I can’t think how many times Dibz and Fade have teamed up in the last couple of years, but it must be into dozens, and this piece shows the true nature of total collaboration, where both artists created this incredible work together, and it isn’t possible to know who painted what. Lots of crew shout-outs are scattered around the outside of the piece in pink. Wildstyle writing at its best.
The piece spells out, rather appropriately, ‘Wild Style Addicts’ which probably sums up these two rather well. The gold and purple colours complement one another well, and it all looks very neat and tidy on the black wall.
I think I was about five or six years old when I was given my first Asterix book. My mother was having her hair done and bought me ‘Asterix the Gaul’, to keep me occupied for the very boring two hour hair appointment. Not only did the distraction technique work, but it began a love affair I have had with these cartoon adventure books ever since. I still buy (in hardback) every new edition that is published, even though both the original author and illustrator (Goscinny and Uderzo) have now died. Imagine my excitement when I came across Dibz and Fade while they were painting this epic piece in Dean Lane.
Fade and Dibz, Dean Lane, Bristol, June 2025
I can’t really add much commentary about the artists that is new, and I have run out of superlatives to describe their work. The writing on the left, by Dibz is about as tight and sharp as you can get with wildstyle graffiti writing. The orange letters with a deep 3D drop shadow, which has a metallic sheen to it, spell DIBZ.
Fade and Dibz, Dean Lane, Bristol, June 2025
To the right hand side of the collaboration, Fade has adopted the colour selection for his piece, but, although subtle, his letters and style are a tad softer than Dibz’. A notable change in this collaboration is that the artists have swapped sides from their usual preference, which must feel a little bit like sleeping on the wrong side of bed. Maybe?
Fade and Dibz, Dean Lane, Bristol, June 2025
The centrepiece of this production is a near-perfect rendition of the druid Getafix, who makes the secret magic potion that gives our protagonists, Asterix and Obelix, their strength. The artists have been so true to the original artwork, Uderzo himself would have been impressed. This really is a remarkable collaboration and shows off Dibz and Fade at their very best. I’ll forgive them for the ‘Geta-graf-fix pun.
Fade, Acid Face with a Brace and Dibz, Dean Lane, Bristol, May 2025
One of the best pieces of the year so far (in my view), this is an outstanding production triptych by Fade, Acid Face with a Brace and Dibz. What is difficult to convey is the scale of the collaboration, because not only is it wide, but it is also tall as well.
Fade, Dean Lane, Bristol, May 2025
There is so much happening here, and it starts off with a superb piece of writing from Fade. The letters are complex and multilayered, with great fills, deep 3D drop shadows that appear to be translucent and some ‘tape’ wrapped around the ends of the word. The purple bubbly background is present through the whole piece.
Acid Face with a Brace, Dean Lane, Bristol, May 2025
Arguably the most eye-catching part of this collaboration is the central character by Acid Face with a Brace, a writer from Birmingham. The scary, hooded mummy-type character is superbly painted, with tons of movement, and brilliant folds in the fabric and bandages. The blue face and big red eyes are superbly crafted. This is simply awesome.
Dibz, Dean Lane, Bristol, May 2025
Rounding off the collaboration is a mirroring of Fade’s writing to a large extent, but with enough signature elements to be different and ‘Dibzy’ enough. The way these three have combined their talents to create this amazing production is a testament to their individual and combined skills. A little bird tells me that wall may get a facelift while retaining the character – you heard it here first.
This combination piece from Fade and Dibz is outstanding, and really ticks all my boxes. I watched them as they started painting this and knew, even when it was in draft that it was going to be an absolute blinder.
Dibz and Fade, Dean Lane, Bristol, May 2025
This is straight out of the black book, a sketch come to life with a clever twist and superb early Disney character. I love seeing works in progress as it shows just how unbelievably talented these artists are, and how they build the picture up into something quite magnificent.
Dibz and Fade, Dean Lane, Bristol, May 2025
The writing is by Dibz, and has a beautiful, deep 3D drop shadow, with additional shading to create perfect depth and lift. The fox character, by Fade, looks like he is reading Dibz’ black book, maybe at this actual picture, which would be a clever twist. The whole thing is set on a piece of lined paper, which adds another whole dimension to the collaboration. Bravo! Gentlemen.
There are a couple of things that are slightly unusual about this piece by Fade. The first is that it is a solo piece and not a collaboration with Dibz and second, it has unfamiliar letters, as it is a tribute to ‘the Mrs’ to use Fade’s words, although I can’t remember her name, and I am struggling to decipher the letters.
Fade, Dean Lane, Bristol, April 2025
The graffiti writing is flawless, as you would expect, and stands out on the large wall with a black background. There is a little too much brown for my own personal taste, but I have spoken enough about that in recent posts. Really stand out work from Fade
Fade, Jody and Dibz, Dean Lane, Bristol, April 2025
Here we have yet another epic production collaboration from Fade, Jody and Dibz, who have been knocking it out of the park for a couple of years now, creating some breathtaking triptychs from the two writers and the ‘character’ artist.
Fade, Dean Lane, Bristol, April 2025
I watched them for a short while while they painted this piece, and while the two writers were well advanced with their work, Jody’s skull portrait was still some way off. On the left, Fade has produced some gorgeous ‘lava’ letters tinged with some turquoise highlights and some purple smoke plumes. His letters look like CREAM, but I can’t be sure.
Jody, Dean Lane, Bristol, April 2025
The centrepiece is an outstanding screaming skull by Jody. He really is a most talented artist, both in his studio work and his street art. His technique is simply awesome, and he manages to create such depth and texture with the deft strokes of the spray can. Brilliant stuff.
Dibz, Dean Lane, Bristol, April 2025
Dibz, to the right, mirrors the colours of Fade, as is so often the case with these production pieces. The letters spell DIBZ, a little easier than Fade’s to read, and contain the same hot lava look. The triptych as a whole has a searing heat about it, as if the poor soul in the middle is trapped in hell. Outstanding collaboration.
Keeping up with Dibz and Fade, even over the winter months, has been challenging. Their high-end graffiti writing is creative and imaginative, and some of the best you’ll see in Bristol and beyond. Sometimes the pair paint in themed colour schemes and play off one another, but this collaboration presents two very different pieces with only a shared background to link them.
Fade, Dean Lane, Bristol, February 2025
On the left, Fade has painted a stunning tribute piece for Chaos, who in his own words is ‘lost but not forgotten’. The yellow letters are filled with three horizontal stripes, nicely blended, without any hard edges. The little white trims do a lot to create depth, as does the thick black border. A beautifully finished piece, as you’d expect from Fade.
Dibz, Dean Lane, Bristol, February 2025
To the right, Dibz has painted a crazy colourful explosion of a piece, which is a ‘heavenly birthday’ tribute piece for Benson Much, and knowing this, you can make out the letters BENSON. This is an absolute stunner, there are no two ways about it. Each component of the work has been allocated a different colour, not only on the surface, but also in the drop shadow. This demonstrates Dibz’ complete understanding of light and shade and colour matches and when combined with his extraordinary talent you are left with something that you can’t help but admire. A fabulous collaboration.
Fade, Jody and Dibz, Dean Lane, Bristol, March 2025
After a few posts from a trip to Liverpool, I return to my comfort zone of Bristol with this magnificent production piece from Fade, Jody and Dibz on the long wall at Dean Lane.
Fade, Dean Lane, Bristol, March 2025
The triptych begins with some great writing from fade on the left, where the absence of colour and decoration within the letters demonstrates the artist’s talent in its rawest form. All the artwork is beautifully tight, and he switches up things a little with the black border fading to orange on the right.
Jody, Dean Lane, Bristol, March 2025
In the middle is a superb portrait by Jody – I think the first I have seen this year – which presents a woman in three-quarter profile with loads of interesting light and shade cast across her face in red and blue tones, creating so much depth and interest. So very well painted, and as an example, have a look at the shadow cast under her nose. Brilliant. The hair is sensational too.
Dibz, Dean Lane, Bristol, March 2025
To the right, Dibz continues with the white letters, reflecting those of Fade on the left. This piece from Dibz is pretty much an archetypal work by the maestro and rounds the collaboration off perfectly.
Fade (Acer One and Jodi), Dibz and Sikoh, Brunel Way, Bristol, February 2025
This production wall is one that has been revisited several times by Dibz and Fade, and they have brought in others along the way. The portrait and writing above it by Jody and Acer One respectively have remained intact, but everything else around them have been repainted several times. This latest fiery reincarnation is by Dibz, Fade and Sikoh.
Fade, Brunel Way, Bristol, February 2025
Starting with Fade, flames engulf his letters FADE and nestled above, THK (Tru Headz Kru). The black letters are bordered with a flame line, incorporating reds, oranges, yellows and whites – absolutely incredible. The flame background is equally impressive, and he has also managed to incorporate some drips into the piece too.
Dibz, Brunel Way, Bristol, February 2025
Dibz’ writing mirrors that of Fade, and is also out of the top drawer. Slightly more angular than his painting partner, his letters have the same multicoloured border – how do they do that? Dibz has also managed to create a little bit more depth with his letters, and has added a yellow, melting, halo above his letters.
Dibz and Sikoh, Brunel Way, Bristol, February 2025
It is a pity that we only get to see Sikoh’s work occasionally, because he is without doubt one of the most talented artists around. Here he has painted two spray cans, one with a flesh hand spraying out flames, which is mimicked to the left with a fire hand holding the can. The collaboration is utterly outstanding, and has remained intact for over a month for all passers-by to enjoy.
Although Dibz and Fade have had a reasonably quiet winter, they have still managed to get out frequently enough to collaborate on some very impressive walls. This wall is one of their favourites, and because of its shape requires them to paint closer together than some of the other longer walls they like to paint.
Dibz and Fade, Dean Lane, Bristol, March 2025
In this piece, they each get to showcase their style and technique, using different base colours. Stepping back you can see that Fade’s work, in yellow, has a slightly softer finish, with more curves, than the slightly less forgiving angles on the green writing by Dibz. I don’t know too much about the character in this piece, but I am guessing both artists contributed to it. Naturally there is lots more to come from these two.
Natural adventures 