Is it possible to have any more really great pieces by Epok? Oh yes it is. Here is one from the jam at the M32 roundabout a couple of weeks ago. All the artists used the themed colours for the entire stretch of this wall, and Epok has made them his own.
For once his hard geometric shapes are slightly softened and the lines a little less sharp, however, the piece still spells out EPOK although rather better disguised than in some of his pieces. A really fine piece form a Bristol master.
At a recent gathering of crews at the M32 roundabout, there was this stand out piece. Most of the works (several to follow) were wildstyle writing, but slap bang in the middle of them this Sled One composition breaking up the pattern.
I think that this is an exceptional work. The way the light bursts out of the anthropomorphised fridge is extraordinary. There is also a story going on, as is usually the case for Sled One’s pieces, which I think is that the man is grabbing some hot dogs from the fridge which in turn will consume the man. Or something like that.
It has been a little while since I saw a new piece by Sled One and this has been worth waiting for. I like the nice touch of the fridge wearing a feathered cap. There is a lot to look for in this ‘cartoon’ style piece. It made me happy.
Another delve into the archive for this brilliant little piece by Sled One. I’m not too sure why I didn’t post it sooner, I guess every now any then things get on top of me, and anyhow, I am never short of material. If I stopped taking pictures today (which I didn’t), I would still be able to post images for at least a year.
This is a playful piece spelling out ASK, the After School Klub crew which has about fifteen or so Bristol street artists in its ranks, including Deamze, Epok, Sepr and Soker.
I run out of words trying to describe how much I like Sled One’s work. He is so imaginative and creative, and the execution of his work is faultless. Making ducks out of letters or letters out of ducks, this is simply brilliant.
It has been a little while since I last posted a Deamze piece, and somehow that just doesn’t seem right for this blog. It is possible that I have posted more of his pieces than any of the other Bristol street artists…but I am not counting.
This wonderful piece in greens and browns is on the hoardings next to the recent Voyder bones work. The wildstyle writing is as intricate and clean as you’d expect from a Deamze piece, and on the right hand side he features a cartoon hog (?) holding a little creature in its grip.
I’m sure I ought to know who the cartoon character is, but on this occasion I am stumped. Many of the cartoon characters that Deamze chooses to paint are from 1980s TV cartoons, but I was doing other more important things, and missed out on this TV toon culture. Perhaps somebody knows who it is.
I like always to photograph the D at the start of his lettering, just to compare the style from one to the next.
Following on directly from the previous post, here is another wonderful piece from the concrete sprawl under the M32. This is by 3Dom from back in September 2016, and you might get a flavour of what he thinks of it from a hashtag he used on his Instagram feed: #skullsareprettyboringafterawhile.
This work by Soker goes back to the lovely late summer days of September 2016. The colours are suitably striking, and the writing typical of Soker’s style
I’m not sure why it has taken me so long to post this piece, because I rather like it, and in an archive of pictures it leaps out at you. It is here now though and that should be enough.
This piece is the second I have posted from a Halloween session down at the M32 junction3 roundabout by the ASK crew. The first was an unusual piece from Epok and this one is by SledOne.
SledOne has incorporated a pumpkin into his wildstyle name and absolutely nails this piece, as he has a tendency to do. The colour palette matches the other participants in this session, which would appear to have been a lot of fun. My apologies it has taken so long to report.
This is a piece I photographed back in 2016, as are most of my posts at the moment…something that I fear will be happening for quite some while yet. It is a fine wildstyle piece by the irrepressible Deamze (Tom Deams) whose website is here, and is essential reading for those who want to understand why people choose a name and spray paint it.
Taking a quick look back to Haloween last year and a gathering of several street artists from the ASK crew, who produced several pieces with ghoulish themes. This one is from Epok and unusually for him included a rather good character of Frankenstein’s monster.
The colour selections are up to his usual high standards and the letters mistily disguised, which is a bit of a departure from his trademark strong shapes and sharp lines. I like this piece very much as it demonstrates the range of Epok’s work. I am just sorry that I didn’t have time to post it last year.
I have said enough about how great Sled One is, so I’ll not dwell on repeating myself, but simply show you some pictures I took earlier in the Summer of one of his awesome pieces.
As with many of his murals, there is a story to be told here, but his stories always seem to be a little obscure, and I’ll be damned if I can figure them out.
His cartoon style of creating animals has a dream-like quality to it. Always beautifully sprayed, but something slightly weird in their looks or mannerisms.
In this piece we see a cat and a mouse, the latter of which bears a resemblance to the character Scrat from the Ice Age films. The mouse is running off with cheese, but the cat looks like he’s having none of it.
This is a fun piece from Bristol’s best.
Natural adventures 