Sometimes wildstyle graffiti writers can be guilty of overthinking their work, and I feel that Werm went through a phase where he did just that, and while his pieces were technically awesome, they were, for my taste, just a little too over-complex.
Werm, Brunel Way, Bristol, September 2024
This one is a recent work in a series of bilaterally symmetrical graffiti writing pieces that Werm has been focussing on. He tends to work in themes and ideas which he runs with for six months or so, and then moves on to some new concept, constantly evolving and improving. The colours palette is very ‘Wermy’, and by that I mean contains reds and cream, which he uses a often as a combination. This is a nice piece, and well worth buffing the wall to provide a clean background.
I am still a little under the weather with Covid this morning, so only short posts today. This is a wonderful piece of chrome graffiti writing from Kosc in a spot that he has painted before, but I don’t usually associate with him.
Kosc, Brunel Way, Bristol, September 2024
The letters are made up in the style of riveted sheets of metal, a device used by many writers and one that is very effective. Kosc has perfected this style.
I have Covid. A pretty strong dose of it and am rather under the weather. This would go some way to explaining why I am late with today’s posts. Natural Adventures has strong ties with viruses, it was started in February 2015 while I was recovering from a really bad bout of flu. But for that I might not be sitting here writing right now.
Wispa, Brunel Way, Bristol, September 2024
Wispa reminds me of Maria Von Trapp, a flibbertygibbet, a willow the wisp, a cloud. Her name would appear to be a good description of the way she travels the country, never staying too long, so it seems. This is a nice piece of writing that was painted alongside Werm a week or two back. Nice stuff and great to know she has been visiting.
My heart sang when I saw this wonderful piece by Daz Cat on the end of the long wall under Brunel Way. It is not the first time he has decorated this spot with a cat, and somehow the space lends itself really well to his upright characters, which I guess is why he paints there.
Daz Cat, Brunel Way, Bristol, September 2024
In this piece, the androgenous cat is doing a hand stand on top of a globe or water or a toilet seat, or something decorated with clouds. The pants the cat is wearing are hilarious, and the tottering movement of the legs, brilliantly portrayed. This Daz Cat at his fabulous story-telling best.
Klashwhensober, Brunel Way, Bristol, September 2024
Klashwhensober is consistently one of the most prolific graffiti writers in Bristol, tracing out his SOBER letters wherever he finds a free wall. Some of his pieces are obviously rather hurried while others, like this one are a little bit more considered and tidy.
Klashwhensober, Brunel Way, Bristol, September 2024
The way that Klashwhensober has overwritten the piece underneath is quite clever in that instead of buffing out the wall completely he has created a cloudy covering obscuring it enough to nullify it. The chrome letters are really nicely worked with a tidy two-tone drop shadow and clean black border. Definitely one of Klashwhensober’s better ones.
This is a rather curious and abstract piece of graffiti writing from Mr Draws, who I know is always looking at ways to redefine his work, and likes to push boundaries. Sometimes Mr Draws will inject one of his ‘experimental’ pieces in the middle of a series of more customary work, and it is great to see.
Mr Draws, Brunel Way, Bristol, September 2024
In this one, there are some parallels with the style of Benjimagnetic, providing hints at the letters in amongst the decorative work. The ‘D’ and ‘R’ are clear but the ‘A’ and ‘W’ are more fused together. There is a nice cosmic feel to the whole piece and I like what I see. Keep pushing boundaries I would say.
Dibz, Jody, Urge, The Art of Sok and Fade, Brunel Way, Bristol, July 2024
This is another stunning production piece, led and bookended by Dibz and Fade, incorporating work from Jody, Urge and The Art of Sok. The themed colours of orange and light blues works exceptionally well in this spot that can have a tendency to be a bit gloomy.
Dibz, Brunel Way, Bristol, July 2024
Starting with Dibz on the left (and rather annoyingly, capturing that shaft of light which makes an appearance in the afternoons), the collaboration gets off to a great start, with as sharp and tidy wildstyle graffiti writing as you would expect from Dibz.
Jody, Brunel Way, Bristol, July 2024
With five artists in the line-up, and three of them writers, the character pieces appear in the second and fourth slots. This astonishing Godzilla piece is by Jody, who has been on fire since joining up with Dibz and Fade over the last year or so (although, to be fair, he is always on fire, but perhaps more so recently).
Urge, Brunel Way, Bristol, July 2024
Next up is a piece by Urge, who I know nothing about, but whose writing looks completely at home with the Bristol artists. I guess that Urge was visiting, or passing by, and got invited to join in. I love it that Bristol artists are so welcoming of others from around the country.
The Art of Sok, Brunel Way, Bristol, July 2024
The fourth slot is taken up by the Art of Sok, whose distinctive style of cartoon characters, while so utterly different from the other four pieces, somehow manages to complement them very well. His characters are always beautifully presented in as close to a perfect state as they could be.
Fade, Brunel Way, Bristol, July 2024
Things are rounded off by Fade, who along with Dibz ‘owns’ this manor. His beautiful letters, immaculately filled with two shades of blue and bordered with an orange 3D drop shadow, reflect the writing that comes before it. This is a very classy production piece from these five artists. Bravo!
Goldie, Fade, Acer One, Jody and Dibz, Brunel Way, Bristol, August 2024
All year long, Dibz and Fade have been decorating this wall with alarming regularity, and they have been joined along the way in their endeavours by Andy Council, Jody and Acer One (amongst others) and this time are joined by Goldie, Acer One and Jody. A production tribute wall to honour the musician and DJ, Randall.
Goldie, Brunel Way, Bristol, August 2024
The whole production is very nicely balanced which given the configuration, which starts with a Goldie piece that embroiders the words ‘The R’. This is a really nice dedication and beautifully painted. The colour selection is reflected in the rest of the collaboration. It is always great to see Goldie visiting Bristol for a bit of a paint.
Fade, Brunel Way, Bristol, August 2024
Fade is next up and he has compressed his piece to accommodate Goldie next to him and support the balance I was talking about earlier. With the orange and turquoise letters, Fade has written the letters ‘DJ’ which are as immaculate as you might expect. Both sets of writing are adorned with flames, which extend for the entire collaboration.
Acer One and Jody, Brunel Way, Bristol, August 2024
The centrepiece is a shared space with Acer One lettering across the top of an outstanding Jody portrait of DJ Randall. Acer One has written ‘Too hot to handle’ which I am guessing is part of a slogan rhyming with DJ Randall. Not being a music specialist myself, I am unable to shed too much light on the artist or his work.
Jody, Brunel Way, Bristol, August 2024
The Portrait is a faithful and beautifully painted, and certainly a fitting tribute.
Dibz, Brunel Way, Bristol, August 2024
The production rounds-off on the right with a wide piece of wildstyle graffiti writing from Dibz. The Turquoise and orange letters spell Randall, so the whole production spells out:
“The R, Too hot to handle, DJ Randall”.
Wonderful stuff from this quintet of talented artists.
Abbie Laura Smith, Brunel Way, Bristol, August 2024
The game of hide and seek, hunting down wheatpastes from Abbie Laura Smith, continues with this moody piece on one of the skate ramps under Brunel Way. I really love this one, that offers more than her customary face portrait pieces. In this piece, the attitude and pose of the subject add so much more to the story, proving that body language makes up a large proportion of our signal communications. The drips add so much more to the ink work, creating interest. Still one or two more from this recent batch to come.
Sait Bare appears to be painting more often, or maybe I am simply seeing his pieces more often, either way, it is great to find his work. This piece took a couple of trips to record, because the first time I saw it, it was incomplete, and I had to return a few days later to see the final rendition.
Sait Bare, Brunel Way, Bristol, August 2024
It is interesing to see, from the work in progress, the layering and sequencing that Sait Bare undertakes in producing his work. This is not the first time that Sait Bare has used this particular design idea of presenting two entirely different colour schemes mashed up together in sections, and thee final effect is stunning, if not a little confusing.
Sait Bare, Brunel Way, Bristol, August 2024
The letters spell SAIT, and while the font is consistent through the piece, the background and fills most definitely are not. So the overall appearance is that one piece has been painted over the other and then half of it ripped down. You need to ask yourself which one was painted over the other? An interesting illusion.
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