One of the things that I really like about Peggy’s floral works is that she likes to occupy little niches or modest walls, rather than commanding a large ‘in your face’ space. I think that these smaller spots lend themselves really well to her finely crafted designs, which she can adapt to the selected space, which is more difficult to do with writing or character pieces.
Peggy, Dean Lane, Bristol, June 2023
I am not a big fan of brown and dark colours in street art, don’t ask me why, it is a personal taste thing, but in this case, Peggy has worked her magic on me and I like what she has done. Her floral pattern, naturally, has an eye at the centre, keeping watch over the skate park. Lovely work from Peggy, who perhaps ought to have a gallery on Natural Adventures – watch this space.
Mudra, Kosc and Saor, Dean Lane, Bristol, June 2023
This is an absolute epic piece that didn’t last nearly as long as it deserved, and the artists who over painted it should have, in my view, been a little bit more respectful, however everyone knows it is a jungle out there. The Wild West triptych is by Mudra, Kosc and Saor, all of NTS crew.
Mudra, Kosc and Saor, Dean Lane, Bristol, June 2023
I managed to catch up with the artists while they were painting the piece, and watched as they went about it. There was a lot of planning involved, and they managed to get the proportions right to take out the whole wall in magnificent style.
Mudra, Dean Lane, Bristol, June 2023
To the left, and adopting the collaboration colour scheme, Mudra has written his name in reverse, I mean why not? The letters, in a block style, with each having a different design, a la SkyHigh look like a jumble of rocks in front of a saloon, on which Kosc and Mudra have left tags.
Kosc, Dean Lane, Bristol, June 2023
In the centre Kosc has painted a wonderful generic western portrait piece, pointing a smoking six-shooter at the viewer. I asked him if it was anyone in particular, and he said that it wasn’t, which saved me having to guess when writing it up.
Kosc, Dean Lane, Bristol, June 2023
Completing the triptych, Saor has painted yet another tight, highly graphic set of letters, which closely resemble Epok’s style of writing, but with his own unique stamp. On the buildings on this side, the crew name NTS and a Saor tag adorn the facade. The piece is so clean, and the colours perfectly matched – his work is stepping up to a higher level, without doubt. this is such an impressive epic piece which it is unusual to see outside of a festival, so the boys did really well. Bravo!
Mudra, Kosc and Saor, Dean Lane, Bristol, June 2023
One of the first street artists/graffiti writers I met, way back, was Jee See, while he was painting a column under the M32 motorway. He was really happy to talk about his work and was very welcoming, giving me the confidence to keep going with my blog.
Jee See, Dean Lane, Bristol, June 2023
This ‘seismic’ piece on the famous curved wall in Dean Lane makes me laugh, because it illustrates the importance of bringing a ladder or finding something to stand on when painting tall walls. Jee See’s familiar block letters with 3D drop shadows diverging halfway through the piece have been a steady feature of the street art scene for some years, although he doesn’t appear to paint all that often these days. The piece presents well, with white letters on a black background – nice and simple.
Corupt is another of the Bristol stalwarts, whose work is consistently on-point and pleasing to the eye. This vibrant yellow piece spelling out STICK (one of two monikers the artist uses) is painted on one of the smaller ramps in the Dean Lane skate park.
Corupt, Dean Lane, Bristol, June 2023
What I particularly like about this piece is that when I photographed it, it was still quite fresh. Skate park ramp artwork usually deteriorates reasonably quickly for obvious reasons, and it is unusual to find pieces in good condition. There is nothing flashy or pretentious about this piece, and yet it still packs a punch and makes an impression.
Cheo has definitely woken up from a reasonably long quiet period, and it would appear that his friend and painting collaborator Dibz has ha something to do with it, at a guess. The two have combined to create this wonderful picture-frame piece featuring a Vaughn Bode lizard by Cheo and tight writing from Dibz.
Cheo and Dibz, Dean Lane, Bristol, June 2023
The influence of Vaughn Bode on the graffiti art scene has been quite extraordinary, and continues to be as vibrant now as when the artist himself was alive. Che’s lizard is perfectly drafted with a lot more perspective and depth than some renditions I have seen. The bee, of course, is lovely too. Dibz has gone for some rather more basic writing than we are used to seeing, but it is just so perfectly executed, flawless I would say. This is a very good collaborative wall from two of Bristol’s finest artists.
I am under a bit of pressure today, lots to do before heading off for York this afternoon for a conference tomorrow, so I’m afraid this is going to be a short one. I met Raid a week or two back while he was painting his new writing style on the M32 roundabout, a piece that was overpainted before I got to see it completed. He told me that he was really enjoying his new letter style and was drawn to the symmetrical elements in it.
Raid, Dean Lane, Bristol, June 2023
This one behind the railings at Dean Lane. The symmetry is a rotational one, where the R and the D are similar and the A and I are too. If you spin the piece around a central point, it would look the same upside down. I love to see artists experimenting and growing. Expect to see more from Raid this summer.
It might be the colour palette, I don’t know, but there is something about this piece that instantly grabs you and says ‘hey, I’m special’. Hire’s work will be a familiar to regular readers of Natural Adventures, and he is one of my favourite graffiti artists in Bristol, and I think that what he has done here is exceptional.
Hire, Dean Lane, Bristol, June 2023
Three things stand out for me in this piece. The first is the colour selections for the letters and the background and the way they complement each other so well – very pleasing to the eye. The second is the almost imperceptible difference in colour shade used for the H and R, compared with the I and E of his name, so subtle and so clever. Finally, I think that the little squiggles surrounding the letters are brilliant and remind me of a visualisation of Brownian motion. Each of these elements lift the piece from being great to exceptional.
We see a lot of collaborations in Bristol, but most tend to be collaborative walls in which some elements of colour or design are shared by the artists. Occasionally, artists paint a piece that is what I would call a true collaboration, where the single piece is a fusion of their work. This piece by Mudra and Saor, or is it Saor and Mudra, is a perfect example of a fusion collaboration.
Mudra and Saor, Dean Lane, Bristol, June 2023
The overall writing spells out SAOR, and at first glance I thought it was a Saor piece, but look a little closer, and you see the Mudra elements emerge, for example the @ symbol, the pixelated arrow and mask. The whole piece is sh sharp and tidy, and Saor has incorporated some fascinating textures, like the granite effect and night sky with a full moon. A superb piece of work from the NTS friends.
This outstanding piece by Dibz was painted alongside Werm and Veeez, both of whom are edging towards the ‘top table’ when it comes to collaborations. I have genuinely run out of things to say about Dibz and the quality and creativity of his work, and am tempted to not write too much more but simply let you enjoy this piece, which is so easy on the eye.
Dibz, Dean Lane, Bristol, May 2023
Dibz’ confidence and talent allow the viewer to wonder at the detail of the piece in the knowledge that absolutely everything is perfectly finished. The addition of pixels and stars embroiders, what is already an outstanding piece of graffiti writing.
#DFTE is having a bit of a renaissance at the moment, creating some nice work in his unique and humorous philosophical style. In this piece, he has joined forces with Fishlock to create this vibrant collaboration on the famous curved wall in Dean Lane.
#DFTE and Fishlock, Dean Lane, Bristol, June 2023
In nature, black and yellow colouring often denote danger, not so in this piece where #DFTE has written the phrase, ‘you are not alone’ – a comforting and caring message. The decorations around the writing is by Fishlock and carries several of her favoured motifs. This is an eye-catching piece from the pair, painted during a recent Bristol Mural Collective paint jam.
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