1782. St Werburghs tunnel (44)

So back we go now to St Werburghs tunnel where we find another Face 1st piece, this time it is just the face and hair which has a leaf-like appearance. I think the hair might spell Face, as in other works by the artist, but I fear I am losing my grasp a little and see writing in things where there is none.

Face 1st, St Werburghs, Bristol, October 2018
Face 1st, St Werburghs, Bristol, October 2018

I think that Face 1st tends to do a couple of these at a time when there is a paint jam in the tunnel, because there always seems to be something by him in there at any one time. This piece features his commonly used purples and pinks which often dominate his colour palettes.

1779. St Werburghs tunnel (43)

I really hope you don’t get bored with seeing pieces by Face 1st. If you do, then just skip over this one and the next one in about four posts time and so on. You see, I like his work a lot and he manages to hit the streets a lot, which means his work will feature here a lot.

Face 1st, St Werburghs, Bristol, October 2018
Face 1st, St Werburghs, Bristol, October 2018

This is an absolute blinder from Face 1st in St Werburghs tunnel and I had to do quite a lot of colour management on my photo editor to bring out the true colours that were swamped with orange light in my originals. Because of this manipulation these pictures can never be a true representation of the piece, so things like this really need to be seen in the flesh. Two faces and lots of adornment…each of the tear-drop things decorated differently, but each given that 3D feel. Lovely piece.

1776. Fairlawn Road (2)

I don’t often post pieces that have been badly dogged but I make an exception with this piece by Stupid Stupid Meathole because I don’t see much of his work about the place and get rather excited when I do see one.

Stupis Stupid Meathole, Fairlawn Road, Bristol, September 2018
Stupis Stupid Meathole, Fairlawn Road, Bristol, September 2018

I certainly wasn’t looking for this little gem when I found it walking the dog around Montpelier. I think it was painted at the same time as the Tasha Bee piece directly to the right of it. There is always room in my blog for his rather grotesque organic pieces.

1768. Fairlawn Road (1)

Ubiquitous is one of the words I would use to describe the work of Tasha Bee. It doesn’t seem to matter where I wonder, I end up finding some of her work. This piece I found while taking the dog on a long walk around Montpelier – I wasn’t even hunting it down.

Tasha Bee, Fairlawn Road, Bristol, September 2018
Tasha Bee, Fairlawn Road, Bristol, September 2018

Tasha Bee I think also wears the crown at the moment for being the most prolific artist in Bristol, giving Laic217 and Nevergiveup and Facef1st a run for their money. I have said before how much I love the serenity of her faces, and am enjoying more and more the fills she is using for the hair. Great work.

1748. M32 Spot (27)

I have been prompted to publish these wonderful cartoon faces by Zake from my archive because I am aware that he has done some more recently. I was hoping that I could find out a little bit more about the artist in the meantime, but all my searches have been fruitless.

Zake, M32 Spot, Bristol, May 2018
Zake, M32 Spot, Bristol, May 2018

Zake’s faces are wonderfully expressive and in terms of their size and format seem to work very well within the rather tight constraints of the columns under the M32.

Zake, M32 Spot, Bristol, May 2018
Zake, M32 Spot, Bristol, May 2018

Another characteristic of Zake’s work is the selection of brown colours for the faces, which seems to provide a good contrasting base for the features. I love this man with the pens in his shirt pocket. These are great small pieces, and it would be good to see where Zake takes this work.

Zake, M32 Spot, Bristol, May 2018
Zake, M32 Spot, Bristol, May 2018

1746. Moon Street (54)

Absolutely no prizes for guessing the artist…besides which his signature is strikingly obvious in this piece. Laic217 favours this wall, and I must have six or seven of his works from here over the past three years or so. Incidentally, Moon Street is one of my favourite haunts too, but there seems to be less and less turnover here than there used to be.

Laic217, Moon Street, Bristol, September 2018
Laic217, Moon Street, Bristol, September 2018

In this piece, we have many of the things you can expect from Laic217 Including the bucket hat and brick wall motif. But what I particularly like about this character is his eyes which are actually spray can caps – a great idea. You have got to like the rather manic ‘Joker’ mouth too, which adds a touch of menace to the piece.

Laic217, Moon Street, Bristol, September 2018
Laic217, Moon Street, Bristol, September 2018

Laic217’s pieces are often highly colourful and this one is no exception to that. The turquoise background acting as a perfect foil to the red brick shirt and purple face. I’ve always been a fan and likely will always continue to be one.

1727. M32 roundabout J3 (93)

Face 1st (F1st) is the master of getting his work squeezed into just about every corner of Bristol. At any one time, the M32 roundabout must play host to four or five of his pieces, which is pretty impressive really. I would hate to see his monthly spend on spray cans.

Face 1st, M32 roundabout, Bristol, August 2018
Face 1st, M32 roundabout, Bristol, August 2018

This is a return to his more ‘traditional’ style of a pretty face incorporated into some beautifully decorated letters which usually spell out FACE, but in this instance I’m not sure about that. It is always great to see work by one of my absolute favourite Bristol artists.

1697. St Werburghs tunnel (38)

Hurrah, it is great to find one of Laic217’s distorted face pieces, it feels like an absolute age since I last saw one, he has mostly been spraying skeletons and skulls of late, so this is a welcome return.

Laic217, St Werburghs, Bristol, August 2018
Laic217, St Werburghs, Bristol, August 2018

This is one of a pair of pieces sprayed side by side in St Werburghs tunnel in early August by the artist, and of the two I would say I slightly prefer it although both are excellent. I really do like his work, and for as long as he keeps putting them out there, I will continue to photograph them and write about them…if I find them. Those eyes!

1683. Upfest 2018 (23)

Now this charming piece is something rather refreshingly different and eye-catching. It is one of two pieces that I am aware of painted by the London-based artist Vanesa Longchamp at Upfest, the other being a North Street shutter piece (to follow).

Vanesa Longchamp, Upfest, Bristol, July 2018
Vanesa Longchamp, Upfest, Bristol, July 2018

It was good to witness this piece taking shape during the festival, although I think that the high winds experienced over the weekend must have made it rather difficult, particularly at the exposed site of Ashton Gate, for the artists.

Vanesa Longchamp, Upfest, Bristol, July 2018
Vanesa Longchamp, Upfest, Bristol, July 2018

Vanesa’s simple style betrays some fantastic technique and the shading of the hair and twinkle in the eyes is masterful. I’ve not come across any of herv work before but will be on the look out from now on. Great stuff.

1673. M32 roundabout J3 (91)

Unusually I find myself rather conflicted about this extraordinary recent piece by 3Dom on the M32 wall. I am such a big admirer of his work, but for reasons I cannot identify, this one doesn’t really tick my boxes. It is technically beautifully done, and the blue patterning around the outside is masterful, but there is something about the face that doesn’t work for me. It is peculiar, but I feel a little disloyal, though I don’t suppose that you can like everything all the time.

3Dom, M32, Bristol, August 2018
3Dom, M32, Bristol, August 2018

It is great to see more of his work about the place though, and this piece did manage to survive longer than the Sepr piece two to the left which had been buffed by the time I got there.