to go to a regular haunt, in this case Dean Lane, and find something completely unexpected. It feels like getting a present or something like that and on this occasion the treat was from Cheo. I especially like this because Cheo can pretty much choose any wall he likes but will still come back to Deaner and slap up a high quality piece.
All the elements you would expect from Cheo – crystal clean lines, solid fills and clever shadows on a character brandishing a spracan all topped off with a trademark bee. A nice treat on a lunchtime walk.
A serendipitous meeting. I had a couple of hours to race around Bristol seeking out any new works before going away on my summer holiday in mid-August, and the last port of call before packing up the car and heading for Gatwick was the M32 roundabout.
As I approached the southern wall I could see Tasha Bee at work, which in itself was very exciting because I have recently become more aware of her work and have been keen to meet the artist. I struck up a conversation with her and could see that she was contributing to a collaboration with PWA’s Soap and Face F1st. I said that I was sorry to have missed them because I would like to meet them both, whereupon she told me that they were sitting on the grass bank right behind me. Hurrah! I stopped for a chat with them all (I hope I didn’t interfere too much with their work) and Face 1st let me have a flick through his black book which felt like a real privilege.
Soap and Face F1st had pretty much finished their pieces and were watching on and advising Tasha Bee as she completed hers. I love the way that the cross motif has been shared by Soap and FF, and I am seriously enjoying the full figure work that the latter is producing at the moment. The girl with the face is emerging and coming to life.
Sadly I never got to see the the finished piece which got buffed over within a few days, but I thoroughly enjoyed the experience of meeting three lovely artists and seeing them at work. We’ll meet again…
Say no and you’re strict
say yes, it’s spineless and weak;
some tough decisions.
by Scooj
A fabulous piece by one of Bristol’s finest graffiti writers, with a little addition by 3Dom, who seems to be rather busy on the streets just now. I got rather lucky with this piece, because I saw Soker just as he was sketching the piece out, over the top of a Mr Draws piece I had come to look at. I then had to go, and took a break for a week away on holiday. Luckily the piece was fully intact and untouched when I got back – respect to those taggers who decided to leave this one alone.
Soker is on something of a roll this summer, and his work appears to be as popular as ever. I posted his Simpsons Upfest piece on my Instagram account and it received more likes than any other piece I have ever posted by a factor of about 3.
I love the colour selections he has made for this piece, the blue and purple contrasting brilliantly with the chrome writing. There is so much to like here, and even if you are not a fan of burners and writing, surely this must generate some excitement – the quality shines through.
The whole thing is capped off briliantly by the addition of a face to the letter ‘O’ by 3Dom, bringing the whole thing alive and giving it incredible personality. The face almost looks like a transfer that has been rubbed onto the writing. A quality collaboration. Bravo.
Well, who might this gothic wildstyle writing be by? There is a clue in the writing, but it is so cryptic that you probably need to know what you are looking for to be able to see it. The writing says HIRE, and it is indeed the work of this naturalised Bristolian of Polish origin.
His work is so distinctive, with its long, sharp and jagged lines – his pieces always remind me of medieval battle scenes, with swords, axes and lances crashing in all directions – maybe that is just me, but I say what I see. I am really pleased with the picture above, because the light in the tunnel plays havoc with my camera and the poor lighting in the tunnel meets with bright light outside where this piece is situated. Nice work from Hire.
.
Nonchalant creature
skulks slowly across the tracks;
feigned indifference.
.
by Scooj
Natural adventures 