In the early hours
I rise from my bed; sublime
bird song surrounds me.
by Scooj
Tag: Bristol
677. Upfest 2016 (104)
Another large wall, this time a little out of the way on Dean Lane. This is one of the most awkward walls to photograph, let alone spray, but Inkie has done a commanding job of this one.
The large piece is on the side of the South Bank Club and features a trademark Inkie portrait. The whole thing is a Bristol as Bristol can be, with a rather nice reference to the Clifton Suspension Bridge on the left hand side.
I think the character at the top of the piece is a fairly effeminate looking Isambard Kindom Brunel.
The character at the bottom of the piece might be a self portrait, but I am not sure really. The whole thing is really impressive, and I was fortunate enough to catch up with Inkie while he was just finishing off the job. Inkie and Bristol are utterly interlinked, and we are lucky to have him around.
The observant will notice an Angus piece just to the bottom left of the picture.
676. Upfest 2016 (103)
This is one of the premium walls at Upfest, and last year was the proud home of this magnificent Martin Ron piece. This year it was the turn of one of the Godfathers of Bristol graffiti/street art – Cheo.
Sticking to the brief, or theme of Upfest 2016 Cheo’s piece features Mr Graff, an addition to the Roger Hargreaves community of Mr Men and Little Miss’.
My honest opinion on this piece is that I don’t think it was the right piece for this wall. This wall deserves a huge imposing and impressive piece and this feels like it does not fill the space properly. It is a very safe piece, and so I can see the appeal of having it in a supermarket car park, but to me the proportions just feel wrong.
Don’t get me wrong, I think it is a great piece, beautifully sprayed and full of incredible detail and characters that Cheo brings to life so well. I feel it would have been better on a different wall that you could get up close to.
The crazy worm and flowers at the bottom are wonderful, but seem detached from the main piece almost like a bonus afterthought. I concede that I may have got this completely wrong, but we all have a view.
Hair today, gone tomorrow
Such sacrifices
made in pursuit of wisdom;
I’d rather have hair.
by Scooj
675. Upfest 2016 (102)
I think I have said it before, but one of the great pleasures of Upfest is to see the work of artists from all over the world and from all kinds of disciplines descend on our little patch of South Bristol. One such artist, ‘Climber’ or Lee Nowell-Wilson from Baltimore left us with this beautiful portrait of a young child.
Climber graduated with a Batchelors in painting in 2011. According to her Upfest bio, she now works at bringing those traditional skills to the streets. With creating relationships as the main objective, she strives after levels of vulnerability within her work to encounter people in their everyday. She certainly achieves her objective with this piece.
674. Upfest 2016 (101)
There was an underlying theme to Upfest 2016 and that was the emergence of ‘Mr Graff’. This was a playful idea where Cheo was asked to create Mr Graff in the style of Roger Hargreaves ‘Mr Men’. Other artists were encouraged to play with the idea, and several did exactly that.
This piece ‘Mr Impossible’, is by the colourful and talented Loch Ness who specialises in psychedelic and surreal imagery. His pieces often have a host of playful characters sprayed in a multitude of great colours. Loch Ness also sprayed another piece at the school during the festival, but I don’t have a picture of the completed work, which was still behind scaffolding when I caught up with him for a chat. His work brightens up the dullness around us.
Frog spawn
When I was young we
had tapioca pudding;
we called it frog spawn.
by Scooj
Daisy
A single daisy
awakens deep memories
of carefree childhood.
by Scooj
673. North Street, In Recovery
I took this picture during Upfest 2016, and was going to enter it as one of the pieces from the event. What a mistake that would have been. The piece is a collaboration between Copyright and Gemma Compton and was sprayed some years ago.
Of course I never usually get to see shutter pieces, because they tend to be up during the times I am out on the streets taking pictures. The work of these two artists works so well in combination; they both like bold colours, reds and blues, and both usually include female subjects. Gemma in particular likes to incorporate natural motifs setting the pieces off nicely.
This is a striking and enduring collaboration from this couple.
672. The Bearpit (45)
Photographing street art and posting it on digital social media can be a frustrating thing sometimes. Some bloggers or Instagrammers, put up their images within hours or minutes of finding a new piece. This is great for getting a picture of ‘what’s new’ but is usually unaccompanied by any sort of narrative, and rarely a location…I don’t understand why people are so guarded. Others like myself, like to add a little bit of a back story…sometimes a little tedious (I’m sorry)…to give the reader just a little bit more than a snapshot. The big disadvantage of the latter approach is that images about contemporary news events seem rather out dated by the time I get to post them. A case in point is this witty ‘love is’ piece by John D’oh in one of the tunnels of The Bearpit.
So my apologies to all for the tardiness of this post, but I think it is still worth including in the blog. I don’t need to say much about the subject matter – it has been world news after all. I love the subtle (?) reference to Trump’s hair. This is a fun piece ridiculing the ridiculous.
Natural adventures 