4317. Greenbank (30)

On the long wall at Greenbank, which really is very long indeed, is this magnificent collaborative effort from Conrico and Rozalita. The writing and portrait combo is bursting with life and colour, and is rather spectacular.

Conrico, Greenbank, Bristol, March 2022
Conrico, Greenbank, Bristol, March 2022

To the left, Conrico has gone for some pretty wicked writing set on a fanciful sea, woodland and mountainous landscape. The letters have an animated feel about them and look lively on the calm and tranquil backdrop.

Rozalita, Greenbank, Bristol, March 2022
Rozalita, Greenbank, Bristol, March 2022

To the right, Rozalita is continuing on her extraordinary journey of improvement and diversification. The girl with a yellow face, green hair and red beret is arguably one of her best portraits yet, and is a perfect example of how far she has come in a relatively short space of time. We are spoilt in Bristol to have Rozalita and her amazing portraits appearing all over the place.

Conrico and Rozalita, Greenbank, Bristol, March 2022
Conrico and Rozalita, Greenbank, Bristol, March 2022

Overall this is a lovely, cheerful collaboration. I look forward to so much more from both artists.

4253. Greenbank (25)

I think the thing I love most about this outstanding piece from Conrico is that it is probably the most surprising subject for street art imaginable. A Japanese takeaway sushi meal, still in its plastic container, is either completely bonkers or utterly inspired, and I prefer to err on the side of the latter.

Conrico, Greenbank, Bristol, February 2022
Conrico, Greenbank, Bristol, February 2022

There is no question that this is brilliantly painted in Conrico’s paint brush style, the plastic transparent box alone is worth a mention. Take a look at the delicacies inside the box, and you will notice that they spell out Conrico Steez, the full signature of the artist. I love, love, love this creative food fiesta – bravo!

4236. New Stadium Road (38)

I never seem to find nearly as many Conrico pieces as I know are out there, he hides them away from the usual spots. This one however is in a place I visit regularly and is a cheerful and fun piece of writing.

Conrico, New Stadium Road, Bristol February 2022
Conrico, New Stadium Road, Bristol February 2022

There is a lightness and joy about Conrico’s work, and an illustrative rather than hard-core graffiti style. The colour combinations in this piece are ones he has used before and he seems to be comfortable painting with them. I am always on the look out for his work and it is great when I chance upon a new piece.

4151. Brunel Way (137)

An artist whose work I really rate, but never seem to have many photographs of is Conrico, or Conrico Steez as he signs himself. I think that part of this discrepancy is that he paints many of his pieces in places that I don’t tend to go all that often. Anyhow I managed to snap this rather fun column piece under Brunel Way recently.

Conrico, Brunel Way, Bristol, December 2021
Conrico, Brunel Way, Bristol, December 2021

If I am honest, circular column pieces are a pain in the backside because of the difficulty in capturing the whole thing in one shot. I often think that it would be good if phones could do panoramas the opposite way round… if that makes sense, then columns would be a piece of cake. The character face has that Conrico life about it, derived from the style he uses which is like drawing with spray paint. Good to see.

3781. M32 Spot (117)

Conrico is an artist who seems to do most of his painting in The Easton area, and so I assume he lives locally. As well as painting some of the regular spots, he also sprays in places I don’t know about in Easton, so I have a job to do, when I have time, to hunt some of these down. Thankfully recent piece is on a column in the M32 Spot and was easy to find.

Conrico, M32 Spot, Bristol, June 2021
Conrico, M32 Spot, Bristol, June 2021

Conrico has a fairly unique style that often looks more like illustration than street art… it is something to do with his ‘brush strokes’ and compositions that makes his work unique. On this fine column piece Conrico features a smiley set on a background of multicoloured Smokey vapours. An unusual and rather likeable piece.

3742. Cattle Market Road (8)

The extraordinary pieces on Cattle Market Road from last summer were beginning to get a bit tagged up and have recently been fair game for new work. This is one of the new collaborations to appear there, by Acer One and Conrico.

Acer One, Cattle Market Road, Bristol, May 2021
Acer One, Cattle Market Road, Bristol, May 2021

It seems to me that Acer One is pretty much up for collaborating with anyone in Bristol who can chuck paint at a wall. Here he gives us a ‘LAZY DAZE’ block of writing in his geometric font on a beachy backdrop painted by Conrico. Acer One’s letters always play tricks with my eyes, sometimes when I look at the lettering it is completely flat pattern and I can’t make out the shapes, other times, if I stand further back, the 3D effect kicks in. Very clever stuff.

Conrico and Acer One, Cattle Market Road, Bristol, May 2021
Conrico and Acer One, Cattle Market Road, Bristol, May 2021

Conrico is a busy artist who paints loads of walls, but often in places unfamiliar to me, so he is somewhat underrepresented in Natural Adventures. In this collaboration Conrico has created an island paradise setting with some fun elements such as the exaggerated wave and little yacht, and the crab waving a placard which reads ‘Oli T, Conrico Steez, Acer One’. Which brings me to the point of the piece, which is a tribute to Oli T’s original Lazy Daze piece painted in Kingsdown in the early 1980s, one of the earliest spray can murals in the city (information taken from Acer One’s Instagram thread).

3547. St Werburghs tunnel (230)

I was looking in my archives for something specific a few days ago and within moments was absorbed, sucked in, to folders from years ago. There are so many good and interesting pieces I have photographed over the years that have never made it into the blog. The next few posts are an attempt to adjust that imbalance, just a tiny amount.

Conrico, St Werburghs, Bristol, October 2018
Conrico, St Werburghs, Bristol, October 2018

Starting with this one from Conrico in the tunnel back in 2018, which I think might even pre-date the first piece of his that I posted. I’m not too sure what this character is or represents, but he seems to be enjoying his smoke. Colourful and tidy work from Conrico, whose style while being quite unconventional is most compelling.

3493. M32 Spot (106)

This excellent piece from Conrico is part of an unlikely three-way collaboration from Ryder, Soap and Conrico himself, tucked neatly under the M32 motorway. The piece is an incredible mash up of Elmer Fudd and Bugs Bunny, where the former seems to have been a little careless with his shotgun.

Conrico, M32 Spot, Bristol, February 2021
Conrico, M32 Spot, Bristol, February 2021

This is a fine piece that showcases Conrico’s distinctive style so well. There is always a lot of movement in his pieces, illustrated with fluid lines, rather than the cleaner stiffer lines adopted by other character artists. It is especially nice to see this, because I have sometimes had some difficulty finding recent pieces by him.

3406. Frome side (4)

I managed to get out to do some street art photography during the Christmas break without the dog. That meant that I could clamber down into the Frome side spot, which is behind and below the M32 Spot, with only my own safety to think about. The trip was well worth it, and I expect to post several pieces from this cavernous location in the coming weeks. One of the first pieces I saw was this rather nice burner from Conrico which I believe he had only painted the day before, so I was there at just the right time.

Conrico, Frome side, Bristol, December 2020
Conrico, Frome side, Bristol, December 2020

For one reason or another I haven’t seen much Conrico work for the last few months. I think he has been painting a fair bit, but just not in the places that I tend to go to. The piece was painted during a particularly wet couple of days and is a warming fire set in a stormy sea kind of background. I like the piece very much, it has an untamed feel about it, bursting with colour and emotion. The message ‘F*ck the rain away’ tells its own story of frustration. Great to find.

3244. John Street (8)

I would like to capture more of Conrico’s work than I do, but he tends to paint a lot in places that I don’t go to very often or at all, so it is always great to find a piece like this one in an archway in John Street.

Conrico, John Street, Bristol, September 2020
Conrico, John Street, Bristol, September 2020

This open air gallery is one of the most refreshing things to happen on the legal wall side of things to happen in Bristol for a long time, and I hope that when the development is finished that the gallery is continued, although I am not optimistic. The piece itself is a little bit weird and I am not too certain what is happening. The central character with big hair appears to be telling the bugs not to touch the light, or he is being warned not to touch the light. Either way, touching the light seems to be a bad idea. This is an unusual pieceand I’d love to know more about the story behind it.