This is a rather curious and abstract piece of graffiti writing from Mr Draws, who I know is always looking at ways to redefine his work, and likes to push boundaries. Sometimes Mr Draws will inject one of his ‘experimental’ pieces in the middle of a series of more customary work, and it is great to see.
Mr Draws, Brunel Way, Bristol, September 2024
In this one, there are some parallels with the style of Benjimagnetic, providing hints at the letters in amongst the decorative work. The ‘D’ and ‘R’ are clear but the ‘A’ and ‘W’ are more fused together. There is a nice cosmic feel to the whole piece and I like what I see. Keep pushing boundaries I would say.
Dibz, Jody, Urge, The Art of Sok and Fade, Brunel Way, Bristol, July 2024
This is another stunning production piece, led and bookended by Dibz and Fade, incorporating work from Jody, Urge and The Art of Sok. The themed colours of orange and light blues works exceptionally well in this spot that can have a tendency to be a bit gloomy.
Dibz, Brunel Way, Bristol, July 2024
Starting with Dibz on the left (and rather annoyingly, capturing that shaft of light which makes an appearance in the afternoons), the collaboration gets off to a great start, with as sharp and tidy wildstyle graffiti writing as you would expect from Dibz.
Jody, Brunel Way, Bristol, July 2024
With five artists in the line-up, and three of them writers, the character pieces appear in the second and fourth slots. This astonishing Godzilla piece is by Jody, who has been on fire since joining up with Dibz and Fade over the last year or so (although, to be fair, he is always on fire, but perhaps more so recently).
Urge, Brunel Way, Bristol, July 2024
Next up is a piece by Urge, who I know nothing about, but whose writing looks completely at home with the Bristol artists. I guess that Urge was visiting, or passing by, and got invited to join in. I love it that Bristol artists are so welcoming of others from around the country.
The Art of Sok, Brunel Way, Bristol, July 2024
The fourth slot is taken up by the Art of Sok, whose distinctive style of cartoon characters, while so utterly different from the other four pieces, somehow manages to complement them very well. His characters are always beautifully presented in as close to a perfect state as they could be.
Fade, Brunel Way, Bristol, July 2024
Things are rounded off by Fade, who along with Dibz ‘owns’ this manor. His beautiful letters, immaculately filled with two shades of blue and bordered with an orange 3D drop shadow, reflect the writing that comes before it. This is a very classy production piece from these five artists. Bravo!
Goldie, Fade, Acer One, Jody and Dibz, Brunel Way, Bristol, August 2024
All year long, Dibz and Fade have been decorating this wall with alarming regularity, and they have been joined along the way in their endeavours by Andy Council, Jody and Acer One (amongst others) and this time are joined by Goldie, Acer One and Jody. A production tribute wall to honour the musician and DJ, Randall.
Goldie, Brunel Way, Bristol, August 2024
The whole production is very nicely balanced which given the configuration, which starts with a Goldie piece that embroiders the words ‘The R’. This is a really nice dedication and beautifully painted. The colour selection is reflected in the rest of the collaboration. It is always great to see Goldie visiting Bristol for a bit of a paint.
Fade, Brunel Way, Bristol, August 2024
Fade is next up and he has compressed his piece to accommodate Goldie next to him and support the balance I was talking about earlier. With the orange and turquoise letters, Fade has written the letters ‘DJ’ which are as immaculate as you might expect. Both sets of writing are adorned with flames, which extend for the entire collaboration.
Acer One and Jody, Brunel Way, Bristol, August 2024
The centrepiece is a shared space with Acer One lettering across the top of an outstanding Jody portrait of DJ Randall. Acer One has written ‘Too hot to handle’ which I am guessing is part of a slogan rhyming with DJ Randall. Not being a music specialist myself, I am unable to shed too much light on the artist or his work.
Jody, Brunel Way, Bristol, August 2024
The Portrait is a faithful and beautifully painted, and certainly a fitting tribute.
Dibz, Brunel Way, Bristol, August 2024
The production rounds-off on the right with a wide piece of wildstyle graffiti writing from Dibz. The Turquoise and orange letters spell Randall, so the whole production spells out:
“The R, Too hot to handle, DJ Randall”.
Wonderful stuff from this quintet of talented artists.
Abbie Laura Smith, Brunel Way, Bristol, August 2024
The game of hide and seek, hunting down wheatpastes from Abbie Laura Smith, continues with this moody piece on one of the skate ramps under Brunel Way. I really love this one, that offers more than her customary face portrait pieces. In this piece, the attitude and pose of the subject add so much more to the story, proving that body language makes up a large proportion of our signal communications. The drips add so much more to the ink work, creating interest. Still one or two more from this recent batch to come.
Sait Bare appears to be painting more often, or maybe I am simply seeing his pieces more often, either way, it is great to find his work. This piece took a couple of trips to record, because the first time I saw it, it was incomplete, and I had to return a few days later to see the final rendition.
Sait Bare, Brunel Way, Bristol, August 2024
It is interesing to see, from the work in progress, the layering and sequencing that Sait Bare undertakes in producing his work. This is not the first time that Sait Bare has used this particular design idea of presenting two entirely different colour schemes mashed up together in sections, and thee final effect is stunning, if not a little confusing.
Sait Bare, Brunel Way, Bristol, August 2024
The letters spell SAIT, and while the font is consistent through the piece, the background and fills most definitely are not. So the overall appearance is that one piece has been painted over the other and then half of it ripped down. You need to ask yourself which one was painted over the other? An interesting illusion.
I photographed this piece a little while back, in May this year actually, and was lucky enough to meet Pura Decadencia while she was painting. There is something very fulfilling about meeting artists while they are at work, and gaining little insights into their world and inspirations.
Pura Decadencia, Brunel Way, Bristol, May 2024
Although this is a classic piece of writing complete with vampire mouth and teeth, I believe it to be the tightest piece I have seen from her yet, with beautifully sharp borders and lines and strong, tidy fills and patterns. I absolutely love it, and can’t understand for the life of me why it has taken me so long to post it.
Once you get your eye in with a particular artist, you start to see their work scattered all over the place, as well as digging their stuff out of the archives. Nice One has been painting some great stuff around Bristol in recent months, and I am trying to catch up a little with their work.
Nice One, Brunel Way, Bristol, July 2024
This column piece under Brunel Way is a fabulous portrait, modestly placed out of the way by the DIY skate park. The pastel shades are difficult to photograph especially in the dappled light, but I think these pictures give some idea of just how good and different this sketch-like piece is. I am very much looking forward to Nice One becoming a regular contributor to Natural Adventures.
I think that this is the last in my recent series of wonderful paste-ups by Abbie Laura Smith – some I found, all of which I have now posted, and some I didn’t. The good news is that I believe Abbie is going to be ‘out and about’ in her words, soon, so that will be a lot of fun trying to hunt them down.
Abbie Laura Smith, Brunel Way, Bristol, June 2024
This portrait paste-up is notable for its inclusion of a pink/blue/purple colour wash in the subject’s hair. I have a feeling that there might be some concealed writing in the girl’s hair, although I can’t be sure. The portrait is beautifully drawn, and the girl has the faintest sultry look about her. This is a nicely crafted piece, well placed on one of the concrete columns underneath Brunel Way. I have a feeling it might still be there.
Dibz, Jody and Fade, Brunel Way, Bristol, July 2024
If ever you want an example of the perfect triptych graffiti writing/character portrait piece then look no further than this magnificent piece by Dibz, Jody and Fade underneath Brunel Way bridge. As always, these three have smashed it, and I just don’t know how many more ceilings they can break with their work.
Dibz, Brunel Way, Bristol, July 2024
Fade, Brunel Way, Bristol, July 2024
To the left, Dibz’ writing in black and pink is reflected on the right-hand side by Fade, where their writing is almost becoming indistinguishable except to the most experienced eyes. The key difference is that Fade’s letters tend to be ever so slightly softer than Dibz’. Both have created something special and finished it off with a splash of ‘liquid’ gold running behind the collaboration.
Jody, Brunel Way, Bristol, July 2024
Sitting pretty between the graffiti writing is this outstanding skull painted by Jody. One of the great benefits of Jody joining these writers over the last couple of years is that we get to see so much more of his work on the streets, which I dare say we wouldn’t see so much if he was painting alone. When I see Jody’s work, I am still baffled how he manages to get such extraordinary detail and texture using a spray can. A trio at the top of their game.
So, after a rush of high-end Upfest murals, I feel it is time for a switch back to some of the more grounded and authentic street pieces that are rolled out every day for those who choose to find them. This is a really nice piece of writing under Brunel Way, by Sorts.
Sorts, Brunel Way, Bristol, July 2024
Sorts presents some nice irregular letters, with a chrome base which are augmented with some really nice pink and purple fill sections decorated with red spots. The whole thing is nicely balanced and works really well. The letters are set on a creative green background with ‘cracks’ painted into it. Great honest stuff from Sorts.
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