I think it is safe to say that Subtle is back, as this is the second of three recent pieces, although I have yet to locate the third. Seeing his large letters, which are anything but subtle, is like greeting an old friend, resuming the conversation where it was last cut off.
Subtle, Brunel Way, Bristol, May 2025
It is a welcome thing indeed, after so many brown shades dominating so many pieces recently, to see the good old bedfellows pink and light blue featured here. Subtle’s large blue letters, with modest decorations, are augmented perfectly with pink circles and spots surrounding. Set on a black-buffed wall, this is a splendid announcement of ‘I’m back’.
Mr Underbite’s appearances are few and far between these days, so it was great to find this one in one of his favourite spots recently. I’ll not make reference to the brown background.
Mr Underbite, Brunel Way, Bristol, May 2025
The Hapless character is painted in vibrant green, has his customary underslung jawline and is wearing a baseball cap for good measure. Signed MUB (Mr Underbite) and dated 2025, this is a piece without pretension or complication – what you see is what you get.
I have to be a little brief this morning. I am staying with family, and I think breakfast is ready…
I have noticed that Sait Bare likes to paint in this area by the river, and would guess that he probably lives nearby.
Sait Bare, Brunel Way, Bristol, May 2025
Perhaps the most notable thing about this lovely piece is the colour selection, which reminds me of a stick of rhubarb, and once seen that way, it can’t be unseen. The letters SAIT are nicely filled in the base colours and liberally decorated with colour- matched dots. The whole thing is nicely rounded off with a black and white stripy drop shadow. An attractive piece of graffiti writing.
Mr Draws is an artist who never seems to fuss or bluster, rather he goes about his painting in a deliberate and consistent manner, almost like clockwork. Modest and never showy his familiar pieces are part of the fabric of Bristol city.
Mr Draws, Brunel Way, Bristol, April 2025
This is really nice piece under Brunel Way, with four horizontal colour layers running through the letters DRAWS, the uppermost one of which is dripping, like a chocolate sauce topping. A deep 3D drop shadow separates the letters from a contrasting red background, and the piece is finished with some horizontal yellow and grey oval lines dotted across the piece. A really nice piece from Mr Draws.
Fade (Acer One and Jodi), Dibz and Sikoh, Brunel Way, Bristol, February 2025
This production wall is one that has been revisited several times by Dibz and Fade, and they have brought in others along the way. The portrait and writing above it by Jody and Acer One respectively have remained intact, but everything else around them have been repainted several times. This latest fiery reincarnation is by Dibz, Fade and Sikoh.
Fade, Brunel Way, Bristol, February 2025
Starting with Fade, flames engulf his letters FADE and nestled above, THK (Tru Headz Kru). The black letters are bordered with a flame line, incorporating reds, oranges, yellows and whites – absolutely incredible. The flame background is equally impressive, and he has also managed to incorporate some drips into the piece too.
Dibz, Brunel Way, Bristol, February 2025
Dibz’ writing mirrors that of Fade, and is also out of the top drawer. Slightly more angular than his painting partner, his letters have the same multicoloured border – how do they do that? Dibz has also managed to create a little bit more depth with his letters, and has added a yellow, melting, halo above his letters.
Dibz and Sikoh, Brunel Way, Bristol, February 2025
It is a pity that we only get to see Sikoh’s work occasionally, because he is without doubt one of the most talented artists around. Here he has painted two spray cans, one with a flesh hand spraying out flames, which is mimicked to the left with a fire hand holding the can. The collaboration is utterly outstanding, and has remained intact for over a month for all passers-by to enjoy.
I came across this artist for the first time earlier this year, and I have to say I am rather taken with their work. I have said before that some letters and words lend themselves really well to graffiti writing, and the word ‘SQUIRE’ seems to work very nicely indeed.
Squire, Brunel Way, Bristol, January 2025
There is nothing snazzy or pretentious about this piece, written on a DIY skate ramp under Brunel Way. The letters are almost cartoony, with solid green fills and yellow spots for decoration. Basic and appealing. I will be keeping my eyes peeled for more from Squire.
Living in Bristol is, for so many reasons, a privilege and a joy, especially if you like a dusting of cosmopolitan urban heritage and culture. There are many things to be proud of and other things, such as the trade in slaves, tobacco and alcohol, that need to be understood and processed. It is a city that has a sense of excitement and a buzz about it, and I am sure that the street/graffiti art culture adds to that sensation.
Squire, Brunel Way, Bristol, January 2025
We have a lot of visiting graffiti writers and artists that come to paint here, and every time I go out taking photographs, I find work by artists I have never encountered or noticed before. This writing by Squire, isn’t a style I recognise, but that doesn’t necessarily mean they are a visitor, just that I haven’t seen their stuff before. I like the letter shapes and the simple but effective black fill and purple pattern, set on a chrome background. A nice piece of writing.
One of the favourite books of my youth was Fungus the Bogeyman by Raymond Briggs, an illustrator and author who wrote some of the finest and most touching comic strip books of the time. Fungus the Bogeyman spanned the generations very cleverly, and is full of witty puns and literary references. On starting this post, I have been searching for my copy of the book, but seem to recall I leant it to a cousin years ago. I might just have to buy myself a new copy.
Haka, Brunel Way, Bristol, January 2025
Haka has captured the essence of Fungus the Bogeyman perfectly in this piece, and the spot itself is exactly the kind of place that you’d imagine the character to lurk on a damp, foggy night. As with all of his pieces featuring children’s characters, Haka has remained incredibly faithful to the original illustrations. My favourite piece of the year so far.
Fade, Stivs and Dibz, Brunel Way, Bristol, January 2025
Towards the end of the year, the collaborations from Dibz and Fade plus guests, dropped off significantly, and I have a feeling that Fade told me he was making a trip to America in the winter, and perhaps that was the reason. I am sure that this is only a temporary blip and that this collaboration marks the first of many in 2025
Fade, Brunel Way, Bristol, January 2025
This time, Dibz and Fade have teamed up with Stivs, who has provided the centrepiece for this collaboration. In this piece, there is a clear themed palette giving off a rusty red vibe, combined with a deep white drop shadow. Fade has written his FADER letters with accuracy, and the shadow fill is either thin or patterned, and I can’t quite decide which.
Stivs, Brunel Way, Bristol, January 2025
Stivs has provided the character interest in the centre with a magnificent Teenage Mutant Ninja Turtle portrait (he is going through a bit of a TMNT phase at the moment). The writing at the top says ‘Have a turtlee good 25’ giving away that this is a New Year collaboration piece.
Dibz, Brunel Way, Bristol, January 2025
Dibz rounds off the triptych with a reflection (in terms of colour and style) of Fade’s writing, and also has the same effect on the white drop shadow, which leads me to conclude that it is a deliberate, mottled pattern rather than thin paint, which makes sense really, because these masters of their craft would never be happy with substandard fills. A great way to begin the year.
Many times in the past, I have described Mr Draws as being the beating heart of the Bristol street/graffiti art scene. Regular and dependable, his artwork could not be described as ‘high end’ and there is nothing pretentious about what he does, and there is a Bristol charm lurking in his work.
Mr Draws, Brunel Way, Bristol, January 2025
This piece is obviously inspired by the latest Aardman Wallace and Gromit film that was screened over Christmas, and featured the penguin villain ‘Feathers’. The combination of chrome writing and the penguin character surprisingly combine rather nicely, and Mr Draws has done a great job.
Mr Draws, Brunel Way, Bristol, January 2025
I haven’t seen the movie, but I am guessing that the diamond has some significance in the plot line. Great fun from Mr Draws.
Natural adventures 