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Media focus
embedded in the wrong place
rather than our rights
.
playing straight into the hands
of Priti and her henchmen
.
by Scooj
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Media focus
embedded in the wrong place
rather than our rights
.
playing straight into the hands
of Priti and her henchmen
.
by Scooj
This is a very special piece from Laic217 because it takes us back to a hallucinogenic theme explored by the artist a few years ago, and I haven’t seen one of these distorted faces in a long while.

This is classic Laic217 at his best… a character and the letters LAIC, but how his work has come on over the last few years. He takes a lot of care with his work and his finessing makes a significant contribution to some brilliant technical work. Here, the double-faced character is spraying the letters, an idea used several times in his work.

The face has two perspectives looking in slightly different directions, but cleverly, each face seems to work independently. The mouth is large and shared by each face. Confusing and unsettling, this is a challenging work. Nice to see the bucket hat and smiley making a return too. Wonderful trippy work from Laic217.
With the onset of spring, the turnover of art on the concrete walls up at Purdown Battery has noticeably increased. It is amazing just how much the improvement in the weather drives street art activity, and already we have had a bumper year… it could be the best ever year for Bristol street art if things continue like this.

This is a lovely, happy-go-lucky piece from Antikki with all the ingredients for that summer holiday we are all dreaming of. I love Antikki’s illustrative style which could so easily adorn the pages of a children’s picture book. There is a lot to admire in this beach scene, the stylised figure in particular. Superb energetic and fun work.
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Seed packets lined up
elastic bands corralling
it’s that time of year
.
by Scooj
This is another very short-lived piece on the M32 roundabout from Serm, who runs a commercial street art outfit under a different name. He has only recently started writing the letters SERM and this is only the second piece I have found.

Clearly an experienced and accomplished writer, Serm has finished this piece beautifully. The colours work really well on the off-white backwash and the shadows lift the piece really well away from the wall. I look forward to seeing a whole load more from Serm.
Dibz is turning out new work at an extraordinary rate at the moment which is great to see, although keeping up is proving to be something of a challence. I was lucky enough to catch up with him while he was painting this one and he stopped for a bit of a chat.

Even though he didn’t buff the wall to start with, which is something he does more often than not, the quality of this piece shines through. Either deliberately or accidentally, this piece somehow blends in with the Slakarts and Mudra collaboration beneath it, complementing them well.

I guess I am labouring the point a bit, but Dibz is right up there with the very best in Bristol in his finishing. Every piece is so clean and tight, which given the intricacy of the writing is nothing short of miraculous. Another outstanding piece.
This railway pillar and three others, along with a large wall could have gone one of two ways. As Network Rail assets they might have been buffed with anti-graffiti paint, and become yet another sterile, functional piece of Bristol infrastructure. Fortunately, in a project supported by Network Rail and Severnside Rail Partnership, several local artists were commissioned to decorate the pillars, and the results have been utterly outstanding. I truly hope they receive the respect they deserve.

This pillar is by Anna Higgie and presents us with a host of urban icons from Bristol such as the balloon, electric scooter, busses, flowers and nature. There is something very connected and uplifting about the piece, celebrating an urban setting.

It is so good to see that these pillars have been handed over to local artists who in turn have handed them back to the community who will enjoy them for many years to come. An inspirational project which will create a sense of local pride.
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Thick heavy clay sods
difficult to dig, I hear
a green woodpecker
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by Scooj
Inkie and his ASK compatriots have been smashing it in recent weeks, and it is a very good thing to see. I can’t remember a time when so many classy pieces have been painted in such a short space of time. 2021 is shaping up to be one hell of a year for street/graffiti art in Bristol.

This lovely piece is in colours favoured by Inkie and seen many times on Natural Adventures before. It is the intricacy of the piece that I find rather special about this one. There is so much interlocking and cross-over of the letters, it becomes impossible to work it all out in your head… goodness only knows how Inkie manages to do it. Yet another very nice piece from that man Inkie.
Another very nice large piece of graffiti writing from Subtle, one of several recent works after quite a long quiet period. It seems that like many other artists Subtle is painting in bursts of activity, hitting loads of walls in a matter of a few days.

I also think that Subtle must have bought a job-lot of paint, because his recent works have contained similar colour palettes. The letters here are a little more ornate than usual, and the pink boundary and dark stripes are very nice decorations to the piece. Classy as always.