This is another nice piece from wildstyle specialist Soker. It was in the Vector car park back in July, just before being overpainted during Upfest. The car park is a special place for Bristol street artists as it has five walls available in a gated space, so the works are rarely tagged. It also allows for gatherings and collaborations.
This interesting piece by Deamze was most likely sprayed at the same time as this awesome work by Voyder. They often work together, and the two pieces were close to one another on the same wall.
This Deamze piece is intricate and skillfully worked and has the trademark cartoon element woven into the work. The face reminds me of one of the characters from the Beezer comic, or was it Beano…it is the top lip that does it. The Bash Street kids?
Deamze continues to delight with his work dotted around the city, although only those with their eyes open will enjoy it.
This is an old one by 3Dom that still remains rather majestic despite some weathering. It can be found on the cycle path that runs alongside the M32 between the two roundabouts and is fairly inconspicuous.
Although an old piece, it has many of the dream-like oddities that are common to 3Dom’s work. I am really rather fond of this one.
This is a happy piece by The Addicted Doodler and was part of a bigger ASK crew jam back in sunny June of this year. It was one of the most memorable collaborations of the year and In my view utterly brilliant. Other artists included Aspire, Kid Crayon and SPZero76.
This is a stunning, collaboration between Sled One and Epok, two of the best wildstyle writers about. It is easy to see the Sled One element…if you look carefully you can make out the letters SLED. I had to look hard though for Epok – I knew it was a collaboration because he had signed the piece. I think his lettering is in the grey-green underlayer – certainly this part is more in his style.
What I love most abut this piece is that it is on a modest hoarding with low footfall. This piece was done for the love of it. The colour palettes are brilliant and the whole thing quite beautiful. These things are so easily overlooked or dismissed…it is a pity.
This wonderful scene was created back in October by Sled One, in conjunction with a piece by Ments which I wrote about a little while back. It seems that Sled One has an endless energy and talent for conceiving and executing some of the most imaginative street art in Bristol. His style is quite cartoony and injected with humour, and as I have said before, there always seems to be a story going on in his pieces.
I’m not sure what the story is, but it includes one of those really irritating toy clockwork monkeys with clashing cymbals which is beautifully portrayed. In addition, the wisps of steam from the cup of tea are masterfully painted. There is some real quality about this piece. Sled One never seems to disappoint. This is in my view exceptional street art.
At one end of Dighton Street there are two small walls which look like they had once been rather fancy gateways and which have since been filled in. They offer street artists an opportunity to spray a pair of related works should they wish to do so, as the spots come as a pair and are separated by a stone wall of about 20 feet.
At risk of getting a bit samey, I simply have to share this exceptional recent piece by Sled One. This time we see one of his wildstyle pieces, where you can make out the letters SLED and the word ONE at the far right.
I can’t go too long without posting a piece by Sled One. If I only had to write about only a handful of graffiti/street artists in Bristol, Sled One would be right up there. His versatility is extraordinary, his colour pallets always superb and he seems to spray pretty much anywhere he can in Bristol.
This is a quick wildstyle piece which just shows off all his talents. I truly believe that Sled One will become a Bristol legend. He is already making such a mark. Just enjoy this artist. I do
This brilliant swirling ‘Bristol’ by Voyder really felt like the signature piece for this year’s Upfest. Visitors to the festival were queuing up to take selfies and group pictures in front of this piece. I wonder how many of them knew it was Voyder’s work – it matters not, they saw it for what it is, a joyful celebration of Bristol art.
Voyder is a prolific graffiti artist and many of his pieces seem to be inaccessible, especially if you aren’t prepared to enter derelict sites, so it is especially nice to have one of his pieces in an area with high footfall. Around the time of upfest, Voyder was spraying quite a lot of these ribbon effect pieces, most memorably the Lichtenstein piece neat the Tobacco Factory, now long gone. This is just more stunning stuff from one of the best Bristol writers.
Natural adventures 