5843. Greenbank (106)

Sub and Bloem, Greenbank, Bristol, February 2024
Sub and Bloem, Greenbank, Bristol, February 2024

I mentioned in a previous post what a pleasure it had been to meet Sub and Bloem painting together under the M32 a few weeks back. The pleasure continued on finding this pair of pieces on the long hoarding at Greenbank. While the two artists collaborate, in so much as they paint together, their work is separate and distinct.

Sub, Greenbank, Bristol, February 2024
Sub, Greenbank, Bristol, February 2024

Sub writes his bold oversized letters, with deep drop-shadows, and I guess that a challenge for him is to fill a space with only three letters. There aren’t too many writers who only use three letters, I suppose that Slim Pickings, who writes TES would be one. The fill is augmented with his trademark wisp of smoke running over it, and he incorporates some interesting drip work along the top.

Bloem, Greenbank, Bristol, February 2024
Bloem, Greenbank, Bristol, February 2024

Alongside Sub is this quirky piece by Bloem. It would seem that she ha a bit of a thing for old ‘brick’ style mobile phones, and hands with pointy nails. What I like is that she varies these motifs from piece to piece, keeping both the theme running and keeping things interesting. Bloem is one of those artists whose work I always love finding, like Pekoe, Face 1st, Kid Crayon, Fiva, to name a few. This is a fine couple of pieces and I look forward to many more from the pair to come.

5842. Ridgeway Road

Djembello, Ridgeway Road, Bristol, February 2024
Djembello, Ridgeway Road, Bristol, February 2024

There are a lot of roadworks and diversions in Bristol at the moment, I guess it is that Quarter 4 underspend being used up before the end of the accounting year. The impact of this is that my usual routes to the spots I like to visit have been disrupted, and I found this unusual piece by Djembello on a new route to get to Greenbank.

Djembello, Ridgeway Road, Bristol, February 2024
Djembello, Ridgeway Road, Bristol, February 2024

This wonderful octopus piece is a bit of a one-off, and I am guessing, a commission by the owners of the wall. Djembello is a Bristol artist, perhaps best known for his car-tyre sculptures, such as the cockerel near St Werburghs City Farm, and looking at his Instagram, it would appear he painted this around April 2021. I haven’t seen any other murals by Djembello, and this one seems to incorporate elements of sculptural design in it, not unlike the work of Feoflip, an artist who visited Bristol for Upfest a few years ago. This is a striking piece in a road with no other street art or tagging, and perhaps all the more outstanding for it.

Calm

.

Realisation

that practising mindfulness

writing haiku, works

.

by Scooj

5839. Dean Lane skate park (689)

Raid, Dean Lane, Bristol, February 2024
Raid, Dean Lane, Bristol, February 2024

With the exception of commissions or permitted walls, street art and graffiti art in Bristol is largely an illegal activity that can at times be edgy in either content or placement or indeed both. The former Salvation Army building, on which this writing by Raid has been sprayed, has recently been converted into flats/accommodation and abuts the skate park. Historically, this has been an area with a high level of graffiti and tagging, but the redevelopers cleaned up their walls, presumably to tidy up the building to make it more attractive to buyers/tenants. There is nothing more tempting for graffiti writers, in particular, than a nice freshly cleaned wall in an area of high graffiti activity, and it looks like Raid gave in to the temptation.

Raid, Dean Lane, Bristol, February 2024
Raid, Dean Lane, Bristol, February 2024

From my perspective, not only is this a really nice piece from Raid, but it looks great against the clean brick wall… and there we have it, the edge, the mischief, the anti-establishment stance and so on that graffiti and street art have come to represent. We will all have our views on this, and that is what keeps the culture vibrant and the discussions fresh. For my part, I love street art and graffiti art (naturally) and prefer it to be in the right places. Sometimes you just have to admire the outliers too, and I admire this piece from Raid.

 

5838. Brunel Way (254)

j9449j, Brunel Way, Bristol, February 2024
j9449j, Brunel Way, Bristol, February 2024

This is a great occasion. I have been trying to find out who this artist is for absolutely ages (I know I am not alone) and at last their name ‘j9449j’ appeared as a tag on an Instagram post a week or two back, and we are no longer in the dark. What this also means is that I can release a whole bunch of their work from my archives which has been itching to be posted.

j9449j, Brunel Way, Bristol, February 2024
j9449j, Brunel Way, Bristol, February 2024

j9449j has a very distinctive collage style with plenty of shapes, symbols and plants, bound together with clever use of colour ‘patches’. The work is original and quite unlike anything else we routinely see in Bristol. How nice it would be to actually meet j9449j and find out more about their art, style influences and so on. This is the first of many posts (retrospective and future) I hope.

Cloudburst

.

Ominous yellow

a dark cloudy prelude to

opening heavens

.

by Scooj

5837. M32 roundabout J3 (554)

Minto, M32 roundabout, Bristol, February 2024
Minto, M32 roundabout, Bristol, February 2024

I mentioned a little while back in a Minto post that we were likely to see a lot more of his work, and indeed that is exactly the case. There is something quite unique in the way that Minto combines his letters with characters or scenes to build up a story, and this one is a very green story.

Minto, M32 roundabout, Bristol, February 2024
Minto, M32 roundabout, Bristol, February 2024

The letters spell out, unsurprisingly, the word MINTO, and contains three or four faces sort of organically melded into the letters. To the right, the end face reminds me of the faces on the trains and other vehicles in the Thomas the Tank Engine books, but maybe that is just me. This is a nicely thought out and painted piece from Minto.

5836. St Werburghs tunnel (407)

Face 1st, Zake and Chill, St Werburghs, Bristol, February 2024
Face 1st, Zake and Chill, St Werburghs, Bristol, February 2024

It is great to see the PWA crew continuing their high-energy and frequent collaborations into 2024, although I dread to think how much money has been spent on spray paint by the team already this year. This is a tidy collaboration squeezed into the end wall of St Werburghs tunnel, united by a chrome and blue colour scheme. The piece, painted on a common background, is by Face 1st, Zake and Chill.

Face 1st, Zake and Chill, St Werburghs, Bristol, February 2024
Face 1st, Zake and Chill, St Werburghs, Bristol, February 2024

To the left Face 1st with a couple of happy ‘rag doll’ girls, one of them falling from the sky, contributing both fun and movement to the collaboration. In the middle Zake has painted one of his characteristic faces, full of texture and depth created by clever use of light and dark shading, and Chill rounds off the piece with a cartoon character, looking a little worse for wear, painted in his illustrative tattoo style, and rounded off with a couple of little birds in the corner. Great work from PWA.

5835. M32 Cycle path (251)

Slakarts, M32 Cycle path, Bristol, February 2024
Slakarts, M32 Cycle path, Bristol, February 2024

This is not the first time that Slakarts has painted this flaky board, and I suspect it won’t be the last time either. I think it would be fair to say that Slakarts is now a rather occasional painter of Bristol’s walls compared with a couple of years ago, and this is a bit of a pity. I guess that it means he has less time to paint, which implies that he is busy with other things, which is probably a good thing.

Slakarts, M32 Cycle path, Bristol, February 2024
Slakarts, M32 Cycle path, Bristol, February 2024

The stylised cartoon face that Slakarts has painted is rather more colourful than some of his earlier versions, but the same basic design remains, which is comforting in a way, perhaps more so knowing that he is capable of painting other things too. The flaky nature of the board makes pieces painted on it look rather old, but in actual fact this was quite freshly painted. I’ll be hoping for more from Slakarts as the year unfolds.

5834. M32 roundabout J3 (553)

Stivs, M32 roundabout, Bristol February 2024
Stivs, M32 roundabout, Bristol February 2024

On return from a week out of Bristol, the first piece I came across was this double-header by Stivs, which was a bit of a treat. A few days later, I was lucky enough to run into Stivs, on the other side of the roundabout and he told me that before he wrote STIVS, he used to write CRAP or variants of it, and that these two pieces are in recognition of that.

Stivs, M32 roundabout, Bristol February 2024
Stivs, M32 roundabout, Bristol February 2024

It looks like Stivs is enjoying some dayglo colours, giving his formal calligraffiti style letters a bit of a 1980s vibe. The first piece, I think, reads KRAP, which is slightly amusing because the word is at odds with the fine writing. Another artist who has done something similar in the past is Turoe, with his shite/shyte pieces.

Stivs, M32 roundabout, Bristol February 2024
Stivs, M32 roundabout, Bristol February 2024

The second piece is perhaps a little easier to read. I am glad to see that my dog’s rear end has managed to make it into the shot, just as a reminder that he is with me 99% of the time when I am photographing street/graffiti art. I expect lots more to come from Stivs this year, especially as he now lives a little closer to this spot.