When I first encountered Mr Crawls, it was his pieces of birds that first caught my eye, and although he has come on quite a way from his early Bristol pieces, with the encouragement of his painting partner Mote, this particular piece up at Purdown is a bit of a throwback.
Mr Crawls, Purdown, Bristol, August 2024
The particular type of bird is a little difficult to nail down. The colour of the beak and head would suggest a gull, but the shape of the beak is far more raptor-like. I guess it doesn’t actually matter, because the joy of creative art is that you can conjure up imaginary things and situations. This is a fun piece from the productive Mr Crawls.
Epod 3000, Cheltenham Paint Festival 2024, Dunalley Street, Cheltenham, July 2024
Good morning and welcome to another brand-new week. What better way to kick off than with the third trio of pieces photographed at this year’s Cheltenham Paint Festival? One of the notable things about the festival, which I am sure I will return to at some point, is that Andy ‘Dice’ Davies and his organising team are constantly finding new walls to decorate, meaning that existing murals get to stay where they are, constantly growing the outdoor gallery, which becomes an increasing draw for visitors and inward investment. If only the festival was able to gain more confidence from funders, which I know was a real struggle this year.
Epod 3000, Cheltenham Paint Festival 2024, Dunalley Street, Cheltenham, July 2024
Fresh from his appearance at Upfest in Bristol, Epod, who is firmly on the festival circuit, produced this beauty on the side of the Holiday Inn Express, enhancing the visual value of the building tenfold at least. A stunning portrait of a beautiful woman with a sound system in her hair… and why not?
Fark, Cheltenham Paint Festival 2024, North Place car park, Cheltenham, July 2024
Next up is this very neat and tidy piece from Fark, who has become a CPF favourite and who managed to wheatpaste up his name pretty much everywhere I went in the town. A view, a rainbow and a bird – you cannot go wrong.
Wolfskulljack, Cheltenham Paint Festival 2024, Two Pigs, Cheltenham, July 2024
Finally, another favourite at the CPF is Wolfskulljack whose Gothic-style Posca pen sketches are utterly captivating and technically brilliant. Her study of animals and their form is a joy to behold, and there is always a sense of menace or threat about her work.
I’ll be posting more from Cheltenham in due course.
Mote and Mr Crawls, Jubilee Street, Bristol, July 2024
I had a lovely evening a couple of weeks ago, visiting the opening of Merny’s art exhibition in Midland Street. Parking in the area was a little troublesome, so I parked a bit of a distance away, but used the opportunity to visit a little graffiti hotspot that I don’t go to all that often. I was rewarded with finding this Mote/Mr Crawls collaboration tucked away on a wall in Jubilee street.
Mote and Mr Crawls, Jubilee Street, Bristol, July 2024
I think that this piece might be a few months old, because I haven’t seen Mr Crawls’ skeleton-neck bird for some time, although the paintwork does look pretty fresh. This pairing has endured really well and brought the best out of both artists, which is great to see. They also tend to visit pretty much every available spot in the city, unlike some artists who may not stray too far from their favoured spots, which adds to their appeal… you just never know when you might stumble across their work.
Mote and Mr Crawls, Cumberland Basin, Bristol, June 2024
Some more jolly capers from Mr Crawls and Mote, who have been smashing it for months now, and continue to turn out some great and fun character pieces dotted all over the place. This pair of characters were painted on the warehouse wall in Cumberland Basin, and command a majestic view over the river.
Mote and Mr Crawls, Cumberland Basin, Bristol, June 2024
To the left is a friendly, toothy monster by Mote whose eyes (in common with the adjacent Mr Crawls character) are simply holes in the head, creating a mask-like effect. There are some nice squiggles and doodles in the fill, something of a trademark of Mote’s work. On the right Mr Crawls has recreated one of his hatted birds, although in a stylised cartoon form that is more angular than some of his earlier work. The pair look magnificent on the white background, and are unusually large, due to the big wall they have chosen to paint.
Angie Jerez, North Street, Upfest 24, Bristol, May 2024
With the sheer number and quality of large murals at this year’s Upfest, it was easy to become complacent, and I nearly missed this wonderful piece, by Angie Jerez, above Kask, which when you stroll on the ‘wrong’ side of the road in North Street, is quite easy to do, which I why I always walk up one side and back the other side.
Angie Jerez, North Street, Upfest 24, Bristol, May 2024
This mural, featuring two birds and plant seed heads, way above the clouds has been beautifully designed around the stacked windows above the wine bar. The limited number of colours draws attention to the fine detail of the design itself, and the stylised birds are glorious. I don’t know anything about Angie Jerez other than what appears in her Upfest Biography, and that she is originally from Bogotá in Colombia, but now lives in Atlanta. What a brilliant thing that she came to Bristol to paint at Upfest.
Mr Crawls and Mote, Cumberland Basin, Bristol, May 2024
I’m not sure how old this collaboration by Mr Crawls and Mote is, but it can’t be all that old, because it contains some fairly recent features incorporated into each of their work. The reason I am a bit puzzled is that the fencing in front of the wall looks like it has been there a while. All I can think is that they moved it out of the way to paint and then put it back afterwards.
Mr Crawls, Cumberland Basin, Bristol, May 2024
To the left is a a stylised cartoon bird by Mr Crawls, which is a development of his earlier birds that we used to see about the place. There is something slightly more figurative about the artwork, and it is a direction that the artist is going in that I am definitely enjoying.
Mote, Cumberland Basin, Bristol, May 2024
Like other artists, street artists appear to go through ‘periods’ and I would call this Mote’s ‘eye’ period, where he is playing with different presentations of eyes. The mouth of this one seems to almost be leaning in to Picasso territory, or maybe something a little more surreal. Lots more fun from these to to come, but I was happy with finding this collaboration which was just a little bit off the beaten track.
Mr Crawls and Mote, Cattle Market Road, Bristol April 2024
The productive partnership between Mr Crawls and Mote continues without interruption. What is comforting bout their work is that both artists are continually evolving, and their influences on one another converge and then diverge, so in this collaboration, we see that slight divergence of styles.
Mr Crawls and Mote, Cattle Market Road, Bristol April 2024
Mr Crawls has recently been experimenting with monochrome pieces and developed more of an angular approach to his stylised bird characters, quite a shift from his early pieces. Mote, meanwhile, is creating ever more sophisticated monsters, and working hard on particular features such as the eyelids. I continue to derive so much pleasure from these two character artists.
These pictures are my second attempt at capturing this fine bird piece by Mr Crawls, the first effort resulted in photographs that had the piece in brighter light but scattered with shadows. Sometimes overcast days are much better for certain spots, such as Greenbank and Sparke Evans Park, as well as anywhere with overhanging trees or herbage.
Mr Crawls, Dean Lane, Bristol, April 2024
Mr Crawls has been having a great few months, especially since joining up with Mote, a partnership that appears to have stretched both artists with some terrific outcomes. In this bird piece, Mr Crawls has used his favoured chrome background as a backdrop for his raptor(?) character sporting a rather nice hat. Although Mr Crawls has been experimenting with all sorts of creative monsters, it is comforting when he returns to one of his classic birds.
Natural adventures 