I was up at Dean Lane yesterday, and although this picture is from a while back, the little face by Mutatee is still there which is great news, because all too often installation pieces get vandalised or stolen.
Mutatee, Dean Lane, Bristol, October 2019
When I see this face it reminds me of the little toys of the 1970s called Gonks although with teeth, which I don’t think they had. I love these little curiosities that Mutatee has glued to various walls in Bristol, and I will continue to hunt them down. I do think that she needs to find a translucent glue though, as the white one used here is a little bit distracting. Always fun finding these.
This is quite a rare piece by the mild-mannered Face 1st, because he doesn’t very often get political, but this piece has been painted to show the artist’s despair over Brexit. It is a sentiment that will chime for the majority of Bristol citizens who voted overwhelmingly to remain in Europe.
Face 1st, M32 roundabout, Bristol, October 2019
I share the tears being shed by Face 1st’s subject and they are tears that reflect a sadness that our country is so divided, more so than at any time in living memory. The UK is shattered, and we can be pretty sure that the outcome of leaving Europe will be several more years of austerity (haven’t we had enough? – as a public sector worker, I’ve not had a more than 1% pay rise for a decade), the break up of the Union, with Scotland the first to go, and a vast and costly new domestic bureaucracy (replacing the one in Europe) just to manage our trade relationships and regulations that will be required for each nation we trade with. I wish I could wake up from this nightmare. Face 1st’s piece says it all really.
I love my little trips through my archives every now and again, and the recent weather has dictated that fewer new pieces are being painted and this has given me the tiniest bit of space to dig up some gems. This is one from Lobe from April this year before I knew who the artist was.
Lobe, St Werburghs, Bristol, April 2019
Regular readers will know that I am going through a bit of a Lobe ‘period’ in Natural Adventures, and am very much enjoying her work. Adopting her usual style of a stylised portrait filled with bold solid colours, this is typical of her work. There is a lot more to come from Lobe, I am sure of it and I am looking forward to watching her work develop.
One of the most welcome sights on any wall in Bristol has to be the beautiful form and colours of a Tasha Bee stylised face. Distinctive and full of serene character, her work, to me at least, feels like it is very ‘Bristol’ if that makes any sense at all, even though I think, like me, Tasha Bee is not a native Bristolian.
Tasha Bee, St Werburghs, Bristol, September 2019
It would be easy just to focus on the face of this piece at the entrance to St Werburghs tunnel, but that would ignore the fine hair ornament with joyful colours radiating out from a central circle. Unfortunately the piece had been tagged by the time I got to see it… I just don’t understand the point of tagging something as beautiful as this, is it some kind of assertion of dominance from people who are natural undear-achievers? It is difficult to know.
It is a great pity that I didn’t manage to photograph this piece by Slakarts before it got scuffed up (an occupational hazard for any paintings in a well-used skate park), because it is difficult to make out the true beauty of it. Although I have a few of his pieces in my archives, this is only the second of his pieces that I have written about. Probably about time to break some of his older pieces out.
Slakarts, St George, Bristol, September 2019
His work often features a face in this style that rather resembles a mask. The subtle colours he has used here are probably more prone to skateboard damage than something that might have been a bit brighter but you can nonetheless get a sense of the rather solemn face. The drips are intentional. More to come from Slakarts soon.
In my favourite recently discovered spot, St Mark’s Avenue in Easton, is this great collaboration between Soap and Zake which I had seen previously on Instagram, but never knew where it was. Well now I know.
Zake, St Mark’s Avenue, Bristol, September 2019
On the left is a portrait by Zake that unusually for this alleyway has been altered by some idiot, goofing the eyes and the lips This is a real shame because it gives the character a completely different and rather sinister ‘personality’ than that of the original. Even though it has been altered, I felt it worth including, partly to demonstrate that not everything I get to see is in its perfect pristine state and also to explain why I try to get out regularly to find new pieces before they have been tagged or ruined.
Soap, St Mark’s Avenue, Bristol, September 2019
On the right is some colourful and uplifting writing fro Soap. The photograph is a little bit rubbish, partly because of the rather unhelpful wheelie bin and also because of the width of the lane at this point is quite tight and ‘front on’ pictures are an impossibility without a wide angle lens. Unlike much of the work in this lane it is relatively recent and was painted this year. As an aside, the tag on the bin is one that can be found pretty much everywhere in Bristol – I don’t know the tagger’s name, but it is probably concealed somewhere within the tag.
Hurrah… another piece from Lobe, an artist whose work is instantly recognisable and really stands out from the crowd. It is the boldness and simplicity of her pieces that really appeal to me, but take a little look a bit closer and you can see the thought that has gone into the shading and lines that make her style so distinctive.
Lobe, M32 roundabout, Bristol, September 2019
Finding her work is still hugely rewarding as they are relatively rare, but I am sure that over the coming weeks and months we will be seeing plenty more from this emerging talent. Hit me with those big colours!
An artist who just never seems to stop, and the number of posts on Natural Adventures featuring his work would evidence that, is Face 1st. In recent weeks he seems to have reverted to his charming portraits and hair spelling out FACE after experimenting with full body characters, always female, during the summer. I like it that he is stretching his ‘portfolio’ and that he remembers where he has come from too.
Face 1st, Upper York Street, Bristol, September 2019
This one on Upper York Street, adjacent to Hazard’s wonderful frog, is full of soft subtle tones that contrast with the brighht pink background. I’ve rarely come across a piece by this artist that I haven’t liked.
What a wonderful piece. This is Face 1st at his traditional best. It was pieces like this that first attracted me to the work of this Bristol artist, and although he has diversified his subjects a little this year, this one is right back to his core work and rather comforting for it.
Face 1st, M32 roundabout, Bristol, September 2019
The piece is clean and fresh, it has a crispness about it. The colours in the hair, spelling out FACE, are nicely selected and contrast strongly with the yellow surround. So good to see a piece like this in one of his favourite haunts.
Finding a gem is always most gratifying and discovering this beautiful understated piece by Gvnly was a real treat. I had been aware of the piece via Instagram, but had no idea where it was and stumbled across it on a random lunchtime walk – often the best way to find new pieces. I have met Gvnly a couple of times, and he has been kind enough to offer tips and advice for which I am most grateful.
Gvnly, Little Paradise, Bristol, September 2019
This little piece is so beautifully executed and almost falls into the category of micro-art. Not only is the subject really interesting and skilfully painted, it is also framed perfectly… it is as if this space was always meant to be Gvnly’s. Lovely piece.
Natural adventures 