The last time I posted about this spot, it was decorated with a collaboration between E.Lee and Copyright. Shortly after I blogged about the piece, it had been replaced by this Soker piece.
I rather like this simple burner by Soker. It is colourful, beautifully crafted and in some way humorous…I can’t quite put my finger on why though. Maybe it is the light fixture in the middle. I don’t know. I know that I like it though. I expect it has been over-painted by now though.
Voyder is an artist and wildstyle graffiti writer who I think is Bristol based, and often collaborates with Deamze and Soker. His website reveals little about him, but showcases his artwork beautifully. Known for his writing and art pieces in equal measure he has a strong presence in Bristol, and is a member of ASK.
His writing is distinctive in that it is usually in thin script, rather than the cryptic block style other Bristol artists use, and on a slant, much more like a handwritten signature. His work really stands out from the crowd, because of its distinctive style. I have a whole load more of his work stacking up and waiting to write about. We are very lucky in Bristol to have so many talented wildstyle writers, and walls for them to spray.
This is an older piece from the hoardings at Old Bread Street by Sled One. Although this is perhaps not his finest work, he crafts these in super-quick time, and I think freestyles them. In this work he has deliberately pixelated the artwork, which I have seen other artists do too. I am a big fan, he is young and has an amazing graffiti art career ahead of him.
I am hoping to get out tomorrow and find a more recent piece by Sled One in Stokes Croft, but I fear it might already be too late.
For some, it might be difficult to read these letters, but if you concentrate, you will be able to make out the letters of his name SLED. Sled One is a member of ASK.
Wilder Street is becoming one of the hottest spots for street art in North Bristol at the moment. Sandwiched between the the A38 and A4404 it is slightly off the beaten track and, for the time being, away from the main tagging areas, although I’m sure it won’t be long before they do their stuff here too.
I was surprised a few short weeks ago to find this lovely, and slightly eclectic, collaboration between T-Rex, Ryder and Aspire on the wall of a local small business. I haven’t yet featured any of T-Rex or Ryder’s work before, although I have seen a fair bit of it around. They tend to collaborate quite a lot, T-Rex usually spraying dinosaurs and Ryder writing his name. I don’t yet know very much about either of them, but will dig out more.
Aspire needs no introduction, and here he gives us one of his wonderful blue tits that he seems to favour. He is so prolific at the moment, that it is hard for me to post his most recent work. I have at least two more in the queue.
So we have three nice pieces, painted together, but I am not too sure how well they work together in the same space. Having said that, this is the kind of collaboration that makes the Bristol scene so special.
19When it comes to Deamze pieces, we have come to expect some complex and elaborate wildstyle work. It is not always the case though, and this is an example of a simpler style of piece that he produces from time to time.
More like a throw up (a rapidly produced and usually spontaneous work), this clean and simple piece demonstrates the full range of talent springing from the incredibly prolific Deamze. Bristol’s greatest writer?
To find an Inkie work is always a pleasure. To find one that is still fresh, and you can almost smell the paint is even better. This piece was obviously a bit of fun, because the walls here at Dean Land skate park are over painted pretty much weekly.
I have a feeling that a few artists came together to spray these walls together last weekend, because in addition to Inkie, Zesk and Hemper and Mr Draws had all sprayed pieces at the same time. I am finding out that quite often groups of artists will congregate and have graffiti fun together.
I still stand out as an observer of street art, because that is what I am. Very slowly I am learning a little bit more about the culture, the relationships, the taboos and the protocols of the graffiti community, but I will always be an outsider looking in. It is not a regret, but more of an observation. It also means that my naivety in this landscape is sometimes crushingly obvious.
I do this though because it gives me great pleasure.
This is a collaboration, or at least two pieces that were completed simultaneously, between Kid Crayon and Subtle. I have posted a great deal of Kid Crayon’s works, and once again he appears to have dispensed with his trademark crayon in favour of a spray can.
I know little about Subtle, and can’t think that I have seen his stuff before, or if I have, I haven’t registered it. This is a decent wildstyle burner. Both pieces have been in place for a month, and thus far respected by taggers. This seems to happen a lot with Kid Crayon’s work, it is rarely defaced.
As a combination these work well. I am a big fan of Kid Crayon, so these get a big ‘high-five’ from me.
This is a spot favoured by Eraze and his friends. As I have mentioned before the turnover of work at Dean Lane skate park is quite phenomenal. I photographed this piece at the beginning of April, and within a couple of weeks it was completely overpainted.
I think that there are quite a few similarities between the work of Eraze and Laic217, something to do with the bright colours and rough edges, combined with lettering and characters.
This is an amusing piece. I think the word spells ‘dope’… more drug references.
The master of wildstyle writing in Bristol is also known for his rather less elaborate burners, particularly in the Stokes Croft area. They all follow a similar structure and clearly show the ASK (After School Klub) tag. Another tag that these are often given is ‘oxygenthieves’ to which I must admit to knowing very little, although I think it has something to do with Soker, Epok and Old Hempsy – I would guess a crew, since they are all established Bristol writers.
I love these striking burners. They have such clear, crisp lines and colour contrasts that seem to work very well together. Stokes Croft wouldn’t be Stokes Croft without a DEAM loitering out there somewhere.
I have only seen one other piece by Zesk, and it is the rather lovely work on the side of the Three Tuns pub in Partition Street, near my work. This Burner contains many of the characteristics of Zesk’s work, including the stars and the colours, shading and black spots used. I guess the biggest give away though is that it says ‘Zesk’ in big letters.
This is a nice piece by a great artist. It is good to see that someone who is accustomed to doing commissions, still hits the areas where street art is tolerated rather than permitted (another way of saying not strictly legal).
Natural adventures 