Tian’s visit to Bristol filled me with excitement, and the ‘treasure hunt’ he left behind on East Street, left me with a very memorable hour or so while walking the dog a few weeks back. His wheatpastes may go unnoticed by many, but not by me.
Tian, East Street, Bristol, April 2025
The Japanese lady in a kimono is taken from a piece called ‘le kimono d’invisibilité’, and just looks so incongruous with its surroundings and yet blends in as if she has always been there. A stunning piece from an artist who has mastered content and placement. One of the very best.
Ivan Tortajada, Upfest 2024, East Street, Bristol, May 2024
Ivan Tortajada is a Spanish artist from Valencia whose stylised portrait pieces are unusual and fantastical. You can only fully get a feel of his work by checking out his website, which I thoroughly recommend. In this Upfest piece, he has cleverly brought together two characters on perpendicular surfaces and incorporated the large caterpillar that has occupied this wall for as long as I can remember.
Ivan Tortajada, Upfest 2024, East Street, Bristol, May 2024
The portrait on the left is painted with warm colours in his highly illustrative style. The character appears to be glancing at the caterpillar and is holding a lighted match, I hope without malicious intentions.
Ivan Tortajada, Upfest 2024, East Street, Bristol, May 2024
The adjacent portrait is in colder blue colours is also looking on at the caterpillar and appears to be holding a disc that the bug is resting on. The portrait is beautifully worked with stripes of graded blues, and a touch of yellow where there is reflected light. This is a beguiling piece and one that so cleverly fits into the selected spot, working with the existing caterpillar, rather than against it.
A rare foray into a part of Bedminster last week, looking for something that wasn’t there, led me to East Street, long after the shops had shut, which meant only one thing, a glimpse at closed shutter artwork that I hadn’t even been aware of before and which might have been there for some time. Among the discoveries was this gem from Andy Council.
Andy Council, East Street, Bristol, August 2023
From the signature, it looks like Andy Council painted this composite dinosaur piece in 2022, so it is possible that it was painted as an extra piece for Upfest, but more likely it might have been a permitted or commissioned piece from the shop store owners. As with much of Andy Council’s work, the whole monster character is made up of different components, including buildings and mechanical joints. He has thrown in a few toadstools for good measure too. I was most happy to come across this, especially as the things I was looking for didn’t even seem to exist.
I went on a bit of a wild goose chase last week looking for some boards in Bedminster, but was completely unable to find them. The walk, however, took me to East Street after working hours and all the shops were closed, and I was in shutter heaven.
Taboo, East Street, Bristol, August 2023
This shutter piece by Taboo, which I think is unlikely to be a commission, but you never know, spells out Boser, the significance of which passes me by. The anti-style letters are accompanied by an anti-style cartoon Tom cat from Tom and Jerry, with four ‘echo’ faces adjacent to the first. Typically anarchic and somehow charmingly comforting, this Taboo piece ticks all the right boxes. I am not too sure about the orange figure 8, which isn’t a motif I have seen in his work before, and I believe it to be a subsequent addition by a tagger, although the orange does match the letter ‘B’ in his signature. A mystery.
One of my favourite Bristol artists is Sepr, and it is great to see him embracing Upfest this year. I can’t recall any Upfest pieces by Sepr before, but I might well be mistaken. This is a prominent wall at Upfest, with plenty of opportunity to see it head on from a distance, as anyone driving from North Street to West Street will know.
Sepr, Upfest 22, Bristol, June 2022
The previous occupant was another Bristol artist, Cheba, so it is nice to get that local continuity. Sepr has painted a whole load of people out and about, perhaps reflecting the diversity of people attending Upfest. What is fascinating is that each of the characters is telling a different story; some seem anxious, some unhappy, some happy, some busy and some simply chilling. It is incredible to get so many contrasting emotions into one piece. This is an outstanding piece from Sepr, and what a joy that it will probably remain in situ until the next Upfest.
What a genuine pleasure it was to meet Roo for the first time while she was painting this magnificent shopfront piece for Upfest’s 75 walls in 75 days event. It would seem that her allocated spot, a pet shop on East Street, was the perfect match for her animal inspired work.
Roo, East Street, Bristol, July 2021, Upfest 21
Roo was able to show off her skills over the entire outside space of the pet shop, which is not inconsiderable, and so we, the viewers, are getting four animal pieces for the price of one, starting with this superb mouse/rat tucking into a fairy cake.
Roo, East Street, Bristol, July 2021, Upfest 21
On the largest panel of the shop, Roo has painted this sleeping dog which is dreaming about ‘Rrupfest’. In this piece you can see that the clean lines and solid fills are expertly finished and the light brown shading (in cartoon style) gives an additional 3D feel.
Roo, East Street, Bristol, July 2021, Upfest 21
On the next panel of the shop is a goldfish in a bowl taking a selfie as if it were a holidaymaker on a beach. The piece is full of wit and charm and rather unfortunately obscured by a wheely bin, the scourge of street photography.
Roo, East Street, Bristol, July 2021, Upfest 21
The final bit of wall to be painted by Roo is a fat cat enjoying some popcorn and taking in a 3D movie with its cardboard lenses. The whole wall is a triumph for Roo whose work is a perfect fit for this kind of spot. It is great to see that since she painted this, Roo has visited Bristol again and left us a gorgeous lion, to follow soon.
Finding pieces like this one adds to the genuine fun of hunting out street art. I was on a bit of a wander in Bedminster and I took a look up a little alleyway I hadn’t noticed before, and my reward was this new graffiti piece by Pura Decadencia. I am guessing it is new, because the artist posted it on her Instagram account a day or two later.
Pura Decadencia, East Street, Bristol, September 2021
Pura Decadencia has been quite quiet lately, but that might be simply because she doesn’t paint walls all that often, which makes finding this one all the more satisfying. This is graffiti art at its very best – unexpected and sprayed directly onto an unprepared wall. The piece features a mouth with vampire teeth and long tongue, a theme that she returns to again and again. I love this raw piece.
I am well acquainted with the work of Cheba whose intergalactic spacescapes have become something of a speciality for him and which adorn several buildings around Bristol. However, in this piece for Upfest’s 75×75 event, Cheba has gone all Day-Glo on us, and it certainly has made an impact.
Cheba, East Street, Bristol, July 2021, Upfest 21
I must confess to not being a big fan of Day-Glo colour schemes, because they remind me of some of the dodgier aspects of 1980s design and fashion that are probably best left behind. Having said that, I do think that this is an energetic and interesting mural and has already become something of a landmark in the area. Great to see a new piece from Cheba, who has been fairly quiet over the last year or so.
This is a magnificent new wall for Upfest 2018, just off East Street and pretty much perfect for large ‘permanent’ pieces by some well known artists. First up is this magnificent portrait by Koeone.
Koeone, Upfest, Bristol, July 2018
I am not sure I have come across the artist before, which is a bit of a surprise because he lives and works in North Devon, not a million miles from Bristol. This is typical of his work which features greyscale photorealistic portraits of women with pink and blue lettering and icons on the top of the head.
Koeone, Upfest, Bristol, July 2018
The final product is really classy and all the better coming from a self-taught artist. Koeone shares this wall with Nol, Hull Graffiti, and Voyder amongst others. Real high quality stuff. Definitely worth a visit.
Usually I curse bright sunlight and shadows when I am photographing street art, but on this occasion I think it adds to the picture. To me it feels like this blue bunny by NEVERGIVEUP is lurking or hiding in the doorway trying not to be found.
NEVERGIVEUP, East Street, Bristol, April 2018
I would never have found this rather charming rabbit if I hadn’t run into NEVERGIVEUP when he was in Dean Lane skate park, prepping a wall, and struck up a conversation. He told me where this piece was in the context of a conversation during which I remarked on the fact that I liked the way he seems to spray absolutely everywhere in Bristol that he can find a wall, most other artists tend to stick to their favourite places. Bristol is becoming a bit of a warren to NEVERGIVEUP’s bunnies, which is a good thing.
Natural adventures 