It is clear that Deamze really favours this spot for his pieces, and I have seen several different ones here over the last few months. This is a bright piece, in his typical widlstyle format, with a character popping up at the end. In this case it is a beautiful Felix the Cat.
Deamze, M32 cycle path, Bristol, March 2017
I admire very much the way Deamze recreates cartoon characters with such accuracy and sharpness, and his range seems to have no boundaries. All good really.
The relatively recent hoardings (erected about four months ago) in Raleigh Road have provided an opportunity for some great displays of street/graffiti art. The appearance and disappearance of hoardings and the art adorning them is all part of the changing landscape in Bristol. At the time these hoardings appeared, the ones in Old Bread Street were taken down as development of the area began.
Cheo, Raleigh Road, Bristol, March 2017
This is a lovely piece by Cheo, who in recent weeks has become very busy indeed on the streets of Bedminster, often spraying with his fellow ASK graffiti artist Soker.
Cheo, Raleigh Road, Bristol, March 2017
This piece has a lot of references to street culture in Bristol, although I’m not too sure what the little octopus has to do with anything. A great piece beautifully executed – nice crisp image.
This was a rather nice surprise left by one of Bristol’s master graffiti artists at the Deaner recently. Inkie has been back in town, and it is great when he leaves something like this behind. This is a beautiful piece of writing, typical of his style, and the colour selection is just brilliant.
Inkie, Dean Lane, Bristol, March 2017
I know how busy Inkie is, with commissions all over the place, so a piece like this…back to his roots…somehow seems so very valuable and meaningful. Enjoy this, from one of the longest lasting and very best there is.
When Meds and Peal visited Bristol a little while back they teamed up with several Bristol artists to work on some stunning collaborations. This is a large wall on Wilder Street that had previously played host to a fine collaboration between Deamze, Voyder and Soker. It is a popular wall, which I believe needs permission from the owners to be painted. Rather than interrupt the images with short paragraphs of text, I thought on this occasion I would simply let the pictures do the talking. Along with Meds and Peal, this piece was sprayed by Sled One, Ments and Epok. Please don’t ask who did what…it could take a while to unpick.
This is the second half of the wall referred to in the previous post, which accompanies Cheo’s work. This right hand side in the beautiful wildstyle writing so typical of Soker. It is a lovely piece and like it’s neighbour, really crisp and sharp.
Soker, Church Road, Bristol, March 2017
Soker’s work is very distinctive and I have yet to see a piece by him which I think is a bit rubbish or below par. He always seems to turn out excellent work…an artist on the top of his game.
Painted at the same time as the Deamze piece in my previous post, this is a rather more colourful offering from Soker, which was almost certainly sprayed at the same time. This vibrant piece seems to have something that reminds me of Captain America…is it the stars?
Soker, Norfolk Place, Bristol, August 2016
I like Soker’s work a great deal and together with his ASK crew members he really brightens up Bristol’s streets and walls. Another old piece surviving in mint condition.
Is it possible to have any more really great pieces by Epok? Oh yes it is. Here is one from the jam at the M32 roundabout a couple of weeks ago. All the artists used the themed colours for the entire stretch of this wall, and Epok has made them his own.
Epok, M32 roundabout, Bristol, February 2017
For once his hard geometric shapes are slightly softened and the lines a little less sharp, however, the piece still spells out EPOK although rather better disguised than in some of his pieces. A really fine piece form a Bristol master.
At a recent gathering of crews at the M32 roundabout, there was this stand out piece. Most of the works (several to follow) were wildstyle writing, but slap bang in the middle of them this Sled One composition breaking up the pattern.
Sled One, M32 roundabout, Bristol, February 2017
I think that this is an exceptional work. The way the light bursts out of the anthropomorphised fridge is extraordinary. There is also a story going on, as is usually the case for Sled One’s pieces, which I think is that the man is grabbing some hot dogs from the fridge which in turn will consume the man. Or something like that.
Sled One, M32 roundabout, Bristol, February 2017
It has been a little while since I saw a new piece by Sled One and this has been worth waiting for. I like the nice touch of the fridge wearing a feathered cap. There is a lot to look for in this ‘cartoon’ style piece. It made me happy.
Another delve into the archive for this brilliant little piece by Sled One. I’m not too sure why I didn’t post it sooner, I guess every now any then things get on top of me, and anyhow, I am never short of material. If I stopped taking pictures today (which I didn’t), I would still be able to post images for at least a year.
SledOne, Unity Street, Bristol, September 2016
This is a playful piece spelling out ASK, the After School Klub crew which has about fifteen or so Bristol street artists in its ranks, including Deamze, Epok, Sepr and Soker.
SledOne, Unity Street, Bristol, September 2016
I run out of words trying to describe how much I like Sled One’s work. He is so imaginative and creative, and the execution of his work is faultless. Making ducks out of letters or letters out of ducks, this is simply brilliant.
It has been a little while since I last posted a Deamze piece, and somehow that just doesn’t seem right for this blog. It is possible that I have posted more of his pieces than any of the other Bristol street artists…but I am not counting.
Deamze, Raleigh Road, Bristol, February 2017
This wonderful piece in greens and browns is on the hoardings next to the recent Voyder bones work. The wildstyle writing is as intricate and clean as you’d expect from a Deamze piece, and on the right hand side he features a cartoon hog (?) holding a little creature in its grip.
Deamze, Raleigh Road, Bristol, February 2017
I’m sure I ought to know who the cartoon character is, but on this occasion I am stumped. Many of the cartoon characters that Deamze chooses to paint are from 1980s TV cartoons, but I was doing other more important things, and missed out on this TV toon culture. Perhaps somebody knows who it is.
Deamze, Raleigh Road, Bristol, February 2017
I like always to photograph the D at the start of his lettering, just to compare the style from one to the next.