It has been enjoyable to watch as Astrea becomes more bold with her artwork and the spots she is choosing to post. She seems to be settling on a style that is all her own and quite Gothic in its appearance.
Using the colours red, black and white, which contrast superbly (a combination much used by Decay in his early days), she has created an attractive abstract design. Tucked away on the edge of a long hoarding, I would expect this piece to be around for a while. Great progression.
There is something very comforting about wandering around a place that I don’t know very well, and stumbling across the familiar artist, in this case, not just familiar, but Bristol’s fabulous Mr Penfold.
Mr Penfold has had a great deal of success with his commissions, and being invited to decorate this large building in the heart of Leeds must have been a real feather in his cap. It is interesting that alongside his colourful designs there is a lot of ‘white space’ which acts as a perfect counterbalance to his shapes and patterns. The building could risk looking too busy if all of it was ‘pimped’ a la Monsieur Penfold.
I felt very much at home in my ancestral city, in the company of artwork from a Bristol artist, and the sun was shining. What’s not to like about such an occasion?
As you will know from yesterday’s post, I recently spent a weekend in Liverpool, and the old ‘graff radar’, which I thought I had turned off, swung into active duty. Not being familiar with the street/graffiti artists in Liverpool, it was comforting to come across this rather nice mural by Molly Mural, who has painted many times in Bristol, where she is based.
I’m not sure how long the mural has been there, but I guess a while, as some of the paint was chipping. The piece appears to be full of symbolism and stories and is centred around the numbers 1 and 3. The abstract piece is characteristically colourful, and after doing a little Interweb search, it turns out it was inspired by Taylor Swift’s ‘second era’ and her lucky number 13. You live and learn.
I would say that Mr Klue is the (undisputed) king of St Werburghs tunnel, on a measure of number of pieces painted there. It seems to be the place he enjoys painting most, and it is rare to not be able to find something of his at any one time.
This is a colourful one, as ever spelling out KLUE, which is notable perhaps for the way the wispy tops of the letters bleed into a cloudy mass, which might have been there from a previous piece. The central colours are green and orange, which often work well together, but there are also injections of purple and white. The use of these colours combines to create depth to the piece which is on the cusp of being anamorphic. We can be certain that there will be more to come.
This trio of pieces in the tunnel, show how busy Mr Klue has been of late in his favourite spot. The one on the left was painted a day or two before the other two, which I think might have been created in a single session.
The left-hand piece, as with all of them, spells KLUE and has a green base palette. Ephemeral, smoky, abstract letters are part of the USP I would expect to see from Mr Klue and he rarely disappoints. There is little more to add from these three pieces, other than their colour differences.
Pinks and purples dominate in this middle piece, with some yellow highlights along some edges.
Finally, the trio is rounded off on the right with a piece that is predominantly white, again with some yellow highlights. All three together show how Mr Klue’s abstract writing is based around the same simple concept, but can look completely different depending on the design details and colour palette. A busy man.
A gallery of superb abstract figure pieces by Bristol artist Shab.
Instagram: @s.h.a.b
All photographs by Scooj
This post has been written in advance, because I will be making an early start today departing for our skiing holiday to the French Alps. I will try to post every day while I am on holiday, but it all rather depends on how things go. Meanwhile, I’d like you to enjoy this beauty from Hire.
Although Hire’s work has been difficult to decipher from to time, the letters are always there, however, I have noticed that there he is drifting into a kind of abstract presentation, and this piece isn’t unlike some of Ments’ pieces, which I used to describe as organic/abstract. I love the colour selections, the shapes of the letters and the neon glow of the border green in this writing. First class stuff from Hire.
I believe that this piece by Mr Klue was painted at breakneck speed. On the day it was painted, I checked out the wall around lunchtime, and there was nothing there. Paul H visited the spot a while later and the piece was completed. This is my account of events… of course I might have had a ‘moment’, or a blind spot and walked past the piece without noticing it, but I simply don’t think that happened. Anyhow, all’s well that ends well, and I managed to snap it up as if it were new, eventually.
2024 was a stand-out year for Mr Klue, and what a way to round-off the year with this fine abstract writing piece set on a festive gold background. The letters spell KLUE, and are more defined here than in some of his more ephemeral pieces. The orange and turquoise work well together and are augmented with splashes of lime green and purple. A fine piece. I am looking forward to another great year from Mr Klue in 2025
Dave Bain is a reasonably well known muralist in Bristol, and I have featured a few of his pieces before in Natural Adventures. This was his Upfest 2024 piece, which as you can see took up the whole front of a terraced house, giving it that something special compared to its neighbours.
Dave Bain’s imagination and creativity have run wild in this floral piece which combined familiar shapes and figures with abstract ones. There may be a little symbolism in the piece too, with a spaceman-like figure holding up a polyhedral shape on a starry background. I feel that sometimes Dave Bain could be a little bit more adventurous with his colours, because this colour palette is quite subtle, and perhaps doesn’t do the artwork justice (my view only). An interesting festival piece.
It has been a very good year for Mr Klue, who has been both productive and creative. This new piece in the tunnel differs from many of his others in the use of several colours in a single piece. Perhaps it was a dregs piece, or maybe he simply wanted to switch things up a bit.
The letters KLUE are about as obvious as you are going to seen in a Mr Klue piece of abstract graffiti writing. The top edge of the piece is noteworthy too, with his piece bleeding into the cream background. The photographs don’t really do this one justice, as I remember thinking when I saw it how stunning the colours were. All good stuff.
Natural adventures 