Another fine example of wildstyle writing down at the M32 roundabout by the inexhaustible Sled One. This piece has a metallic look to it, not only in the colour palette but also in the angular nature of the lettering and embellishment.
Sled One, M32 roundabout, Bristol, December 2016
I have probably said as much as I need to in previous posts about how much I admire the work of Sled One. Always beautifully executed, never ever disappointing.
Another nice piece by Deamze on the M32 roundabout wall, on the St Pauls side, from back in July 2016. It is quite an unusual piece, rather stylised and reminiscent of stained glass.
Deamze, M32 Roundabout, Bristol, June 2016It is not my favourite piece by Deamze and I can’t put my finger on why that might be. Possibly the background colour clashes a bit with the colours in the piece. Or maybe it is missing a cartoon character popping out somewhere. Technically beautifully worked though.
This is another beautiful bird creation by Aspire in Picton Lane, a little alleyway tucked away in Montpelier. I think these are house sparrows, which were so common when I was a youngster, but are something of a rarity these days.
Aspire, Picton Lane, Bristol, June 2016
I am full of admiration for the way that Aspire can just turn up to a wall and within a few hours transform it into something of beauty. His talent is as rare as the birds he paints.
Aspire, Picton Lane, Bristol, June 2016
I am filled with horror to learn that he has recently moved to London. Our loss is most certainly London’s gain. I wish him all the very best…the streets are lined with gold don’t you know.
Aspire, Picton Lane, Bristol, June 2016
I am sure that he will come back occasionally to his native Bristol, lest we forget (an unlikely scenario). Bon voyage.
This is another nice piece from wildstyle specialist Soker. It was in the Vector car park back in July, just before being overpainted during Upfest. The car park is a special place for Bristol street artists as it has five walls available in a gated space, so the works are rarely tagged. It also allows for gatherings and collaborations.
Soker, Raleigh Road, Bristol, July 2016This is on the side wall of the car park, and is slightly more difficult to photograph from the gates. The piece is a great example of Soker’s work. He tends not to disguise his letters as much as some and makes great colour and tone selections. A good piece.
This interesting piece by Deamze was most likely sprayed at the same time as this awesome work by Voyder. They often work together, and the two pieces were close to one another on the same wall.
Deamze, M32 roundabout, Bristol, December 2016
This Deamze piece is intricate and skillfully worked and has the trademark cartoon element woven into the work. The face reminds me of one of the characters from the Beezer comic, or was it Beano…it is the top lip that does it. The Bash Street kids?
Deamze, M32 roundabout, Bristol, December 2016
Deamze continues to delight with his work dotted around the city, although only those with their eyes open will enjoy it.
This is an old one by 3Dom that still remains rather majestic despite some weathering. It can be found on the cycle path that runs alongside the M32 between the two roundabouts and is fairly inconspicuous.
3Dom, M32 cycle path, Bristol, May 2016
Although an old piece, it has many of the dream-like oddities that are common to 3Dom’s work. I am really rather fond of this one.
This is a happy piece by The Addicted Doodler and was part of a bigger ASK crew jam back in sunny June of this year. It was one of the most memorable collaborations of the year and In my view utterly brilliant. Other artists included Aspire, Kid Crayon and SPZero76.
The Addicted Doodler, M32 roundabout, Bristol, June 2016The Addicted Doodler always makes me smile with his strong colours and shapes. And just looking at this piece, I think he is responsible for a whole load of unattributed pieces in my archive of pictures. Probably time to do some more digging.
This is a stunning, collaboration between Sled One and Epok, two of the best wildstyle writers about. It is easy to see the Sled One element…if you look carefully you can make out the letters SLED. I had to look hard though for Epok – I knew it was a collaboration because he had signed the piece. I think his lettering is in the grey-green underlayer – certainly this part is more in his style.
Sled One and Epok, Armada Place, Bristol, June 2016
What I love most abut this piece is that it is on a modest hoarding with low footfall. This piece was done for the love of it. The colour palettes are brilliant and the whole thing quite beautiful. These things are so easily overlooked or dismissed…it is a pity.
This wonderful scene was created back in October by Sled One, in conjunction with a piece by Ments which I wrote about a little while back. It seems that Sled One has an endless energy and talent for conceiving and executing some of the most imaginative street art in Bristol. His style is quite cartoony and injected with humour, and as I have said before, there always seems to be a story going on in his pieces.
Sled One, Dean Lane, Bristol, October 2016
I’m not sure what the story is, but it includes one of those really irritating toy clockwork monkeys with clashing cymbals which is beautifully portrayed. In addition, the wisps of steam from the cup of tea are masterfully painted. There is some real quality about this piece. Sled One never seems to disappoint. This is in my view exceptional street art.
At one end of Dighton Street there are two small walls which look like they had once been rather fancy gateways and which have since been filled in. They offer street artists an opportunity to spray a pair of related works should they wish to do so, as the spots come as a pair and are separated by a stone wall of about 20 feet.
Deamze, Dighton Street, Bristol, October 2016Deamze is the latest Bristol-based street artist to occupy these walls with his recognisable vertically elongated Deam Ask style of burner. His colour selections are once again striking and emphasise his clever use of shadowing the lettering.
Deamze, Dighton Street, Bristol, October 2016The previous pieces here had been sprayed by Sepr, and were a couple of my favourite works of last year. I will miss them, but turnover on this wall has been very slow, and they had a long run out. Now it is the turn of Deamze.