There are many artists in Bristol who have created their own unique stamp or style, but none more so than Nugmoose, whose surreal alien pieces entertain and confuse in equal measure. This is a recent one from the long wall in Cumberland Basin.
Nugmoose, Cumberland Basin, Bristol, May 2023
I am not even going to attempt to decipher what is going on in this piece, but it is a mash-up of alien writing, plant-life, hoofed legs and a human face. The whole thing, painted in soft tones, hangs together nicely, and demonstrates so clearly the breadth and depth of street/graffiti art in our city.
It is a remarkable thing, but I continue to ‘find’ graffiti writers and street artists, only to discover that they have been around for years and that they just haven’t been on my radar at all. One such artist is Still, who I met about a week ago, and since meeting him I have found two of his recent pieces. How does that work? And how many do I have in my archive?
Still, Cumberland Basin, Bristol, April 2023
Still is obviously an accomplished writer, and when I met him, he was coaching Maes, another artist I haven’t yet featured on Natural Adventures. This is a very busy piece, spelling out STILL, with a great overall shape and dynamic fills, finished off nicely with a clean red border. Watch this space for more from Still.
A weird thing I have noticed about my last three posts is that the three different featured artists’ names all end in ‘OE’. Logoe, Turoe, and in this post, Pekoe. What are the chances of that? We are used to seeing Pekoe’s stylised portraits, but her last couple of pieces have been graffiti writing instead. Perhaps she feels like a bit of a change.
Pekoe, Cumberland Basin, Bristol, April 2023
I think the most noticeable thing about this piece is the colourful fills in the letters, which are painted in a fairly random and unruly fashion. Features that are common with her portraits are the tears and little diamonds, adding interest. Although I like the fact that Pekoe is doing something different, I do prefer her portraits, which bring out her strengths.
If anyone can tell me what is going on here, then I doff my cap to you. Some fabulous anti-style graffiti writing from Taboo with a pink flamingo holding a Halfords bag in its bill, and the words “I’m Champa(i)gn, you… Lambrini”.
Taboo, Cumberland Basin, Bristol, April 2023
The colours here are striking without being gaudy, and I have to say I love that red colour, and I think it works very nicely on the light blue background. The whole thing feels slightly anarchic or eccentric – it would be nice if there was a word that meant both of those things – ‘anarcentric’ perhaps. More great stuff from Taboo.
Klashwhensober, Cumberland Basin, Bristol, March 2023
Klashwhensober continues to paint frequently, and in as many spots as he can find. These two pieces are from Cumberland Basin, in slightly different places. The first piece, on a virgin wall, is rather noticeable as it is on the side of one of the buildings that have something to do with the lock gates into the Floating Harbour. Definitely an edgy spot.
Klashwhensober, Cumberland Basin, Bristol, March 2023
I was fortunate enough to catch up klashwhensober while he was painting this rather nice blue piece. Strangely, this was our second encounter in two days, after a long period when our paths didn’t cross at all. We got talking a lot, and it turns out that we have more in common than we might have thought, including attendance at the same school in London, although at completely different times.
Klashwhensober, Cumberland Basin, Bristol, March 2023
The piece itself is fairly straightforward, spelling SOBER with nicely defined letters and plenty of designs in the fills. There are no ‘explosive’ elements in the writing, which has been a bit of a trend recently, but it is nicely done nonetheless.
Klashwhensober, Cumberland Basin, Bristol, March 2023
For a little while now, Peggy has been brightening up dark corners of our streets with her beautiful floral designs. This small piece is on the warehouse on the opposite bank of the river facing the Riverside Garden Centre. I don’t wander alongside the warehouse, so am not too sure how long the piece has been there. It is still looking pretty fresh though, however old.
Peggy, Cumberland Basin, Bristol, March 2023
Peggy’s style is instantly recognisable with its flowing shapes and beautiful tones, more often than not, an eye makes its way into the composition. It is easy to see the crossover between Tattoo art and street art in her pieces. This is a little beauty.
Naturally, whenever SkyHigh comes to town, Roo will be with him, as they are partners as well as painting partners. This ensures that we receive a double hit of great artwork from two wonderfully talented artists, each time they come to Bristol.
Sky and Roo 0007 5 March 2023_edited
This is a beautifully executed and framed piece from Roo, featuring a dog with a spray can. What I love about Roo’s work is that everything is perfectly finished. There are no rough or blurry edges, no see-through fills, and the composition is always first-class. The cartoon style is perfect for her animal characters, and there is always a sense of fun in her work.
Roo, Dean Lane, Bristol, March 2023
On this occasion, Roo left behind some extras, one of them a few yards away from this piece, another in Dean Lane and a small cat piece in the middle of the M32 roundabout. She and her other half can come back any time they like!
Back to the here and now, I bring you this magnificent large piece from the visiting SkyHigh. Although it was only painted a few days ago, it has already been painted over, which I have to say I find a little disrespectful, but I guess most graffiti writers don’t know how long the piece they are overpainting has been there. Some though are resentful and malicious and deliberately target work superior to their own to exert some kind of childish power… when that happens we are all losers.
SkyHigh, Cumberland Basin, Bristol, March 2023
Sky High has absolutely nailed his style of writing, choosing different block styles for each letter of the word. He also manages to keep everything so clean and tight, even down to the white frame for this piece.
SkyHigh, Cumberland Basin, Bristol, March 2023
The colour selections are great and there is an element of symmetry in their deployment. I particularly like the style of the ‘Y’, which I think is probably the most challenging letter technically in the piece. I’m already looking forward to his next visit to Bristol (with Roo, of course).
Marckinetic, Cumberland Basin, Bristol, March 2023
I’ve not posted much from Marckinetic for a while, and that might be because he tends not to paint all that regularly. I might have missed a recent piece in the tunnel, but will have to correct that omission.
Marckinetic, Cumberland Basin, Bristol, March 2023
This is a typical piece from Marckinetic writing in his unique style, set on a cosmic backdrop. I would like to think that his letters spelled out Mark, but I really don’t know, and I haven’t yet met him to ask. The pink arrow features on either side frame the piece really well, and you can imagine that the piece would be poorer without them. These ‘extras’ are what sets people above the ordinary.
I haven’t seen a character piece from Werm for quite a while, so it was really great to find this one in the little tunnel at Cumberland Basin. Werm has definitely been concentrating on his writing, which has been going from strength to strength, but I have to say that I miss his characters, because they brought something a little different to our streets.
Werm, Cumberland Basin, Bristol, February 2023
In this piece, Werm hasn’t entirely dispensed with his letters. The skull makes up the letter ‘R’ in the three-letter acronym LRS – an international crew that Werm belongs to, called Last Radical Souls. The shading work on the skull and letters is beautifully executed, and the white border is nice and sharp. This is another great piece by Werm.
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