Tiniest blue flag
enough to draw attention
from a passer-by.
by Scooj
1669. Upfest 2018 (20)
I was looking for the Andrew Burns Colwill piece (to follow soon) which I knew was a little off the beaten track for Upfest 2018 and spotted this brilliant little stencil by John D’oh on the wall of The Black Cat pub on the corner of West Street and Westbourne Grove.
When I see small ‘hidden’ gems like this, I wonder how many Upfest visitors might have missed it in their quest for the ‘marquee’ artists – I don’t suppose it matters really, but as a street art hunter, I like to work hard for my trophies, it is what I do. This is a really accomplished little stencil and one that really chimes for me – a great little find – Thank you John D’oh.
1668. Upfest 2018 (19)
I realise that this piece was not an official Upfest piece, but I don’t really care about that, because it is by one of Bristol’s finest artists, Tom Miller, and was painted in Dean Lane during the Festival – it counts in my book.
I managed to hook up with Tom Miller a couple of times over the festival, indeed we cowered from a heavy rainshower together on the Saturday morning under one of the skate park ramps.
Yet again, Tom Miller has absolutely ‘nailed it’ as he seems to do with every piece he creates. I only wish that my photography was up to the standard that he sets with his murals.
It is often difficult to fathom out what exactly is going on in Miller’s pieces and indeed, I think it is often open to interpretation – maybe only the artist really knows what this piece is about, but it incorporates all of his surrealist elements and the bright colours he uses. What is incredible about Tom Miller is that he seems to be just as adept with spray cans on walls as he is with paint brushes in the studio, and the end results are always unmistakably Miller pieces. Bravo two times over – I love this piece.
Home
I love holidays,
time away from it all, but
there’s no place like home.
by Scooj
1667. Upfest 2018 (18)
Cheo is a Bristol (and beyond) street art legend, and his involvement in Upfest is always eagerly anticipated. In the last few years Cheo has been quite dominant at the festival, so this year’s rather modest participation came as a bit of a surprise, his piece however reached all the high standards you expect to see from him.
Are we supposed to guess at who is hidden under the paper bag? My immediate assumption, given the Simpsons theme of the festival is that it is the mischievious Bart, but I may be wide of the mark and there may be another story going on here.
Somehow Upfest simply wouldn’t feel like Upfest without some contribution from Cheo, and it is great to see his work on a wall that he obviously enjoys, as he has had several pieces on this wall outside the Bristol Standard, in the past. Great stuff.
1666. Upfest 2018 (17)
One of the great difficulties of writing posts from Upfest is that so many of the artists are new to me and it is difficult to comment on anything other than first impressions and a little bit about the artist. Often, as in this case, the piece is so good that my short ramblings don’t really do it any justice at all.
Akse started as a graffiti artist back in 1992 in ther suburbs of Paris. He now lives in Manchester and is known for his photorealistic portraits. This incredible portrait of Frida Kahlo is one of the most memorable of this year’s festival and mirrors the great piece from Alexander Tadlock last year. As a subject, Frida Kahlo seems to hold interest for artists and I look forward to many more portraits of her in the future.
Morning airport drive
Barcode staccato
road, sunlight cuts through the trees;
it’s home via Rome.
by Scooj
1665. Upfest 2018 (16)
I think that Stewy owns this wall. The Bristol-based stencil artist has had one of his pieces on this little wall in North Street for at least three years now. The ram is a fine successor to the Bristol Pounds £5 that was there before.
I am and will continue to be a keen supporter of Stewy’s work, which is a cool mix of celebrity work and wildlife stencils. This was not his only stencil at this year’s Festival, and I’ll save one of his others for a future post. Let’s hear it for this extremely intricate single-layer stencil of a ram…
1664. Upfest 2018 (15)
There were a great many fabulous paintings of eyes at this year’s Upfest, but I think that this one was probably the finest. It is by an artist called Justinks who gives little away about himself in the programme notes other than to say this:
‘I’m into movemental detailed artwork, I always put the wind element into my pieces and cold colors to show the power of nature.’
I was lucky enough to photograph the artist in action, probably on the Saturday, before the cold colours he speaks of were added. This is a fine work executed brilliantly. I’ll certainly be looking out for Justinks in the future.
Insect bites
.
Beastly legacy
of an Italian trip
helps us remember.
.
by Scooj
Natural adventures 