2567. Dean Lane skate park (263)

When I saw this little collaboration from Tasha Bee and Stupid Stupid Meathole, my first thought was that it looked a bit old and weathered, and I wondered if I might have overlooked it on previous visits to Dean Lane… in other words I have absolutely no idea when it was painted.

Tasha Bee, Dean Lane, Bristol, October 2019
Tasha Bee, Dean Lane, Bristol, October 2019

The collaboration is bookended with two beautiful faces from Tasha Bee and filled with what looks like the word ‘meat’. These two have collaborated before in the past, but not for some time. In fact I don’t recall seeing much from Stupid Stupid Meathole for quite a long while.

Tasha Bee, Dean Lane, Bristol, October 2019
Tasha Bee, Dean Lane, Bristol, October 2019

I’ll always have time for Tasha Bees stylised faces and am equally fond of SSM’s rather grotesque figures. This piece of writing though is quite uncharacteristic because there is lots of colour, not just the single pink SSM usually uses. A nice low-key collaboration.

Stupid Stupid Meathole, Dean Lane, Bristol, October 2019
Stupid Stupid Meathole, Dean Lane, Bristol, October 2019

2562. Brunel Way bridge (24)

Wow, wow, wow. Face 1st is really going for this new look girl’s face with tears flooding from her sad eyes. This is the third crying piece I have posted recently and it is a trend that seems to be a commentary on the state of our nation at present.

Face 1st, Brunel Way, Bristol, October 2019
Face 1st, Brunel Way, Bristol, October 2019

This is a crisp and clean piece down under Brunel Way, next to the Bristol New Cut. Face 1st often paints the columns round here, but less frequently paints the main walls, so this is a bit of a treat. An artist who consistently ticks all my boxes.

2553. Dean Lane skate park (262)

One of the things I love about going through my archives is that I get to re-visit a whole bunch of gems that for one reason or another I didn’t publish at the time – often because I operate with a monumental backlog. I reckon that for every piece I post on Natural Adventures there must be five or six that never see the light of day.

Slakarts, Dean Lane, Bristol, January 2018
Slakarts, Dean Lane, Bristol, January 2018

This overlooked and yet utterly wonderful piece is by Slakarts and was painted in Dean Lane back in January last year. His trademark stylised faces are always recognisable and he seems to favour a soft or gentle colour palette. This face has been adorned with plenty of little decorations and some nice painted drips. More in my archives to come.

2547. M32 Cycle path (35)

How fantastic to see these two PWA artists hooking up again after what feels like way too long. Soap and Face 1st have been painting buddies for a long time, but lately have been doing their own thing. I was beginning to think that they might have fallen out and may maybe they had, so it was with some relief  that I came across this fine collaboration on the M32 cycle path.

Soap and Face 1st, M32 cycle path, Bristol, October 2019
Soap and Face 1st, M32 cycle path, Bristol, October 2019

The collaboration itself is a lovely crisp piece, which is tapping into Face 1st’s recent theme of a crying face, which I interpret as a metaphor for the desperate state of our nation. This collaboration is really tight and one of my favourites that this pair have produced. The yellow boundary contains the two elements into a ‘proper’ collaboration of shared paint and merged ideas rather than the loose collaboration of when artists paint different things together.

2534. Dean Lane skate park (258)

I was up at Dean Lane yesterday, and although this picture is from a while back, the little face by Mutatee is still there which is great news, because all too often installation pieces get vandalised or stolen.

Mutatee, Dean Lane, Bristol, October 2019
Mutatee, Dean Lane, Bristol, October 2019

When I see this face it reminds me of the little toys of the 1970s called Gonks although with teeth, which I don’t think they had. I love these little curiosities that Mutatee has glued to various walls in Bristol, and I will continue to hunt them down. I do think that she needs to find a translucent glue though, as the white one used here is a little bit distracting. Always fun finding these.

2522. M32 roundabout J3 (173)

This is quite a rare piece by the mild-mannered Face 1st, because he doesn’t very often get political, but this piece has been painted to show the artist’s despair over Brexit. It is a sentiment that will chime for the majority of Bristol citizens who voted overwhelmingly to remain in Europe.

Face 1st, M32 roundabout, Bristol, October 2019
Face 1st, M32 roundabout, Bristol, October 2019

I share the tears being shed by Face 1st’s subject and they are tears that reflect a sadness that our country is so divided, more so than at any time in living memory. The UK is shattered, and we can be pretty sure that the outcome of leaving Europe will be several more years of austerity (haven’t we had enough? – as a public sector worker, I’ve not had a more than 1% pay rise for a decade), the break up of the Union, with Scotland the first to go, and a vast and costly new domestic bureaucracy (replacing the one in Europe) just to manage our trade relationships and regulations that will be required for each nation we trade with. I wish I could wake up from this nightmare. Face 1st’s piece says it all really.

2517. St Werburghs tunnel (103)

I love my little trips through my archives every now and again, and the recent weather has dictated that fewer new pieces are being painted and this has given me the tiniest bit of space to dig up some gems. This is one from Lobe from April this year before I knew who the artist was.

Lobe, St Werburghs, Bristol, April 2019
Lobe, St Werburghs, Bristol, April 2019

Regular readers will know that I am going through a bit of a Lobe ‘period’ in Natural Adventures, and am very much enjoying her work. Adopting her usual style of a stylised portrait filled with bold solid colours, this is typical of her work. There is a lot more to come from Lobe, I am sure of it and I am looking forward to watching her work develop.

2516. St Werburghs tunnel (102)

One of the most welcome sights on any wall in Bristol has to be the beautiful form and colours of a Tasha Bee stylised face. Distinctive and full of serene character, her work, to me at least, feels like it is very ‘Bristol’ if that makes any sense at all, even though I think, like me, Tasha Bee is not a native Bristolian.

Tasha Bee, St Werburghs, Bristol, September 2019
Tasha Bee, St Werburghs, Bristol, September 2019

It would be easy just to focus on the face of this piece at the entrance to St Werburghs tunnel, but that would ignore the fine hair ornament with joyful colours radiating out from a central circle. Unfortunately the piece had been tagged by the time I got to see it… I just don’t understand the point of tagging something as beautiful as this, is it some kind of assertion of dominance from people who are natural undear-achievers? It is difficult to know.

 

 

2507. St George skate park (8)

It is a great pity that I didn’t manage to photograph this piece by Slakarts before it got scuffed up (an occupational hazard for any paintings in a well-used skate park), because it is difficult to make out the true beauty of it. Although I have a few of his pieces in my archives, this is only the second of his pieces that I have written about. Probably about time to break some of his older pieces out.

Slakarts, St George, Bristol, September 2019
Slakarts, St George, Bristol, September 2019

His work often features a face in this style that rather resembles a mask. The subtle colours he has used here are probably more prone to skateboard damage than something that might have been a bit brighter but you can nonetheless get a sense of the rather solemn face. The drips are intentional. More to come from Slakarts soon.

2504. St Mark’s Avenue (3)

In my favourite recently discovered spot, St Mark’s Avenue in Easton, is this great collaboration between Soap and Zake which I had seen previously on Instagram, but never knew where it was. Well now I know.

Zake, St Mark's Avenue, Bristol, September 2019
Zake, St Mark’s Avenue, Bristol, September 2019

On the left is a portrait by Zake that unusually for this alleyway has been altered by some idiot, goofing the eyes and the lips This is a real shame because it gives the character a completely different and rather sinister ‘personality’ than that of the original. Even though it has been altered, I felt it worth including, partly to demonstrate that not everything I get to see is in its perfect pristine state and also to explain why I try to get out regularly to find new pieces before they have been tagged or ruined.

Soap, St Mark's Avenue, Bristol, September 2019
Soap, St Mark’s Avenue, Bristol, September 2019

On the right is some colourful and uplifting writing fro Soap. The photograph is a little bit rubbish, partly because of the rather unhelpful wheelie bin and also because of the width of the lane at this point is quite tight and ‘front on’ pictures are an impossibility without a wide angle lens. Unlike much of the work in this lane it is relatively recent and was painted this year. As an aside, the tag on the bin is one that can be found pretty much everywhere in Bristol – I don’t know the tagger’s name, but it is probably concealed somewhere within the tag.