I had to ask Sled One (who happened to be painting further along the wall) who this piece was by, because I didn’t recognise the style when I first saw it. He told me it was by Joe Poe or Poer who is from London. This would explain why I am not familiar with it.
Poer, M32 roundabout, Bristol, May 2018
This really is a top drawer piece of wildstyle writing from a classy artist who I really know little about. He seems to be a member of ASK or possibnly just received an invite to paint with them. I’ll have to do some more digging.
Here’s another EAT crew (SPZero76 and Kid Crayon) collaboration on the side wall of Domestic Drain Services. Maybe once or twice a year, this company invites artists to paint the walls in return for free paint – or so I understand.
SPzero76 and Kid Crayon, Millpond Street, Bristol, May 2018
One wall was painted by Paul Monsters and featured on this blog a little while ago. This wall has been crafted into a comic strip which was described by Keith Hopewell, AKA SPZero76 on his Instagram account as follows:
‘This comic tells the tale of a race to find the Holy Grail in a post apocolyptic giant robot wasteland. Biker woman vs the pigs of doom (and their herder). Who will find the treasure first?’
SPzero76 and Kid Crayon, Millpond Street, Bristol, May 2018
The biker woman and robot wasteland are by SPZero76 and the pigs and their hereder by Kid Crayon. I still find this pairing of artists a little unusual, because their styles are so different, but somehow they pull it off every time they work together.
SPzero76 and Kid Crayon, Millpond Street, Bristol, May 2018
I particularly like the book end characters – Biker woman and the pig herder who reminds me a little of Woody or Andy his owner from Toy Story. The whole piece is crazy, imaginative and inspiring. I love it when these two get together, you just never know what will happen.
Regular readers might recognise this orange orangutan as the second piece I have posted by Kool Hand, this time in the tunnel at St Werburghs. There is a third one to come still from these sessions.
Kool Hand, St Werburghs tunnel, Bristol, May 2018
Looking forward to seeing more from Kool Hand, and maybe I can try and find out a little bit more about him. For now, simply enjoy those crisp clean lines and fun design.
A few days ago, it would appear that the ASK crew and some friends held a paint jam down at the M32 roundabout. This tends to happen three or four times a year and is always a hugely welcome event. Over the next few days and weeks I will post all of the pieces from the session, starting with this outstanding work from Epok.
Epok, M32 roundabout, Bristol, May 2018
The first thing to notice about this is that the wall has been prepped really well – this is no throw up, but a fine work presented almost like a gallery. The nicely prepped wall complements the sharpness that Epok achieves with his work. Beautiful angular clean lines and fills, and a nicely chosen pallette. It might not be obvious, but the writing spells EPOK which is beautifully disguised. Epok never ever disappoints.
Ah, how nice to see a fine collaboration piece by Cort and Laic217 down at the M32 roundabout. I was actually on the lookout for some ASK crew work, but this piece was also there.
I think that this time Cort worked on all the writing while Laic217 concentrated on the bookend characters. I say this because the style of the writing is consistent throughout.
Laic217 and Cort, M32 roundabout, Bristol, May 2018
Laic217 is doing here what he does best, giving us skeletons busy spraying their work. His fantastic use of greyscale colouring is masterful and he is continually improving the textures of the different types of clothing worn by his characters.
Laic217 and Cort, M32 roundabout, Bristol, May 2018
Of course, no Laic217 piece is fully complete without a bucket hat or brick wall – motifs that he usually adopts. I really like this collaboration, and it is great to see Laic217 up to his productive best again.
Going back a little way, this piece was created as part of the Spring paint jam in The Bearpit. Giraffiti (loving that) is by the Graft Workshop, an organisation which to my shame I was unaware of, that run graffiti workshops and paint murals in the Bristol area. Graft Workshop are Rob, Sophie and Collette, and I am sure to be finding out more about them in future.
Graft Workshop, The Bearpit, Bristol, April 2018
The giraffe itself is nicely worked, but I especially like the writing on the bottom right. The main theme of the paint jam is reflected in the piece, with the message don’t bomb Syria – which dates the piece very specifically.
I love this wall. It is next to a bus stop in Stokes Croft, and the hoarding was erected about two years ago or more around a building that had been a rather hip bar. For an eternity, it seemed, nobody tagged or sprayed the wall, but slowly the inevitable succession of vandalism and creativity emerged, and the hoarding has become part of the furniture for some of the more adventurous artists. I believe the owner of the site is not overjoyed.
Daz Cat, Stokes Croft, Bristol, April 2018
This is a nice piece from Daz Cat, who once again presents us with a dog and not a cat although I think it is a very fine dog and not too unlike my own cocker spaniel. Sprayed at the time of Trump and May joining forces to bomb Syria, the message here is loud and clear. Definitely bomb walls not Syria.
Much of the work here is pretty rubbish, but every now and again we get a gem like this one.
This is the second giant ‘thumbs up’ I have posted from Unlucky 15th, and probably only the second of many. The motif is finding its way around the city and the scale seems to be getting slightly bigger too.
Unlucky 15th, M32 roundabout, Bristol, April 2018
A simpleidea, which is making an impact around the place. I suppose it is really a giant tag, but a lot of care has been taken with the white fill and black lines – this is not a quick throw up. Really interested to see where Unlucky 15th will take us with his work.